Calvary Page #6
(CONTINUED)
32.
CONTINUED:
42 42
FIONA:
I suppose I should.
A further silence between them.
LEARY (O.S.)
Enjoying yourselves?!
*
LAVELLE and FIONA look up to see FATHER LEARY looking down
on them from the nearby bridge, smoking a cigarette.
*
LAVELLE:
We are indeed!
Lovely day!
LEARY *
LAVELLE:
It is indeed!
LEARY:
(esoterically)
Stamps!
*
He looks at them a moment longer, then disappears over the
bridge.
FIONA:
That’s the future of the priesthood. *
LAVELLE looks at her. They laugh.
43
LAVELLE is distributing hymnals to all the pews. Suddenly
he senses something, looks round -MILO
HERLIHY is standing there, having materialised
seemingly out of nowhere.
Milo.
LAVELLE:
HERLIHY:
I need to speak to you, Father.
LAVELLE:
Take a pew. Literally.
HIGH-ANGLE SHOT -- They sit in separate pews. A large
wooden cross looms above them.
HERLIHY:
Why do people kill themselves,
Father?
(CONTINUED)
CONTINUED:
LAVELLE:
Why do people kill themselves.
That’s jumping in at the deep
end. Lots of reasons, I suppose.
Why do you think yourself?
HERLIHY:
I dunno. The drink. Depression.
Lack of sex, maybe.
LAVELLE:
You’re a presentable young man.
I wouldn’t have thought you’d have
too much trouble in that area.
HERLIHY:
I don’t have the gift of the gab.
Never had it.
LAVELLE:
And it’s making you feel suicidal?
HERLIHY:
More bored than anything else.
It’s either committing suicide or
joining the Army.
LAVELLE:
Those are pretty drastic choices,
either way.
HERLIHY:
You can learn a trade if you join
the Army.
LAVELLE:
You can learn a trade if you don’t
join the Army.
HERLIHY:
You can experience more of life.
LAVELLE:
You think you can become a more
authentic person by fighting in a
war? By killing people?
HERLIHY:
You’re against me joining the Army,
is what I’m sensing.
LAVELLE:
Let’s put it this way, I’ve always
felt there was something inherently
psychopathic about someone who joins
the Army in peacetime. As far as
I’m concerned, people join the Army
because they want to find out what
(MORE)
33.
(CONTINUED)
34.
43 CONTINUED:
43it’s like to kill someone. I don’t
think that is an inclination that
should be encouraged in modern
society, do you?
LAVELLE (CONT'D)
HERLIHY shrugs, non-committal.
LAVELLE:
Jesus Christ didn’t think so either.
And the commandment “Thou Shalt Not
Kill” does not have an asterisk beside
it, referring you to the bottom of
the page, where there’s a list of
instances where it is okay to kill
people.
*
*
*
*
HERLIHY:
What about self-defence?
LAVELLE:
(after a pause)
Well that’s a tricky one, alright.
But we’re hardly being invaded, now,
are we?
HERLIHY:
The War on Terror has no borders.
LAVELLE:
I don’t think Sligo is too high on
al-Qaida’s agenda, Milo, do you?
HERLIHY:
Who knows what goes on in the Muslim
mind?
(pause)
I have had murderous feelings, though,
I have to admit. Not getting laid.
It’s starting to make me feel really
angry towards women. And so I thought,
well, if I joined the Army, those
inclinations as you call them would
be seen as a plus. On your application,
like. I mean, they don’t come right
out and say that’s what they’re
looking for, in the advertisements,
it’s all about seeing the world and
all that shite, but I would assume
that wanting to murder someone would
be like having a degree in engineering
or something, y’know? It would outweigh
my lack of qualifications.
LAVELLE:
Right.
(pause)
Do you use pornography at all?
I’m assuming-(
CONTINUED)
35.
43 CONTINUED:
43HERLIHY:
Ah, I feel I’ve exhausted all the
possibilities of pornography.
All of them?
LAVELLE:
HERLIHY:
Well nearly all of them. I’m onto
transsexual pornography at the
moment.
HERLIHY:
Chicks with d*cks, y’know?
44
CLOSE on HERLIHY and LAVELLE. HERLIHY putting on goggles.
LAVELLE:
Maybe there’s a simpler solution.
Leave home and go somewhere your
chances of meeting available young
increased proportionately.
*
HERLIHY:
Sligo Town, you mean?
LAVELLE:
No. I was thinking more Dublin,
London, New York--
HERLIHY:
New York? I’d only end up getting
the Aids. Knowing my luck.
PULL BACK to reveal HERLIHY is astride a motorbike.
HERLIHY:
Thanks for taking the time to talk
to me, Father. I can’t say it’s
been of much help, but it’s good
to get these things out in the open,
I suppose.
He zooms off down the hill.
45
OMITTED 45
*
(CONTINUED)
36.
CONTINUED:
45 45
*
EXT. MANSION - DAY
46
46
A bright blue sky.
FITZGERALD (O.S.)
Pull!
Two fluorescent orange targets appear in the sky and are
summarily shot to pieces -
FITZGERALD, in a corduroy three-piece suit and a red cap,
standing next to a voice-activated clay pigeon trap,
ejects the shells from his shotgun and quickly reloads.
FITZGERALD:
Pull!
Two more targets are launched --
FITZGERALD hits both. Ejects the shells. Pauses in the act
of reloading -
(CONTINUED)
37.
46 CONTINUED:
46FITZGERALD’s POV -- LAVELLE is standing on the crest of
the path leading up to the mansion.
FITZGERALD clicks shut the shotgun.
47
FITZGERALD fixes himself a large whiskey.
FITZGERALD:
They’ve all left me, you know.
That’s why the place is so empty.
Like a tomb.
LAVELLE is wandering about the opulently furnished and
decorated room, examining various objets d’art, a glass of
sparkling water in his hand.
LAVELLE:
Who’s left you?
FITZGERALD:
The wife. The kids. Even Consuela,
and she’s from Ecuador. You’d think
she wouldn’t have a lot of options,
but apparently not.
LAVELLE:
Well I’m sorry to hear that.
FITZGERALD shrugs, takes a swallow of his drink.
LAVELLE:
You mentioned a financial proposition?
FITZGERALD:
I want to make amends. Do penance
for past sins. Although I suppose
all sins are past, aren’t they, or
they wouldn’t be sins, they’d just
be evil thoughts floating around
in your mind. Why do you wear the
auld soutane, by the way? Trying
to make a statement or something?
LAVELLE looks blankly at him. Sips his water.
FITZGERALD smirks. Shoots back a cuff to reveal a gold Tag
Heuer watch at his wrist.
FITZGERALD:
This watch, now. This watch is
making a statement. It’s a Tag Heuer.
Really expensive.
(CONTINUED)
38.
47 CONTINUED:
47LAVELLE:
Are you going to get to the point,
Mr Fitzgerald, or are you just going
to ramble on-
FITZGERALD:
Let me ask you something. What do
you see when you look at me?
FITZGERALD:
I’ll tell you what you see. You see
a handsome, sophisticated, eminent
man in the prime of his life.
A Colossus, let’s say. A Colossus
who once bestrode the world of
high finance and became profoundly
influential in certain spheres,
not to say inordinately wealthy,
not to say sickeningly wealthy,
let’s face it.
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"Calvary" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/calvary_584>.
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