Cars 2 Page #14

Synopsis: The famous race car Lightning McQueen and his team are invited to compete in the World Grand Prix race. There, McQueen's best friend Mater, finds himself involved in international espionage, and alongside two professional British spies, attempts to uncover a secret plan led by a mysterious mastermind and his criminal gang, which threatens the lives of all competitors in the tournament.
Director(s): John Lasseter, Brad Lewis (co-director)
Production: Walt Disney Pictures/PIXAR
  Nominated for 1 Golden Globe. Another 1 win & 18 nominations.
 
IMDB:
6.2
Metacritic:
57
Rotten Tomatoes:
39%
G
Year:
2011
106 min
$191,450,875
Website
13,048 Views


Everyone's jostling for position as

we hit the asphalt again.

Francesco crests the hill, in last place. He bites down,

determined, then CHASES.

BRENT MUSTANGBURGER (V.O.)

Francesco lost a lot of momentum in

the dirt. He's got some serious

work ahead of him if he wants to

get back in this race.

45.

VARIOUS SHOTS OF TOKYO as the racers move through the Rainbow

Bridge. Bit by bit, Francesco ekes his way toward the front,

toward Lightning McQueen as we CUT TO ---

--- A ROOFTOP, and a VIEW THROUGH THE WGP CAMERA LENS. Grem

and Acer are manning this one. They focus it on the racers as

they approach.

PROFESSOR ZUNDAPP (OVER RADIO)

It is time.

GREM:

Roger that.

ON THE TRACK - A racer (Miguel Camino) suddenly PLUMES WITH

SMOKE and skids out.

DARRELL CARTRIP (V.O.)

Oh! Miguel Camino has blown an

engine!

BRENT MUSTANGBURGER (V.O.)

Very unusual, Darrell. He's been so

consistent all year.

Camino quickly pits, passing McQueen's pit where Mater is

visible.

ON GREM AND ACER, watching from above.

GREM:

You gotta be kidding me.

ACER:

What is it?

GREM:

It's that tow truck from the

bathroom.

ACER:

The one from the bathroom?

GREM:

Yeah, the one the American Agent

passed the device to.

ACER:

What about him?

GREM:

What about him? He's in the pits!

46.

ACER:

Not for long.

Acer exits, with purpose.

ON FINN AND HOLLEY, still in their office hideaway. Holley's

onboard computer flashes an ALERT.

HOLLEY:

Hold on. I think I've got

something.

FINN:

What is it?

HOLLEY:

The Pacer from the party last

night.

She's spotted Acer, moving swiftly forward.

HOLLEY:

Cross-referencing with the photos

from the oil derricks... Yep. His

VIN numbers match.

FINN:

Anyone with him? He won't be alone.

HOLLEY:

Conducting analysis on the target.

The computer finds more and more bad guy Pacers and Gremlins

are in the crowd.

HOLLEY:

He's not the only one here.

Three... five... they're

everywhere. And they're all closing

in on... oh no.

We PAN OVER to see it's MATER.

HOLLEY:

Finn? Finn, where are you?

She turns. He's GONE, leaving only an open window.

FINN (OVER RADIO)

Get him out of the pits now!

IN MCQUEEN'S PIT. A car WHIPS BY O.S.

47.

MATER:

Wow! Some of them fellers is really

loud.

HOLLEY (OVER MATER'S RADIO)

Can you hear me? Over.

MATER:

Uh, what?

HOLLEY (OVER MATER'S RADIO)

Get out of the pit now. Do you hear

me?

Mater realizes this girl has somehow broken into his radio.

MATER (INTO RADIO)

Hey, I know you. You're that girl

from the party last night. You

wanna do our date right now?

ON THE TRACK - McQueen boxes out Francesco, holds his slim

lead, but barely.

MCQUEEN:

Guys, a little too much chatter.

Let's keep this line clear.

BOOM! A racer behind McQueen suddenly expels black smoke,

skids out of control.

ON GREM - laughing. That was clearly his handiwork.

IN MCQUEEN'S PIT - SAME

HOLLEY (ON MATER'S RADIO)

There's no time for messing about.

You've got to get out of the pits.

MATER:

Is there gonna be cable where you

is so I can watch the rest of the

race?

ON HOLLEY - Watching from the downtown building.

HOLLEY (INTO RADIO)

You're running out of time!

FINN (OVER RADIO)

They're coming, Shiftwell.

HOLLEY (INTO RADIO)

Yes, I know.

48.

FINN (OVER RADIO)

Get him out of there.

HOLLEY:

(TO FINN)

I'm trying.

(TO MATER)

Get out now!

We CUT BACK TO ---

--- MATER. He gives in, exits the pit.

MATER:

Well, all right but I usually like

to have a proper detailing done

before I meet a lady friend.

Rate this script:3.6 / 5 votes

John Lasseter

John Alan Lasseter (born January 12, 1957) is an American animator and filmmaker, and former chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and the defunct Disneytoon Studios. He was also the Principal Creative Advisor for Walt Disney Imagineering.Lasseter began his career as an animator with The Walt Disney Company. After being fired from Disney for promoting computer animation, he joined Lucasfilm, where he worked on the then-groundbreaking use of CGI animation. The Graphics Group of the Computer Division of Lucasfilm was sold to Steve Jobs and became Pixar in 1986. Lasseter oversaw all of Pixar's films and associated projects as executive producer. In addition, he directed Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2011). From 2006 to 2018, Lasseter also oversaw all of Walt Disney Animation Studios' (and its division Disneytoon Studios') films and associated projects as executive producer. The films he has made have grossed more than $18 billion U.S. dollars, making him one of the most consistently successful filmmakers of all time. Of the seven animated films that have grossed more than $1 billion U.S. dollars, five of them are films executive produced by Lasseter. The films include Toy Story 3 (2010), the first animated film to pass a billion, Frozen (2013), the current highest grossing animated film of all time, as well as Zootopia (2016), Finding Dory (2016) and Incredibles 2 (2018). He has won two Academy Awards, for Best Animated Short Film (for Tin Toy), as well as a Special Achievement Award (for Toy Story).In November 2017, Lasseter took a six-month sabbatical from Pixar and Disney Animation after acknowledging "missteps" in his behavior with employees. According to various news outlets, Lasseter had a history of alleged sexual misconduct towards employees. In June 2018, Disney announced that he would be leaving the company at end of the year, but is taking on a consulting role until then. more…

All John Lasseter scripts | John Lasseter Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Cars 2" Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/cars_2_5135>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Cars 2

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "script doctor"?
    A A writer hired to revise or rewrite parts of a screenplay
    B A writer who creates original scripts
    C A writer who edits the final cut
    D A writer who directs the film