Calvary Page #3

Synopsis: An honest and good-hearted priest (Brendan Gleeson) wrestles with a cynical, spiteful community after he receives a death threat from an unknown parishioner.
Genre: Drama
Production: Fox Searchlight
  9 wins & 27 nominations.
 
IMDB:
7.4
Metacritic:
77
Rotten Tomatoes:
90%
R
Year:
2014
102 min
$5,030,432
Website
2,974 Views


(CONTINUED)

14.

CONTINUED:

23 23

FIONA:

I suppose you are a corporate entity,

if you look at it in one way.

LEARY *

It’s the only way to look at it.

We provide a product and a service

and that’s all there is to it.

He strolls away. FIONA smiles wryly. LAVELLE gives a shake

of the head. Glances up proudly at the church.

EXT. BRENNANS’ HOUSE - DAY 24

VERONICA BRENNAN, thirties, wearing shades, pegging up the

linen. White sheets fluttering in the wind. She looks up -

LAVELLE at the other side of the line. His black soutane

fluttering in the wind.

LAVELLE:

Nice shades.

VERONICA:

Do they make me look like Jackie O?

LAVELLE:

Not really, no.

VERONICA smiles. Raises the glasses up on her forehead.

VERONICA:

This what you came to gawp at?

Nasty, hah?

LAVELLE:

It’s an interesting colour.

VERONICA lowers the shades and continues with the laundry.

VERONICA:

They say you can find beauty in

everything, if you look hard enough.

LAVELLE:

I’d say you can find beauty in

most things, but not everything.

That’s nonsense.

VERONICA:

Sure what would I know? I’m just

an auld washerwoman.

The washing that she’s hanging on the line now seems to be

comprised solely of items of lingerie.

VERONICA:

See anything you fancy?

(CONTINUED)

15.

24 CONTINUED:
24

LAVELLE:

If you don’t want to talk to me,

that’s fine. I’m not here to compel

you to do anything.

VERONICA:

You never know, Father, maybe I’d

like to be compelled. Maybe I’d

enjoy it.

LAVELLE:

I’ll have a word with Jack.

See what he has to say for himself.

VERONICA:

The Grand Inquisitor, hah? Go on

ahead for yourself so. I’m sure

he’ll be only too pleased to have

someone else to bore the ears off.

I stopped listening to his auld

shite a long time ago.

LAVELLE:

That’s how it is, is it? I didn’t

realise.

VERONICA:

You thought we were another Grace

Kelly and Prince Rainier?

LAVELLE:

That wasn’t a very happy marriage,

so it’s not a great analogy.

VERONICA looks at him. Laughs.

VERONICA:

Y’know that’s what I’ve always liked

about you, Father. You’re just a

little too sharp for this parish.

25

INT. BRENNAN’S BUTCHERS - DAY 25

A meat cleaver comes down hard on a rack of ribs. JACK

BRENNAN, forty, in a bloody apron, chopping up the meat.

BRENNAN:

(to his ASSISTANT)

--Mad fella altogether. Decapitated

the two of them. Blood all over the

place there was.

He chuckles and looks up --

LAVELLE has entered.

BRENNAN:

Father.

(CONTINUED)

16.

25 CONTINUED:
25

LAVELLE:

Jack.

(glancing at the ASSISTANT,

who is serving a CUSTOMER)

Could I have a word in private?

BRENNAN:

(nervous laugh)

Sounds ominous. Where’s Johnny

Cochran when you need him, hah?

26

INT. MEAT FREEZER - DAY 26

Carcasses of pigs, and sides of beef, hanging from hooks.

The icy breath of LAVELLE and BRENNAN floating between

them as they converse -

BRENNAN:

(giggling)

Hope we don’t get locked in. We’ll

have to make love to keep warm.

LAVELLE:

I had a word, there, with Veronica,

Jack.

BRENNAN:

You were over to the house?

Is everything alright?

LAVELLE:

Everything’s fine. I mean, no, it’s

not fine. Mass on Sunday, with the

shades and everything-

BRENNAN:

Oh that.

LAVELLE:

Yes, that. Have you been laying into

her or what’s going on?

BRENNAN:

Ah that wasn’t me, now. That was

that black fella she’s been seeing.

Coloured fella, I mean, sorry.

Didn’t mean to be racist, slip of

the tongue.

LAVELLE:

You’re saying he beats her up?

BRENNAN:

Well don’t quote me on it. I mean,

that’s what I’m assuming, like.

She talks in riddles half the time,

I can’t get any sense out of her.

(MORE)

(CONTINUED)

17.

26 CONTINUED:
26

BRENNAN (CONT'D)

I think she’s bi-polar, or lactose-

intolerant, one of the two. I never

know where I am with her anymore.

I’m glad to have her off my hands,

to be honest with ya.

LAVELLE:

Even if this new fella’s knocking

her about?

BRENNAN:

Sure what’s that got to do with me?

Not everyone can carry the weight

of the world, Father.

LAVELLE:

What about your marriage? The oaths

you took?

BRENNAN:

(with a laugh)

The oaths I took!

He sees the look LAVELLE gives him and stops laughing.

BRENNAN:

Listen, Father, she’s been a lot

happier since she’s been seeing him,

a lot calmer and more settled down,

like. I’m not under surveillance

any more either, I can reel in home

whatever time I like. So everybody’s

happy. Now where’s the harm?

LAVELLE looks blankly at him.

BRENNAN:

Will I cut you a nice side of beef

to be taking home with you, Father?

Freshly slaughtered.

27

EXT. GARAGE - DAY 27

Boots sticking out from underneath a car. The skirts of

LAVELLE’s soutane appear. He nudges a boot with his shoe.

SIMON ASAMOAH glides out on a car trolley.

LAVELLE:

Simon.

ASAMOAH:

Hello, Father.

(getting up, wiping his

hands on a rag)

I am rather busy today-

(CONTINUED)

18.

27 CONTINUED:
27

LAVELLE:

It’s not about my car. It’s about

Mrs Brennan.

ASAMOAH reaches for a Coca-Cola bottle and takes a

swallow.

LAVELLE:

You’re her boyfriend?

ASAMOAH:

I f*** her from time to time.

Does that make me her boyfriend?

LAVELLE:

It does around here.

ASAMOAH:

She has a lot of boyfriends, I have

heard.

LAVELLE:

Is that right?

ASAMOAH:

Do you want me to confess to adultery?

Is that why you are here?

LAVELLE:

Somebody beat her up.

ASAMOAH:

She told you I beat her up?

LAVELLE:

No, she didn’t.

ASAMOAH:

Then why are you here?

LAVELLE:

Somebody beat her up. It’s either

you or the husband.

ASAMOAH:

I do not think Jack beat her up.

He is not the type.

LAVELLE:

What is the type?

ASAMOAH takes a pack of cigarettes from his pocket and

lights one, looking out over the garage forecourt.

ASAMOAH:

Some of them like to be hit,

you know.

(CONTINUED)

19.

27 CONTINUED:
27

LAVELLE:

Who?

ASAMOAH:

White women. Irish women. Do not

ask me why. You would have to be

a psychiatrist-

LAVELLE:

Ah that’s nonsense. A justification

for your own brutality.

ASAMOAH:

No, no, they like to be hit.

In certain...situations. They beg

for it, in fact.

LAVELLE:

So she got what was coming to her,

did she?

ASAMOAH:

I was speaking generally.

LAVELLE:

Oh you were speaking generally.

Well I’m speaking specifically.

Don’t do it again.

ASAMOAH:

You cannot tell me what to do.

We are not in the Missions now.

Rate this script:5.0 / 1 vote

John Michael McDonagh

John Michael McDonagh is an English/Irish screenwriter and film director. He wrote and directed The Guard and Calvary, both films starring Brendan Gleeson. He was born in London in 1967. more…

All John Michael McDonagh scripts | John Michael McDonagh Scripts

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