Cargo Page #2

Synopsis: In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann decides to work in the cargo ship Kassandra in an eight year travel to Station 42 that is in orbit of RH278 to raise money to meet her sister Arianne in Rhea. They keep in touch with each other, but their messages take three years to reach the other. Laura joins Captain Pierre Lacroix and his crew composed by the First Officer Anna Lindbergh; Communication Officer Miyuki Yoshida and Igor Prokoff and Claudio Vespucci. The Sky Marshall Samuel Decker joins the team since the terrorist group Luddites, led by Klaus Bruckner, is bombing the stations. Lacroix organizes shifts of eight and half months for each crew-member while the others rest in cryogenic sleep. Three years and eight months later, Laura finds that there is apparently a stowaway in the cargo compartments and Decker and Lacroix are awakened to i
Director(s): Ivan Engler, Ralph Etter
Production: Atlantis Pictures
  2 nominations.
 
IMDB:
6.2
Year:
2009
112 min
702 Views


He swore they sense

something that we miss.

What do you make of that?

What's in the hold, Chris?

I said, what's in the hold?

What do you mean?

What's in the hold, Chris?

Cocoa.

The hold is full of cocoa.

Chocolate.

Have you ever asked yourself

why you've never sunk your teeth

into a bar of African

chocolate?

Go feed the birds.

Right on the edge.

Can you believe that?

Three cards.

Somebody's down there.

Who is Rebecca?

You shut the door,

turn the lock, go to sleep.

Don't ask me anything.

What's wrong, Captain?

What the f*** is that?

Herman,

is it you?

Shut up!

What the f*** is this?

You, go there.

Who are you?

What do you want from me?

Subira!

Subira?

You're called Subira?

Yeah?

- Chris! Where the f*** are you?

We landed in Europe

with the stowaways.

They were arrested in the dock.

Ship tied up.

Couldn't pay the fine.

The big f***ing fine.

We lost her.

Our ship.

Rebecca.

Our home.

We swore,

if it happened again, we would

take measures. Family measures.

To defend our ship.

Stowaways.

Herman found them.

One by one we threw them over.

We all agreed, all took a turn.

All but one.

He refused.

What happened?

He called the Coast Guards.

The last thing he ever did.

God.

Tell me the truth, Chris.

What happened down there?

I swear I didn't see a thing.

The men say you lie.

I believe you.

They're scared.

Scared of you.

When we're scared, we change.

I thought, maybe...

maybe we could help one another.

Where is Luis?

F***! Frank.

What do you want from me?

- Come on!

No!

No!

Where the f*** is Luis? And Herman?

- I swear I don't know!

We don't believe you!

- I didn't see anything!

But I heard something!

Don't know what happened to Herman and

Luis but I heard footsteps! I swear!

I brought down some food!

Where'd you leave it?

Where did you leave the food?

Behind the water barrel.

- He's a f***ing liar.

Wait, wait!

We'll soon find out.

Chris.

What is it?

I want you to see something.

What are they doing?

Thanks to you,

we found them by the barrel.

This is how it is.

This is how it works.

You can't do that. Stop them.

Stop it!

Stop it!

You're either with us...

or against us.

I feel ill.

Feel ill. I feel I've got

that chicken flu coming.

I just wanna ram-bam-boo,

sing my song, baby.

Chrissy, you're one of us now, baby.

You are one of us.

How does it feel to be one of us

tonight?

Take a little drink, Chris.

Sorry, Fifi!

Chris, Chris!

Chris, drink! Chris, drink!

And one for the road!

More, more!

Our little Fifi!

Where is he?

Get up.

Get up!

Come on.

That's better.

Don't let them break you.

Get your f***ing hands off me!

I tried to protect you from all this.

I tried. I really, really tried.

All I did

is leave some food.

- It's OK, it's OK, take it easy.

I don't understand what's going on.

- You will.

I don't know what happened

to the others. I swear. - Christopher.

Why are you willing to risk your life

for people you don't even know?

You don't know yourself, do you?

What are you going to do with me?

Depends on you.

I don't understand.

I don't understand.

I don't know!

Let me go. I don't know where he is.

But I don't know where he is.

I don't know!

I don't know! I don't understand!

F*** off!

Jesus Christ!

Everybody up! Up, up, up!

Herman,

Luis

and the two Franks.

Shut the f*** up!

Get the weapons.

This time every square f***ing inch.

Go!

Nothing.

F*** all. Nothing.

- Nothing? OK.

Search the place again.

- There's no one here.

F*** it!

What are you doing?

Come back here. Come back here!

What the f*** are you doing?

OK.

F*** off, all.

Better take it down.

You've known all along?

She's a girl. Her name's Subira.

Don't even speak the language.

Anybody else?

- No.

See if you can find her.

I'll meet you by the barrel.

Subira!

Subira!

I wanna help you!

It's OK. Someone's gonna help us, OK?

It's all right.

No, no! It's a friend. It's fine.

F***.

Baptist.

Run, Chris, run!

Run, run!

Are you all right?

I know his name!

Abrahim!

Now how did I find out?

Ask Chris.

No, don't listen.

Don't listen to him.

- Abrahim.

He's lying.

Don't listen to him.

I swear. Subira.

We'll find them, Captain.

- No.

No, she'll find me.

How's Ramazan shaping up

in the kitchen? Is he... capable?

This is all wrong.

- Neither right nor wrong.

Jesus!

What did Chris do to you?

He might save us all.

I taught you first.

You were my favorite.

You were the closest to me.

- I've been quiet too long.

It's not too late, even for you.

It's never too late. - Yeah, yeah.

- You can be a good man.

It's time.

Cut the engines.

Subira.

Such a beautiful name.

Look at my new whore!

Nice, very nice!

Captain wants to see you!

F***.

Come out, Chris, or she's gonna die!

What happened to the Baptist?

In vain, as always.

Let her go.

It's not her fault, let her go.

I beg you.

She doesn't beg.

What the f*** is wrong with you?

What's wrong?

Stop this madness.

It's too late.

What happened in room number nine?

Gulls, Chris.

Gulls.

Self-centered,

single-minded survivors.

Will you gull with us?

What the f***

are you talking about?

All but one. One against the gang.

Fighting, kicking, screaming...

He wouldn't shut up.

And then he made that call.

What happened in room number nine?

Gulls.

They devour their own.

He was your son.

I broke his neck in room number nine.

And I threw him in the sea.

No f***ing getting back

from there, is there?

Yes.

By letting her go.

And me, too.

I can't.

It's gull time.

Take them up.

- No. I know you can.

You can do it.

You can save us. And save yourself.

Do it for me. Think of your son!

Gull with us, Chris.

You're either with us,

or you're against us.

Subira.

Leave him!

Leave him, Ramazan, leave him.

It's OK, it's OK.

Rot in hell, Brookes.

Where are you?

Where are you?

Oh, Chris.

Get him out.

Ralph.

I want everyone off this ship.

What about the girl, Captain?

Leave her be.

Just leave her be.

The keys to the safe.

Take the money and go.

Go.

All of you.

Save your miserable souls.

Everybody.

Adrian Byrne

Film und Video Untertitelung

Gerhard Lehmann AG

Rate this script:0.0 / 0 votes

Arnold Bucher

All Arnold Bucher scripts | Arnold Bucher Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Cargo" Scripts.com. STANDS4 LLC, 2024. Web. 27 Jul 2024. <https://www.scripts.com/script/cargo_5080>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the purpose of a "beat sheet" in screenwriting?
    A To provide camera directions
    B To describe the setting in detail
    C To write character dialogues
    D To outline major plot points