Carrington Page #3

Synopsis: The story of the relationship between painter Dora Carrington and author Lytton Strachey in a World War One England of cottages and countryside. Although platonic due to Strachey's homosexuality, the relationship was nevertheless a deep and complicated one. When Carrington did develop a more physical relationship with soldier Ralph Partridge, Strachey was able to welcome him as a friend, although Partridge remained somewhat uneasy, not so much with Strachey's sexual orientation as with the fact that he was a conscientious objector.
Director(s): Christopher Hampton
Production: MGM Home Entertainment
  Nominated for 1 BAFTA Film Award. Another 7 wins & 7 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
55%
R
Year:
1995
121 min
251 Views


Well...

Won't you spoil me, just this once?

Tonight?

(Dora crying softly)

(car engine)

I come bearing gifts.

- Oh, globes!

- Looted from Mother.

Oh, what a hero! If I were bigger,

I'd carry you over the threshold.

Well done.

Oh, don't go in there.

The pipes seized up. Then they burst.

- Good God.

- Come upstairs.

It's remarkable.

Yes, it seems that Eminent Victorians is

about to burst upon an astonished world.

- That's marvellous, Lytton.

- And not before time.

Chatto and Windus

claim to find it enchanting.

Not absolutely the adjective

I had in mind...

My God!

What?

You're living with him.

Yes.

How could you lie to me like that?

- Did you think I wouldn't find out?

- I didn't want to hurt you.

Oh!

Do you know, when I found out,

just thinking about you

and that half-dead eunuch,

I vomited all night.

You have poisoned my life.

Haven't you any self-respect?

Not much.

But he's just a disgusting pervert!

You always have to

put up with something.

It's very bright tonight.

Do you think there'll be a raid?

(gasps)

(Carrington) Mark!

No!

Have you managed it yet? Have you?!

I'll kill him!

That was all rather thrilling.

I'll kill him!

Anything more cinematographic

could scarcely be imagined.

THREE:
PARTRlDGE 1918-1921

(singing "La donna e mobile"

from Verdi's "Rigoletto")

(Carrington) Rex Partridge,

the man I was telling you about,

is coming down to see us on Friday.

After the war, he plans to sail

a schooner to the Mediterranean islands,

and trade in wine,

and dress like a brigand.

- You mean that you enjoy it?

- Well, no, it's not that I enjoy it.

Of course not. But it does seem

a good deal more real over there.

And it's a relief to get out of range

of all those Bolsheviks and malingerers,

who spend all their time complaining

about subjects they know nothing about.

- If you mean conscientious objectors...

- I do. That's exactly what I mean.

Only I call them skulkers.

A lot of them are prepared

to suffer for their beliefs.

- Bertie Russell's in jail.

- Best place for him, I dare say.

Anyway, he's better off there

than in the trenches, isn't he?

- That's not the point.

- Of course it is.

What are you supposed to do

if you're a pacifist? What?

- What would you suggest?

- What would I suggest?

I'd suggest they were

put up against a wall and shot.

That's what I'd suggest.

- I'm so sorry.

- What for?

I thought you'd like him.

- What do you mean?

- I'm sorry he was so awful.

Oh, but I thought he was wonderful.

"Thanks to the brilliancy of his style,

Eminent Victorians is a fascinating book."

I suppose this is what's meant

by the phrase "to wake up famous".

Chatto say the book is selling so well,

they're forced to consider a reprint.

That's bad luck, isn't it?

There.

I can't claim it was my intention

to destroy Victorian values,

but if that's what I've done,

I'm not in the least sorry.

It seems I am in distinct danger

of becoming a man of means.

Oh.

A terrible review by Gosse.

I can't tell you what a relief it is

to be denounced at last.

It hasn't been easy remaining calm in the

face of praise from the Daily Telegraph.

The curse of it all is, I can't see how to

get out of writing another book. Can you?

I don't know why you're so good to me.

It's a constant mystery.

- That's how I feel, Lytton.

- Hm?

You must always remember that.

I'm your pen wiper.

I know it was an obscene

and ridiculous war,

but I suppose it's

quite convenient to have won.

Now we shall see

some real progress, Lytton.

We're on the threshold of a golden age.

You know, Ottoline,

given the circumstances,

I really think we ought to dance.

Very well.

I wish he'd worn his pullover.

To look at him, you wouldn't

think he'd written that book.

- Why not?

- I read it the other day.

Couldn't see what all the fuss was about.

(Lytton) "Cardinal: I'll leave you.

Ferdinand:
Nay, I have done. "

"l am confident, had I been damn'd in hell,

and should have heard of this,

it would have put me into a cold sweat. "

"ln, in, I'll go sleep."

"Till I know who leaps my sister,

I'll not stir."

"That known, I'll find scorpions

to string my whips,

and fix her in a general eclipse."

"Exeunt."

I've been meaning to tell you,

I can't say I really approve of Rex.

- What do you mean?

- As a name.

That's not my real name.

- My real name is Reginald.

- Ah.

Myself, I'm very much in favour of Ralph.

Ralph Partridge.

Rrrrralph Partridge.

Sounds very fine. Don't you agree?

Ralph.

What's the matter?

I don't know.

I seem to be in rather a... flux.

(Lytton) It's really not fair.

Why aren't I a rowing blue,

with eyes to match?

(Carrington) But his conversation's

so dull. He's like a Norwegian dentist.

(Lytton) I suppose your privileges

give you the right to judge.

Oh, I don't know

what the world's coming to.

Women in love with buggers and

buggers in love with womanisers.

- And what with the price of coal...

- (chuckling)

Do you think your major would stay more

often if you had a more comfortable bed?

Your bed's all right.

Let me put it another way.

I wish he would stay more often.

When you go up to London...

Hm?

Who do you see?

Well, nobody you know.

Yes, but who?

I like to keep a bit of privacy

in my life. You know?

And...

if you're going to

cross-examine me all the time,

that seems very much like jealousy,

and I don't believe in that.

If you don't believe in it, why should you

mind telling me who you see in London?

- (Lytton) Yes, but will I like him?

- Gerald? I don't see why not.

As long as you don't frighten him.

- I can't imagine what you mean.

- Well, he's shy.

I used to take him

to the brothel in Amiens.

He always used to wait downstairs

or slope off to look at the cathedral.

You must be Gerald Brenan.

- Miss Carrington?

- Carrington.

Rex - that is to say, Ralph -

tells me you're a Bolshevik.

He tells me you're an idealist.

- I'm going to look for a house in Spain.

- (Lytton) Why?

- To educate myself.

- Unlikely reason.

I'm too old for university. I must do

something to repair my ignorance,

- so I'm eloping with 2,000 books.

- Why Spain?

- Because it's hot and cheap.

- True.

- And the women are beautiful.

- Sounds worse and worse.

Oh, my God. Here, help me.

Got you.

(chuckling)

You mustn't believe everything

Ralph tells you about me.

- Why do you say that?

- He invents everyone he meets.

You must have noticed.

He gives them a character and a set

of opinions so he can argue with them.

I suppose you're right.

I don't mean to attack Ralph.

He's my closest friend.

But he lives entirely by his instincts,

and I can't do that.

I wish I could.

You're going off to live in Spain

following your instincts.

Not really.

I'd say it was very calculated.

It has to be.

You mean money?

I'm told you can rent a house

there for five pounds a year.

Whereabouts in Spain are you going?

No idea.

- I have a map.

- (chuckles)

- Well, I hope you'll write to me.

Rate this script:4.0 / 1 vote

Christopher Hampton

Christopher James Hampton, CBE, FRSL (born 26 January 1946) is a British playwright, screenwriter, translator and film director. He is best known for his play based on the novel Les Liaisons dangereuses and the film version Dangerous Liaisons (1988) and also more recently for writing the nominated screenplay for the film adaptation of Ian McEwan's Atonement. more…

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