By Sidney Lumet Page #10
- Year:
- 2015
- 103 min
- 140 Views
act as if you had faith, faith will be given to you. If-- if we are to
have faith in justice, we need only to believe in
ourselves and act with justice. I believe there is
justice in our hearts. JUROR: Well what about it? You're the only one. I have a proposition
to make to all of you. I'm going to call
for another vote. I want you 11 men to vote
by secret, written ballot. I'll abstain. If there are 11 votes for
guilty, I won't stand alone. We'll take in a guilty verdict
to the judge right now. But if anyone votes not guilty,
we stay here and talk it out. That's it. If you want to
try it, I'm ready. All right, let's
do it the hard way. Yeah, that's it. That sounds fair. Everyone agree? Anyone doesn't agree? Fine, let's go. Here, pass these along. Is that the right [inaudible]? [music playing] I don't think I have ever
dealt with a situation of that brutality
that that incident with the little
girl on the train. I knew that people
could behave badly, but I didn't know that people
could behave that badly. It was the kind of thing that
I could have only envisioned in a book, but never could
have envisioned actually happening because
it was a descent into a kind of bestiality. And I'll bet you, 10 to
one-- these weren't beasts, that when they
went home on leave, there was the sweet girl next
door and every other cliche. I said, no, and then
the whole wrestle with do I do anything about this? And of course I didn't. It's a kind of self-loathing
that comes when you've done terrible things in your life. I guess that's probably as bad
as anything I've ever done. And I went back into my
compartment and sat down. And then when we
got to the camp, the same compartment opened
and this hand came out and he put her down onto the
station platform, very gently. He didn't throw her or
anything, but that was it. And you know it's
clearly a situation that has stayed with me all my life. I think that kind of heroic
belongs in "High Noon." I think that's a romantic
movie version of life. When you are standing there
and there are eight men around, or nine men, all of whom
are in one stage or another of sexual anticipation
or sexual depletion, and if you think you're
going to make a dent in that without getting thrown
off the train moving, you have to be ready to give up
your life at a moment like that and I wasn't going to do that. [music playing] Through my
appearance here today, I hope that police
officers in the future will not experience the same
frustration and anxiety that I was subjected to for
the past five years at the hands of my superiors
because of my attempt to report corruption. I was made to feel
that I had burdened them with an unwanted task. The problem is that the
atmosphere does not yet exist in which an honest police
officer can act without fear of ridicule or reprisal. SIDNEY LUMET: I was constantly
being attacked for not having a thematic line in
the work and doing many different kinds of movies. It's nonsense. There is always a bedrock
concern about is it fair? In order to ensure this,
an independent, permanent investigative body
dealing with police corruption like this
commission is essential. [applause] [music playing] So these complications,
when enough of them exist over a long
enough period of time, you look up one day, like
I do, and my god, I'm 83. Look how I spent my time. I spent my time on a pendulum. And because nature is
kind, the painful moments are not that painful,
and the joyful moments are not that joyful. For me, it all
flattens out a little. And you know what? That's perfectly all right. I did the other. I did the peaks and the
valleys and you know what? You get used to that too. It's a bore. What I have found out for
myself, I'm not unique at all. I'm lucky to have
work that I care about and the opportunity to do it. [music playing] [train whistle] [music playing] [music playing]
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"By Sidney Lumet" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/by_sidney_lumet_4890>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In