Cars 2 Page #18

Synopsis: The famous race car Lightning McQueen and his team are invited to compete in the World Grand Prix race. There, McQueen's best friend Mater, finds himself involved in international espionage, and alongside two professional British spies, attempts to uncover a secret plan led by a mysterious mastermind and his criminal gang, which threatens the lives of all competitors in the tournament.
Director(s): John Lasseter, Brad Lewis (co-director)
Production: Walt Disney Pictures/PIXAR
  Nominated for 1 Golden Globe. Another 1 win & 18 nominations.
 
IMDB:
6.2
Metacritic:
57
Rotten Tomatoes:
39%
G
Year:
2011
106 min
$191,450,875
Website
13,077 Views


him in a spray. Siddeley is HIT, a tire BLOWN. He yells in

pain.

FINN:

Hold on, Sid!

Siddeley peels off the runway onto the grass.

A gunfight ensues between Finn and Acer. Finn SHOOTS ACER'S

TIRE, blowing it and throwing him off-course.

Acer CAREENS out of control, drives up and THROUGH A JET ---

--- OUT THE OTHER SIDE where he lands in an oil tanker.

ON SIDDELEY - He's headed toward the edge of the tarmac,

where the grass and runway meet WATER. He HITS THE GAS, his

only hope.

SIDDELEY:

Finn, it's now or never!

Finn BRAKES, 180s and grabs the ramp just as Siddeley gets

air.

SIDDELEY:

Hold on!

Mater, the only thing not in the jet, dangles and recedes

from our view as Siddeley climbs toward the clouds. As he's

PULLED in through the back hatch:

MATER (V.O.)

By the time you read this, I will

be safely on an airplane, flying

home.

INT. LOBBY - HOTEL - TOKYO - DAY

CLOSE ON a handwritten (er, tire-written?) NOTE in childish

scrawl. We don't see all of it, only a bit. Mater's voice

O.S. begins the note with the first sentence, but we DISSOLVE

into McQueen's voice.

59.

MCQUEEN:

"I'm so sorry for what I did. I

don't want to be the cause of you

losing any more races. I want you

to go prove to the world what I

already know - that you are the

greatest race car in the whole wide

world. Your best friend, Mater."

McQueen takes this in.

MCQUEEN:

I didn't really want him to leave.

LUIGI:

Wait, there's more here.

(READS)

"P.S. Please tell the hotel I

didn't mean to order that movie. I

thought it was just a preview and I

didn't realize I was paying for it.

P.P.S... That's funny right there --

PP."

(to the others)

There's a few more pages of P.S.'s

here.

MCQUEEN:

(TURNING BACK)

Well, at least I know if he's at

home he'll be safe.

EXT. SKY - DAY

SIDDELEY breaks through some cloud cover, flies with purpose.

INT. JET - DAY

A well-appointed spy jet. Various computers line the walls.

FINN:

Now that's how I like to start the

day! You never feel more alive than

when you're almost dead.

HOLLEY:

(SCANNING MATER)

I hope that device didn't fall off.

MATER:

That's the closest I ever been to

missing my flight! That was ---

60.

With a ROBOTIC ARM, Holley grabs the THE DEVICE that Rod

Redline hid under Mater. She yanks it out with a GOOSE.

MATER:

(JUMPS)

Yow!

HOLLEY:

Still in one piece, great.

Holley drops the device into a mainframe computer. It starts

"ANALYZING."

MATER:

I gotta go to a doctor. I keep

getting these sharp pains in my

undercarriage.

HOLLEY:

Downloading the photo now.

MATER:

Hey, lemme introduce you two.

(TO HOLLEY)

This here is Finn McSomething-or-

other. He's a First Class VIP

airport whatchamacallit. And Finn,

this here's my date.

(TO HOLLEY)

I never did get your name.

HOLLEY:

Oh yes, sorry. It's Shiftwell.

Holley Shiftwell.

MATER:

(TO FINN)

It's Shiftwell. Holley ---

DING! The computer is done analyzing. The cabin lights dim.

FINN:

Finally. Time to see who's behind

all this.

AN IMAGE is blasted between the three of them. It's of a

photograph, a complicated melange of metallic parts stuck

together.

HOLLEY:

(to Mater, expectantly)

What is this?

61.

MATER:

Well, that's one of the worst

engines ever made. It's an old

aluminum V8 with a Lucas electrical

system and Whitworth bolts. Shoot,

them Whitworth bolts is a pain,

tell you what. Them ain't metric,

they ain't inches...

HOLLEY:

Yes, OK, right. But who's engine is

this, Mater?

MATER:

Well, it's kinda hard to tell from

this picture, ain't it?

HOLLEY:

But you're the one who took it.

FINN:

Holley.

HOLLEY:

Oh, right. Yes, of course. "A good

agent gets what he can, then gets

out before he's killed." Sorry.

Rate this script:3.6 / 5 votes

John Lasseter

John Alan Lasseter (born January 12, 1957) is an American animator and filmmaker, and former chief creative officer of Pixar Animation Studios, Walt Disney Animation Studios, and the defunct Disneytoon Studios. He was also the Principal Creative Advisor for Walt Disney Imagineering.Lasseter began his career as an animator with The Walt Disney Company. After being fired from Disney for promoting computer animation, he joined Lucasfilm, where he worked on the then-groundbreaking use of CGI animation. The Graphics Group of the Computer Division of Lucasfilm was sold to Steve Jobs and became Pixar in 1986. Lasseter oversaw all of Pixar's films and associated projects as executive producer. In addition, he directed Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999), Cars (2006), and Cars 2 (2011). From 2006 to 2018, Lasseter also oversaw all of Walt Disney Animation Studios' (and its division Disneytoon Studios') films and associated projects as executive producer. The films he has made have grossed more than $18 billion U.S. dollars, making him one of the most consistently successful filmmakers of all time. Of the seven animated films that have grossed more than $1 billion U.S. dollars, five of them are films executive produced by Lasseter. The films include Toy Story 3 (2010), the first animated film to pass a billion, Frozen (2013), the current highest grossing animated film of all time, as well as Zootopia (2016), Finding Dory (2016) and Incredibles 2 (2018). He has won two Academy Awards, for Best Animated Short Film (for Tin Toy), as well as a Special Achievement Award (for Toy Story).In November 2017, Lasseter took a six-month sabbatical from Pixar and Disney Animation after acknowledging "missteps" in his behavior with employees. According to various news outlets, Lasseter had a history of alleged sexual misconduct towards employees. In June 2018, Disney announced that he would be leaving the company at end of the year, but is taking on a consulting role until then. more…

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Submitted on August 05, 2018

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