Cars 2 Page #10

Synopsis: The famous race car Lightning McQueen and his team are invited to compete in the World Grand Prix race. There, McQueen's best friend Mater, finds himself involved in international espionage, and alongside two professional British spies, attempts to uncover a secret plan led by a mysterious mastermind and his criminal gang, which threatens the lives of all competitors in the tournament.
Director(s): John Lasseter, Brad Lewis (co-director)
Production: Walt Disney Pictures/PIXAR
  Nominated for 1 Golden Globe. Another 1 win & 18 nominations.
 
IMDB:
6.2
Metacritic:
57
Rotten Tomatoes:
39%
G
Year:
2011
106 min
$191,450,875
Website
13,038 Views


MATER:

I never leak I never leak I never

leak...

He sees someone leaving a stall. He heads in.

IN THE STALL - Mater enters, looks up.

MATER:

Wowee...

The stall is a complicated apparatus with buttons and lights.

High-tech Japanese. It suddenly GRABS MATER, hoists him up as

if he's going to get an oil change.

MATER:

What in the---

A Japanese style cartoon CARICATURE appears on a TV MONITOR,

followed by images of waterfalls and rivers.

MATER:

(GIGGLING)

Hey, that tickles.

The caricature starts talking in Japanese. Suddenly WATER

FIRES UP underneath Mater's undercarriage, goosing him. He

freaks out.

OUTSIDE THE STALL - With Mater's yells audible we see a

GREMLIN enter, furtive. Suddenly, inexplicably, his frame

BREAKS APART like an egg, revealing an AMERICAN MUSCLE CAR

underneath. The pieces of the Gremlin disappear under him,

clearly his disguise. This is ROD REDLINE - American Agent.

32.

ROD REDLINE:

Okay, McMissile. I'm here. It's

time for the drop.

INT. PARTY - SAME

HOLLEY, rolls along by herself. Nervous. DING! Her rearview

monitor springs to life.

HOLLEY (INTO RADIO)

The American has activated his

tracking beacon.

FINN (OVER RADIO)

Roger that. Move in.

INT. BATHROOM - SAME

Rod Redline, waiting at a sink, feels a presence behind him.

GREM and ACER have entered, hesitate briefly when they see

Rod Redline.

Rod Redline, careful, slides a gun out of his tire. He is

suddenly CHARGED by the AMCs --- Rod SPINS AROUND and gets a

shot off but is SLAMMED HEAD FIRST. A TIGHT, CLOSE-QUARTERS

FIGHT begins ---

IN THE STALL - Mater, still TRAPPED, is now being SCRUBBED as

if in a car wash. He is helpless.

OUTSIDE THE STALL - Rod is being pulverized. Just when he

scrambles away from one car, the other one takes over.

IN THE STALL - Mater is mercifully released, but when he

backs out ---

--- Rod Redline is THROWN INTO MATER'S STALL DOOR, crunching

it and sending Mater ---

--- BACK INTO THE CLUTCHES of the insane toilet.

INT. PARTY - SAME

Holley isolates the tracking beacon's location in the party.

HOLLEY:

Oh, you've got to be joking.

FINN:

What's the problem, Shiftwell?

HOLLEY:

He's in the loo.

33.

FINN:

So go in!

HOLLEY:

I can't just go into the men's loo.

FINN:

Time is of the essence, Shiftwell.

INT. BATHROOM - OUTSIDE THE STALL

Rod Redline is in bad shape. He backs away, betrays a look of

concern. He's in trouble here.

ACER burns rubber, ready to finish him off. Just as he shifts

into DRIVE ---

--- MATER'S STALL DOOR KICKS OPEN, knocking ACER out. Mater

jumps out, face-to-face GREM.

MATER:

(out of breath)

Whatever you do, I would not go in

there.

The door SWINGS shut, revealing the pulverized Acer.

MATER:

A Gremlin and a Pacer!

Rod Redline, now behind Mater and sensing an opportunity

here, quickly produces A SMALL DEVICE.

MATER:

(to Grem and Acer)

No offense to your makes and

models, but you guys break down

harder than my cousin Betsy after

she got left at the ---

Rod Redline, surreptitiously attaches the device to Mater's

undercarriage.

MATER:

(as he's goosed)

--- altar!

He spins around, sees Rod Redline for the first time.

MATER:

Are you okay?

ROD REDLINE:

I'm fine.

34.

GREM:

Hey. Tow truck.

Mater turns back to Grem and Acer.

GREM:

We'd like to get to our private

business here, if you don't mind.

MATER:

Oh, yeah. Don't let me get in the

way of your "private business."

Oh! A little advice: When you hear

her giggle and see that waterfall,

you best press that green button.

GREM:

Thank you.

MATER:

It's to adjust the temperature.

ACER:

Got it.

MATER:

Remember it's in Celsius, not

Fahrenheit.

GREM AND ACER:

Get outta here!

MATER:

Rate this script:3.6 / 5 votes

John Lasseter

John Alan Lasseter (born January 12, 1957) is an American animator and filmmaker, and former chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and the defunct Disneytoon Studios. He was also the Principal Creative Advisor for Walt Disney Imagineering.Lasseter began his career as an animator with The Walt Disney Company. After being fired from Disney for promoting computer animation, he joined Lucasfilm, where he worked on the then-groundbreaking use of CGI animation. The Graphics Group of the Computer Division of Lucasfilm was sold to Steve Jobs and became Pixar in 1986. Lasseter oversaw all of Pixar's films and associated projects as executive producer. In addition, he directed Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2011). From 2006 to 2018, Lasseter also oversaw all of Walt Disney Animation Studios' (and its division Disneytoon Studios') films and associated projects as executive producer. The films he has made have grossed more than $18 billion U.S. dollars, making him one of the most consistently successful filmmakers of all time. Of the seven animated films that have grossed more than $1 billion U.S. dollars, five of them are films executive produced by Lasseter. The films include Toy Story 3 (2010), the first animated film to pass a billion, Frozen (2013), the current highest grossing animated film of all time, as well as Zootopia (2016), Finding Dory (2016) and Incredibles 2 (2018). He has won two Academy Awards, for Best Animated Short Film (for Tin Toy), as well as a Special Achievement Award (for Toy Story).In November 2017, Lasseter took a six-month sabbatical from Pixar and Disney Animation after acknowledging "missteps" in his behavior with employees. According to various news outlets, Lasseter had a history of alleged sexual misconduct towards employees. In June 2018, Disney announced that he would be leaving the company at end of the year, but is taking on a consulting role until then. more…

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Submitted on August 05, 2018

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