Cast Away Page #19
He eats them.
Chuck splashes sea water on his face. Adjusts the water
still.
GOODCHUCK:
Please don't leak. Please.
Chuck picks up the smallest fish. It's half digested. He
washes it in the ocean, trigger fish come up and nibble at
his fingers.
GOODCHUCK:
Don't look at me. It was that Dorado.
He cuts the small fish and hangs it on the stays.
GOODCHUCK:
You know, Wilson, every now and then we
should say thank you. Thank you God.
BADCHUCK:
Thank you for f***ing up my life.
Suddenly something bumps the raft. Hard. Then again.
GOODCHUCK:
Not again.
Fins cut the water. SHARKS. A big hammerhead bumps the
raft. BadChuck hums the theme from "Jaws." Chuck takes his
spear stabs at the shark.
BADCHUCK:
He's going to get you, going to get
you...
Another one circles in, bumps the raft.
GOODCHUCK:
Get away from me!
The shark circles again, that big hammerhead like a
nightmare.
GOODCHUCK:
Get him get him get him.
He stabs at it with his spear. He might as well have stabbed
concrete. The shark circle, Chuck stabs again.
But the shark is gone.
GOODCHUCK:
Where are you? Where are you?
Stabs again and again at the empty ocean.
GOODCHUCK:
Stop! You're using energy. Move slowly.
Be patient.
Chuck kneels, wavering, on the raft. The ocean is calm.
Suddenly, BUMP. The raft tilts.
Chuck hangs on.
Then a shark appears, just out of spear range. Its lifeless
black eyes seem to stare right through Chuck.
If the Dorado was a gift from God, this is a message from
Hell.
Then the shark is gone.
EXT. RAFT - DAY - MOMENTS LATER
Chuck lies back on the raft. He is humming.
BADCHUCK:
What are you smiling about? They'll be
back.
GOODCHUCK:
I'm dancing on the roof of the Peabody
Hotel. With Kelly.
He smiles at the thought.
GOODCHUCK:
The music ends. We go back to the table.
The waiters have brought dinner. New
York Strip with Bordelaise Sauce.
Mushrooms in brown gravy. Roasted
potatoes with garlic and rosemary. Green
Beans with almonds. Fresh biscuits and
cornbread, dripping with butter. A nice
salad with ranch dressing. A jumbo
shrimp cocktail.
Thinks about that, it spoils the picture.
GOODCHUCK:
No shrimp.
(then)
We eat.
He closes his eyes. This is the greatest fantasy.
GOODCHUCK:
(as the waiter)
For dessert, we have pecan pie a la mode,
we have a double chocolate cake with
creme anglaise, we have a nice pear
torte, fresh key lime pie, or perhaps if
you care to wait a few minutes, a grand
marnier souffle?
Chuck thinks over the options, thinking of each one.
GOODCHUCK:
Why, bring them all, bring them all.
He rolls over. There, square in his vision, is a ship, its
form coming in and out of a low haze.
Chuck jumps to his feet. Waves. Screams.
GOODCHUCK:
Here! Over here!
The ship moves on. We can see the decks the rigging, the
vastness of it.
Chuck realizes he is naked. Struggles to pull on the remains
of his pants finally holds them like a diaper with one hand
as he continues to wave.
On the ship no one is to be seen. It is a spooky sight.
The big tanker moves on.
We are on Chuck's face. Passed up again.
Then he realizes what is about to happen. He throws out the
sea anchor.
He throws himself onto the raft and grips it as tight as he
can, wiggles his feet into the ropes.
CHUCK:
Oh, shiiiittt!
Then comes the wake of the ship. It rocks the raft like a
piece of flotsam. The raft rides high up on the wave, then
shoots down it, but the sea anchor holds, and the raft slows
and rides along with the wave.
And then the sea is calm again.
Slowly Chuck sinks to his knees. His hand lets loose his
pants.
He lies down on the raft and imagines the conversation with
the ship's captain.
CHUCK:
Permission to come aboard, sir.
CHUCK/CAPTAIN
Permission granted.
CHUCK:
May I ask, where are you bound?
CHUCK/CAPTAIN
San Francisco. And you?
CHUCK:
As it happens, I'm headed for Frisco
myself.
CHUCK/CAPTAIN
Would you do us the honor of joining us?
We're just sitting down at mess. Pork
chops and gravy, cranberries, baked
potatoes with all the trimmings, fresh-
baked bread, apple pie...
CHUCK:
No please, join me. Some sundried fish
strips, a few eyeballs, some gills to
munch on.
The depression comes back again.
BADCHUCK:
They're never going to see you. You're
just another piece of trash in the ocean.
GOODCHUCK:
They're on autopilot.
BADCHUCK:
They're always on autopilot. Or else
it's night, or you're in the sun, or
you're in the trough of a wave. They'll
never see you.
GOODCHUCK:
Damn it! Don't be so negative!
Chuck picks up Wilson.
GOODCHUCK:
Wilson, what's your story?
He holds Wilson close to his chest.
BADCHUCK:
I float. You sink. End of story.
GOODCHUCK:
I'm serious. I'm always going on about
me, me, me. Enough about me. Your turn.
BADCHUCK:
It's a f***ing soccer ball, you idiot.
GOODCHUCK:
Shut up.
He lies on the raft and holds Wilson close.
We move up until we see --
EXT. OCEAN - AERIAL - EVENING
Chuck lying curled up on the raft, Wilson cradled in his
arms, and all around the vast empty ocean.
EXT. OCEAN - NEXT MORNING
Chuck slowly wakes up. Sets Wilson aside.
GOODCHUCK:
Don't shirk, don't procrastinate, don't
be lazy. We're okay today. We're okay
today.
And the other Chuck begins to laugh.
GOODCHUCK:
Shut up.
The laughter goes on.
GOODCHUCK:
Shut the f*** up! I mean it.
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"Cast Away" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/cast_away_831>.
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