Canon City Page #4
- NOT RATED
- Year:
- 1948
- 82 min
- 45 Views
I'll finish the job on it.
No!
Leave him alone.
Are you telling me
what to do?
Yeah, I'm telling you.
I didn't ask in on
this party, see?
But now that I'm in on it,
I'm not gonna let you
foul it up
just to satisfy
a personal grudge.
Listen, this goes
for all you guys!
(scuffling)
Here's another boyfriend
to take along.
(scuffling)
Are we set?
Yeah.
Yeah.
If we clear the yard,
we're on our way.
(dramatic music)
(suspenseful music)
Come on,
we want the keys
to the north gate.
I haven't got it.
You're lying.
I'm not.
It's kept
during daytimes,
never at night.
We can't wait
for the key!
They'll see us in a minute
and start shooting!
Maybe we can
climb this thing.
Let me at that lock!
Keep back, you guys!
(smashing)
(suspenseful music)
(banging)
They found this
key on Biggs.
See if it fits!
Got it!
(chains rattling)
It's okay!
The gate's open!
(telephone rings)
McNally speaking.
What?
No, there's no
"Hill Gang" on tonight.
McNally, there's
been a break!
12 men gone,
Joe Gray
nearly killed!
(phone clattering)
Get me the warden!
(horn blowing)
(whistle blowing)
(narrator)
The dread sound of the prison whistle,
announcing a break,
warning Caon City.
The people hurry
for their homes,
to prepare for
whatever may be coming,
for the blast of that whistle
always means trouble,
suffering, bloodshed,
death.
Caon City can never forget
the last time it blew--
a night of horror,
12 dead--
seven guards,
five convicts.
Tonight, another break,
and a tornado
of desperate men at large.
The people get ready
for anything
into their homes.
Warden Best hurries
back to the prison,
through the storm,
to take command,
to muster his forces.
Rifles and ammunition
are issued for the manhunt.
The state police
have been alerted.
(alarm blaring)
These three guards
can't go any farther.
All right,
we'll leave 'em here.
Come on.
(whistle blowing)
The cops!
Break it up!
Scatter!
(narrator)
Even a newsboy's whistle means danger.
All of Caon City is stirring
like a nest of hornets.
People have one goal--
to get to
The fugitives have
scattered.
One group got
away in a laundry truck.
Others steal cars,
like Schwartzmiller
and his group.
The keys are still in it,
Get in the back,
screw!
(dramatic music)
Listen, men, you all
know the country.
It's rough outside
tonight,
and you're dealing
with some rough men.
If possible,
bring 'em in alive,
but don't take
any chances.
That's all.
Okay, warden.
Let's go, fellas.
(overlapping chatter)
(suspenseful music)
(sirens blaring)
(tires squealing)
Nice driving, Curt.
You did all right.
I'd like to see you do as
good on a night like this.
Where's the prison
dairy farm?
About a mile
up the road.
You may find a car
there,
but you're wrong in
thinking you'll get guns.
They keep 'em
locked up in a vault.
That won't stop us.
Not tonight.
We'd better
get off the road.
We'll go through
that field.
No matter how we go,
we leave tracks in the snow.
That's not a bad thought
for a city guy,
but I beat you to it.
Go ahead and walk
in single file.
I'll follow you and
wipe the tracks away.
The wind'll do
the rest, stupid.
Hey, where are you
trying to take us?
This isn't the dairy farm.
I know.
It's not far from here.
But I thought we'd go
in here and get warm.
Whose place is this?
A family by the name
of Oliver.
Do they know you?
No, I don't think so.
Maybe they
got a car.
Yeah,
we'll find out.
You keep your
mouth shut.
(dramatic music)
(door closes)
Excuse us for
tracking in the snow.
Mrs. Oliver?
Why didn't you knock?
You scared me
half to death.
(laughing)
I'm sorry.
You see,
we're in a hurry.
We're officers from
the pen.
I suppose you heard
about the prison break.
Yes, we heard it
on the radio.
You got a phone?
No.
No.
Well, uh,
our car was wrecked,
and we lost some guns.
We'd like to borrow
some of yours,
and your car too,
if you don't mind.
Well, I don't know.
Now, listen he--
Uh, you've got guns,
haven't you?
Uh, yes.
Yes, we've got guns.
A .38 pistol
and a .22 rifle.
I'll get 'em for you.
That's very nice
of you, friend.
We want
ammunition too.
Go get yourself
warmed up.
Poor guy got a chill
when the car turned over.
Ripped the coat
right off his back.
Seems to me,
you men should
have on overcoats
in this kind of weather.
Well...
How'd you come
to lose your guns?
They got smashed
in the wreck.
Of course, we've still got
these tear-gas billies.
They're loaded
with shotgun shells.
They'd make a nasty hole
in a person.
Yes, they would.
Dear me.
Where are the keys to
your car, Mrs. Oliver?
The car won't start.
What do you mean,
it won't start?
Well, the engine's cold.
The battery's run down.
Now, don't
give us that!
Take it easy, chum.
Well, you-- it wouldn't
start for me.
You can try it
yourself, if you want to.
Here are the keys.
It's out by the barn.
Thanks.
Oh, don't mind him.
He's got a nervous
disposition.
I wish he'd control it.
I've got one too.
You must have been
half frozen.
(Schwartzmiller) Yeah, but he
Sit down, boys.
(radio announcer)
Bulletin--
The 12 escaped convicts
are still at large.
These men are armed
and dangerous.
Four prison officials
injured by the escapees
have been taken
to the hospital.
One is near death.
Officer Winston Williams,
kidnapped as a hostage,
is missing.
It is not yet known
what has become of him.
You were right, lady.
Your stinkin' car
won't start!
Looks like the whole blasted
country's froze up.
How do we get to
the dairy farm from here?
You can't miss it.
You follow the road
out front.
You'll come to Superintendent
Higgins' house first.
Where is
Higgins' office?
In the farm dormitory,
from the house.
One of us had better
stay here, just in case.
I'll stay.
Get a car
and pick me up here.
Keep an eye on this guy
before he goes nuts.
Don't forget to
come back!
I'll come back!
(door closes)
Funny-- if you're
prison guards,
you don't know where
the dairy farm is.
We're new on the job,
Mr. Oliver.
We don't know
this country yet.
Then how can you go
hunting escaped convicts?
I...
I was just getting
supper.
I'm sure you
wouldn't object
to a nice, hot cup
of cocoa.
You'd like one, wouldn't
you, Mr. Williams?
Hey!
You said these people
didn't know you.
We don't, but we
heard the radio.
Yeah, he's Williams,
and we're cons.
Sit down, Mr. Oliver.
Take it easy.
(Mrs. Oliver)
Anything else you'd like?
Yeah, some fruit,
maybe.
Oranges.
I've got some.
You know, you don't
look like a criminal.
I'm not.
They got
the wrong man.
Get the cocoa.
(wind howling)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Canon City" Scripts.com. STANDS4 LLC, 2025. Web. 9 Jan. 2025. <https://www.scripts.com/script/canon_city_5021>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In