Brush with Danger Page #3
Yes?
Look here.
Van Gogh.
Yes.
The painter who once
said he had no technique.
I've never seen a
real Van Gogh before.
Is there one in Seattle?
This particular painting
disappeared during World War II.
And it hasn't been seen since.
But, yes.
There are a couple at
the Seattle Art Museum.
Have you never been to a museum?
No.
Well, we must get
you there pronto.
Well, I remember that
copy that you did.
And I know it's not
what you want to do.
But, I was hoping that you would
consider copying this for me.
Why?
It's for a friend.
Also an immigrant from Croatia.
He's been very ill.
Doesn't have much time.
Maybe a year, maybe less.
And that is his
favorite painting.
I owe him a lot.
I know it sounds
rather grandiose.
But, I just want
to give it to him.
Of course, he'll know
that I didn't find it.
And we'll have a
good laugh about that.
Will you?
Mr. Sullivan.
Justus.
Please, call me Justus.
Justus.
Ken and I are so
much in your debt.
But, I don't think
I can get this right.
I can't even see
the brush stroke.
I have a better version.
About the same size
as the original.
Well, excuse me.
Why don't you give him that?
I just feel that
you can do it better.
In my country, when we did copy,
we signed our name in the back
of the painting.
Could I do that?
No.
I'm really not that good.
I don't know how to
paint like Van Gogh.
I don't want you to
paint like Van Gogh.
I want to you to paint
like you are Van Gogh.
Could I think about it?
Of course.
And Alice, whatever
you decide, it's okay.
Oh, I've been thinking.
Eventually, you're going
to need some visas.
For you, Ken, and your father.
We are not going to
have him coming over
in a containership.
I'll work on it.
Have you seen this girl?
No.
Sir, have you seen this girl?
Take a good look.
Nothing at all?
Thank you.
Miss, have you seen this girl?
Has she ever bought
anything from you here?
Anything at all?
Okay.
Thank you.
How about you, miss?
You ever seen her
around the market place?
I'm just trying
to ID her, please?
What are you doing, Picasso?
Leaving.
What?
You want to run away again?
Not running away.
I'm leaving.
There is a difference.
And, you will be going where?
It doesn't matter.
We'll be fine wherever we go.
We?
We are not leaving.
You are leaving.
Ken!
Listen to me.
Something is not right.
What?
I don't know.
Is it...
Did he?
No.
Then?
He wants me to paint a Van Gogh.
So what?
You did it at home all the time.
It's different here.
I just don't feel right.
I don't get it.
Why does it matter if you
paint flowers or Picasso?
Nothing.
You want to run away just
because you don't feel right?
Just trust me.
I'm not going anywhere.
Ken, you're coming with me.
Dad put me in charge of you.
Get your things together.
Dad is not here.
And I'm not leaving.
Do you want to go
back to the streets?
Are you crazy?
Alice, this is everything
you ever wanted.
A place to paint.
To be an artist.
This is your dream come true.
But, Ken.
It's still just a dream.
None of this is ours.
But, it can be ours.
Listen to me.
Just listen, Alice.
He is giving you, me,
the chance of a lifetime.
I don't know why he is
doing it and I don't care.
I just know he likes us.
He's nice to us.
And he wants to help.
Besides, how else would
we ever get dad here?
So, he doesn't want
to get into your pants.
No.
Is he gay?
No.
Well then, he wants
to get into your pants.
No, he doesn't.
Look, my dear.
If he doesn't want to get
into your pants, he is gay.
And if he isn't gay, he
wants to get into your pants.
That's the way it has
always been since the
beginning of time.
Men are pigs.
No, he's not.
Then...
He's just nice.
Maybe, then, he's a eunich.
He doesn't want anything
from me, except that painting.
A Van Gogh?
Off with his ear?
Like the one we
saw in the museum?
That I had to
drag you away from?
I've never seen
a real one before.
Sure.
But...
It was so alive.
The brush strokes, the
colors, the mix of colors,
And, you know, the branch
seems to be breathing.
It was a swell branch.
I agree.
If only I could
ever be that good.
What's wrong?
Maybe, it would
help to train you.
He's been so generous.
But, I don't feel right
copying other people's work.
Look, every artist in
that great big museum had
to start somewhere.
A lot of them had to paint
sh*t that they didn't like.
You have here what
we call a patron.
Someone who wants
to support you.
So?
So, take what life offers you.
Life gives you lemons,
make lemonade.
But, add a sh*t load
of vodka, it helps.
Look Alice, it could be worse.
[bell rings]
Hit him!
Watch out.
Yeah!
Get him!
[cheers & applause]
Well, that's two down.
You got the door?
Thanks.
Yeah, with your agility and
your low center of gravity Ken,
you got a chance of becoming
something really special, okay.
Take this, huh?
You deserve it.
See you on Thursday?
You mean I get to do it again?
Yeah, sure.
You bet.
Where have you been?
Where did you get this from?
I found it on the street.
It fell from a big tree.
I told you money grows on trees.
Ken, seriously.
Tell me, where did
you get this from?
Well, I'm working for Elizabeth.
At the diner.
Doing what?
You know, washing dishes,
taking orders, cooking food.
Stuff like that.
Cooking food?
Sure sis.
This is America.
Anybody can do
anything they want.
And you got this
much from one night?
Sure sis.
Everybody likes me.
I made them laugh.
They gave me good tip.
And since you haven't sold any
paintings yet, I should bring
in the bucks.
Don't you think, Alice?
You're sweaty.
What?
I was working really hard.
Besides, I went to
Sullivan's gym today.
I mean, Mr. Sullivan.
I heard you were at
the gym today Ken.
And that everyone was
very impressed with you.
Have you been fighting?
Nah, there is no fighting there.
It's just a gym.
A couple of punching bags.
That sort of thing, huh?
We should all get some sleep
because tomorrow I will start
a new painting.
Not anything titanium.
The paint I'm looking
for has lead in it.
It's becoming more she-she.
Organic paint is what I call it.
No additives.
Kind of like the way the
old masters used to do it.
It's very expensive.
Do you remember
anyone buying it?
Well, it's not the
students for sure.
They can't afford it.
And, who wants lead poisoning?
Wait here, I got
some in back.
Why are Sizzly Colors different?
We use genuine historical
pigments like the ones used by
the old masters.
Blah, blah, blah.
No modern additives.
The character found in each tube
of our oil colors is unique.
Giving the artist new
choices of texture, opacity,
consistency, tone, and hue.
You experience the
transparencies of yellow ochre..
That's what I want!
Huh?
I mean, excuse me.
I need that kind of paint.
That's what I was looking for.
Please, I'd like to
look around some more.
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