Burn Country Page #5

Synopsis: After being exiled from Afghanistan, a former war journalist settles in a small town in Northern California and takes a job with a local newspaper. But when he attempts to cover local crime, he stumbles into local corruption that puts himself and others in danger.
Genre: Drama, Thriller, War
Director(s): Ian Olds
Production: ACE Productions
  1 win & 1 nomination.
 
IMDB:
4.6
Metacritic:
60
Rotten Tomatoes:
60%
Year:
2016
102 min
Website
59 Views


and they're both on fire.

And people are trying

to put him out,

but he keeps running

and running.

And there's bits of cars

and people in trees everywhere.

So, I run down to help,

throwing people in taxis

or whatever will take them.

And I grab this one guy,

and his leg comes right off.

Just separates from his body.

So, I toss it

in the car with him,

and on to the next and the next.

And, uh, when it was all over,

I didn't feel anything at all.

Just the adrenaline and heat.

But it wasn't like that

all the time.

It was regular life.

You'd be surprised

what you get used to, yeah?

Well, you're here now.

Yeah.

You're safe.

I didn't come here

just to be safe.

Good.

Yeah.

They can hear you

in the next county!

I like this song,

but for me the song

by the American

with the voice like rocks,

that is the best song.

What is it called?

No idea.

Oh, yes, yes.

Hey, Osman, I was thinking

about the conversation

we had this afternoon.

Lindsay and the Sokurovs

and all that.

Oh, god, Dmitri Sokurov.

My friend, now is not the time

to talk about these things.

Now is the time

only for dancing!

I lived on the Sokurov property

for, like, four months in this

killer converted chicken Coop.

But the kids, man,

they'd spy on me masturbating.

It was freaky.

But seriously,

I was swimming laps

and I couldn't stop

thinking about it.

I mean, he comes all this way,

and ends up trailing Lindsay

around west county.

I mean, what's up with that,

right?

I had to get out of there.

Their teenager threatened

to light my junk on fire.

And then I realized,

he's a journalist.

That's what they do.

Yeah.

I think you're great, Osman,

but it's a dark profession,

isn't it?

I mean, at its core?

Carl...

No, no, it's fine.

Um... yeah.

Yeah, there are some

problem things

about it sometimes.

Yes, problem things.

Like what?

Hey, Carl, come on.

Now you're just being

an a**hole.

Well, sometimes

the journalist gets it wrong.

Or lies.

Or sometimes he doesn't care

about the people.

Only the story.

Exactly.

They go somewhere,

find a person who embodies

what they already think

about a place,

then milk them for drama.

Leave the dead, empty skin

by the side of the road

and on to the next.

I think Sandra is right.

Now you are being the a**hole.

It's true!

I am an a**hole!

A great big, fleshy a**hole.

I'm just kidding, Osman.

I'm trying to make a point.

Don't listen to him, Osman.

He's just jealous

because he never got to prove

his manhood in the sh*t.

Here, let me show you

how to use that.

If we listen to one another,

if we read each other's

intentions clearly,

then no one will come to harm.

I...

Shh! No talking.

Just listen and react.

Carl!

What? What is it, baby?

All right, you guys,

let's bring it in.

Seriously, Osman,

it's not worth it.

Both of you, chill. They're

so worried about you.

Carl, let's sleep it off.

I said quiet!

Oh, my god!

Carl...

Carl, you okay, man?

He's fine. Come on.

You deserved it.

Is he all right?

Couldn't be happier.

Um, hey, do you mind

staying here tonight?

It's a little late

to drive you home.

Yes, thank you.

You okay?

I want to know you all.

Know this place.

But I'm doing it wrong.

I can tell.

There's no right way

or wrong way.

Just be here.

I left too many people behind

to just be here.

It has to mean something.

Osman, I...

It's okay.

You have to know a place

to live in it.

You have to dig in,

find the center.

How can I live here

if I can't see

the bottom of things?

Maybe that's not

your job anymore.

Then what's my job?

I don't know.

Not now.

Lindsay.

I got it. Uh-huh.

Uh-huh.

Gloria.

Not now.

Wait, I'm coming with you.

Just stay here, and I'll

be back as soon as I can.

What is it?

What is happening?

Nothing, just stay here.

Gloria, I promised...

Stay here!

Police blotter.

Notes for September 12th.

The hot tub man is in danger,

but I can help him

before he comes to harm.

I am certain of this,

even if I am certain

of nothing else.

Sometimes you can see

inside the hole,

and sometimes you can't.

I know what you did.

Wait. No.

No, wait!

Gloria, I...

I have to tell you...

We found his truck.

Underwater.

Somebody dumped it

in the old reservoir.

Is he...

Osman.

Whatever you know,

you have to tell me.

That his?

You went pretty far in.

He was chasing me.

It was self-defense, Osman.

Whatever you did,

it's all right.

It was right here.

You okay?

Part of me wishes

we would have found him there.

In the ground.

Christ, that's not what

you tell the cops.

Come with me

back to the station.

You stay out of sight.

I'll send the boys out

to track down Gary,

drag him in for assault.

Meanwhile, I'm back out

to the reservoir.

But look, not finding Gary

out there

is a good thing, okay?

You said they didn't find

his body in the truck, right?

Who?

Lindsay.

No, no body.

There are traces of blood

all over the thing.

Some on the steering wheel,

some on the grill, on the door.

Stop the car.

What?

Please stop the car. Stop.

Where are you going?

I need to walk.

Where?

I... I'll call you

if I need you!

Any word on Gary yet?

Nope.

Martin says they finished

the work on the truck, though.

Says it's all from the same guy.

What is?

The blood.

From the truck?

Inside and out.

Your rock? It's all the same.

Same guy.

Lindsay?

The other one. The...

The dude in the ditch.

What was his name?

Beaux.

That's it.

Uh, you want to come in?

Where's Lindsay?

What do you mean?

The day he disappeared,

no one come for him.

I think he left on his own.

You should go now.

No!

Where is Lindsay?

I don't know.

He hurt that man, didn't he?

But no one come for him, huh?

I don't know

what you're talking about!

Where is Lindsay?

He's under the sea, isn't he?

Maddie.

They told me

that's where he lives now.

Who? Who tell you that?

I don't know.

The police.

Dmitri. Everybody.

Can I help you, mi amigo?

You tell Lindsay

I'm looking for him.

You tell him I know what he did.

Hey, man.

You know the hot tub man,

Lindsay, yes?

Yeah, yeah, we used to go

to high school together.

He was being hunted.

They found his truck underwater.

Wait, what?

He owed the Sokurovs money.

I think it's for his business.

I don't know.

But he was in trouble

and now he's gone.

They were chasing him,

but now the man is dead.

What? What is it?

If he hurt someone,

there had to be a reason, right?

There had to be a reason.

Hell, I don't know.

He's a wild man.

A little bit like you and me,

I guess.

How do you mean?

Well, on one hand

he's got a sense of humor,

on the other

he's got a little bit

of a death wish thing

happening, you know?

If I had that wish anymore

you think I'd be here?

What about the Soku...

Wait.

I got to go.

Sh*t.

Hey.

Hey, kid.

No, no, no!

I just want to talk!

Please stop.

Oh, sh*t.

Let go of me!

My dad's going to kill you!

You come to pay your respects?

Rate this script:0.0 / 0 votes

Ian Olds

Ian Olds is an American film director. His directing credits include the documentary Occupation: Dreamland, which follows the 1/505 company of the 82nd Airborne Division in Fallujah, Iraq in early 2004 during the Iraq War. Olds also created the documentary Fixer: The Taking of Ajmal Naqshbandi, which depicts the working relationship between American journalist Christian Parenti and his Afghan colleague Ajmal Naqshbandi during the War in Afghanistan. Occupation: Dreamland won a 2006 Independent Spirit Award. Fixer: The Taking of Ajmal Naqshbandi earned Olds the Best New Documentary Filmmaker award at the 2009 Tribeca Film Festival and won Best Feature-Length Documentary at the 2009 Madrid International Documentary Film Festival. The film was nominated for a 2009 Emmy for Outstanding Investigative Journalism. HBO Documentaries acquired rights to the film.In 2012 Olds and actor James Franco co-directed the film Francophrenia: (or: Don't Kill Me, I Know Where the Baby Is), which repurposes footage taken of Franco on the set of the American soap opera General Hospital.Olds has also directed several short narrative films that were screened at the Sundance Film Festival, the Los Angeles Film Festival, the Rotterdam International Film Festival, and the Clermont-Ferrand International Short Film Festival. Olds edited Franco’s split-screen feature adaptation of William Faulkner’s novel As I Lay Dying, which premiered at the 2013 Cannes Film Festival.Olds was awarded a 2013 Guggenheim Fellowship, a 2011 San Francisco Film Society/Hearst Screenwriting Grant, and a 2006 Media Arts Fellowship sponsored by the Rockefeller Foundation.Olds received his MFA from Columbia University’s Film Division in 2006. He was named one of the 25 New Faces of Independent Film by Filmmaker Magazine in 2009 and was a 2011 Fellow at the Sundance Institute Screenwriters Lab. more…

All Ian Olds scripts | Ian Olds Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Burn Country" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/burn_country_4840>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Burn Country

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who directed the movie "Dunkirk"?
    A Ridley Scott
    B Christopher Nolan
    C Steven Spielberg
    D Martin Scorsese