Cadaveri eccellenti (The Context) Page #5
- Year:
- 1976
- 67 Views
and now they keep killing the others.
We come across so many plots,
they prepare one a day.
We've managed to
keep them in check so far.
But this time you've got to
do something fast.
We must wait,..
We can't risk everything
by behaving rashly..
You don't understand.
I'm not saying you pre-empt
their counter-revolution,..
but just inform parliament
or the press.
We can't alarm everyone..
because you have
certain impressions.
What impressions? I have proof.
They're all implicated.
If that's the case, it's no use
discussing it any further.
You must see Amar.
Only the party secretary
can decide.
Amar is like all the others.
In a room of the National Gallery...
a groupe of visitors
discovered two bodies.
The police have now
identified the victims...
Mr Amar, the secretary of
the Communist Party,
and police inspector
Amerigo Rogas.
Both victims were probably shot
with the same weapon,
was still holding in his hand.
Here's the chief of police's
interpretation
Inspector Rogas had just return
from a very stressful mission...
to find the judges killer,
When he returned to the capital he
showed signs of mental imbalance.
As a result
he was placed on leave.
He was seeing plots everywhere.
non-existent evidence.
Perhaps he thought even the
secretary of the Communist Party...
was part of some
imaginary plot.
He killed him and then
turned the gun on himself.
So it seems we've accepted
their version.
Everything points to him
being the killer.
I don't believe it, I knew Rogas well.
He was no lunatic. There was a plot.
They felt so confident,
they went all the way.
And now they have invented
the ultimate provocation.
A police inspector
kills the party secretary.
Even if that's so,
what do you want?
A civil war?
A confrontation?
No.
But we won't be accomplices.
Incite the people in the square?
This is wh1at they want?
the truth.
Truth is not always revolutionary.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Cadaveri eccellenti (The Context)" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/cadaveri_eccellenti_(the_context)_4919>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In