Castle in the Sky Page #3

Synopsis: A young boy stumbles into a mysterious girl who floats down from the sky. The girl, Sheeta, was chased by pirates, army and government secret agents. In saving her life, they begin a high flying adventure that goes through all sorts of flying machines, eventually searching for Sheeta's identity in a floating castle of a lost civilization.
Director(s): Hayao Miyazaki
Production: Tokuma Shoten
  1 win.
 
IMDB:
8.1
Metacritic:
78
Rotten Tomatoes:
95%
PG
Year:
1986
125 min
3,063 Views


But the Levistone by itself is useless!

If Sheeta doesn't hold the stone, it won't work!

Auntie, won't you take me with you?

I want to save Sheeta.

You won't be pampered.

If you go, you'll have to take care of yourself.

I will. If I have the strength,

I'll protect her.

The treasure of Laputa is worth it!

Please...

Oh, you're making her cry.

Shut up!

We don't know if the girl

will listen to us, do we?

We won't have a second chance.

Understood.

You'll follow orders?

Don't take more than 40 seconds to pack.

Take care, everyone.

Fasten yourself with this belt.

The rest of you, wait on the ship.

What an excellent ship!

Muska, has the girl talked?

I need a little more time.

There'll be plenty of time in the air.

We leave at dawn with the girl.

Hurry up! It'll soon be light!

That's too bad.

So, Sheeta, I'll tell you something good.

A spell for times of trouble.

A spell?

That's right. Very old, secret words.

Lete Latobarita Ulse Aliaros Baru Netoreel

It's to save us.

It is a wish, 'Light, be reborn'.

Lete Latobarita Ulse Aliaros Baru Netoreel

Excellent!

It was in an old manuscript...

this is a holy light...

Holy light?

What kind of incantation was it?

Tell me the words.

It's moving!

The robot... the robot's alive. Hello?!

Help! It's crazy!

It's moving. Put out the fire.

It's the robot!

The robot?!

Where does it think it's going?

Amazing!

I see!

It's that light! The seal on the robot

was broken by the holy light.

It has opened the way to Laputa! Come here!

It can fly?!

It's nuts!

It's piercing the sky.

Laputa is in the same

direction as that light.

Not ready yet? Hurry up!

Blasting powder? You idiot;

do you want to blow up this fort?

Hello? Hello? Hey, what's wrong?!

Okay.

It's connected.

This is Captain Muska.

Communication lines are down because of the robot.

Take emergency action.

I am in temporary command.

The robot is trying to get

to the girl on the East tower.

Kill it the moment it shows itself.

Leave fuses off the shells. Don't hurt the girl.

Hurry! Hurry!

Fire!

Forward!

It's flattened.

Alright!

Get the girl!

Is she dead?

Hey...get up.

She's just fainted.

Stand up!

It moved!

What's going on? Looks like a war.

Let's go, Auntie!

Call me Captain!

Charles, fly a little lower.

Stop! Stop, already! Please!

Mama, the Goliath is moving!

If they go, we'll end up

flying right into their guns.

There she is...it's Sheeta.

What?

Where?

Straight ahead!

She's on the top of the small tower!

That's a brave girl! Cover us!

Sheeta, come on!

Auntie, a little closer!

Go up!

This is our last chance.

Grab her as we pass!

Go!

Get out of the way! Damn!

What is the Goliath doing?

A smoke screen?

Muska, what happened to the robot?

The robot was destroyed.

The girl has escaped.

What?

Look sharp...put out the fires!

Form search parties!

It hasn't lost its holy light.

It's still showing the direction of Laputa.

Inform the General tt we will

depart for Laputa as planned.

Nice, isn't she.

Hard to believe she'll grow

up to be just like Mama.

Here's your valley.

Glad to be rid of such a useless pair.

Auntie, please let us ride on your ship.

Call me Captain! You don't have the stone.

Why should I let you on board?

We'll repay you.

I want to see Laputa with my own eyes.

What if there isn't any treasure?

You're not greedy enough to

ride a pirate ship, anyway.

Mama, can she come along?

If there's any funny business,

I'll throw you into the sea!

Hurray! A live-in cook.

A dishwasher!

A potato peeler!

Can you make pudding?

I like mincemeat pie!

And me...well, now, let me see...

I'll eat anything!

Behave yourselves!

Really! Just like children.

Careful!

It's canvas! This ship is made of canvas!

Don't damage it.

Don't just stand there! It's crowded here.

Hurry up...this way!

I hate slackers!

You...this way.

He's fine. Come on!

You aren't here to play!

What an amazing engine.

Where'd he go? Uncle! Uncle!

Uncle...here's the asstant you wanted.

NOT SO LOUD!! I ain't deaf.

He's worse than Mama. Be careful.

It's so cramped, my hand won't go in.

It's this packing, isn't it.

What's your name?

The Levistone pointed due east, did it?

From the tower, I could see the sun rise.

Now is the mowing season.

So the sunrise is a lite south of true east.

The sun rose left of the hills.

The Levistone light crossed

the left tip of the sun's edge.

Good answer. How are things up there?

I'm getting nothing.

So, they're jamming the radio to

hide their whereabouts, are they?!

Mama, the Goliath's moving pretty fast!

What'll we do?

We'll be on their windward side.

If we use the trade winds...

20,000 feet and ridehe jet stream...

With wind speed 10...

We'll do it somehow

Everybody, listen up!

We are setting course for Laputa.

Our ship will now commence

top-speed pursuit!

Using the wind, we should be able

to make contact tomorrow!

And I'll give 10 gold pieces

to the first to spot her!

10 gold pieces!

Laputa is some sort of flying island.

There's probably enough

treasure for everybody.

So! Everybody...GET TO WORK!

Now!

Course 98. Velocity 40!

There's nothing your size.

Put this on.

Here's your post.

Five meals a day. Conserve water.

You morons! Get back to work!

Sorry, dinner isn't ready yet.

It's my first airship kitchen.

Did you want something?

I have some spare time,

so I thought I'd be of some help.

Well, thank you. Would you do that washing?

No problem.

Hey, you said your back hurt.

I had some spare time and thought I'd help.

Out of the way.

Don't push.

Hey, can I be of some help?

So, you were scared too?

And they have the Goliath to help them...

Sounds hopeless.

It's the island of Laputa,

so it's no wonder.

They're certainly good kids, those two.

What do you want me to say,

you stupid old man?

Nothing. But you should

show me more respect.

What?!

That's checkmate, isn't it?

Umm...if anyone wants seconds...

Seconds!

Hey! Get up.

It's your watch. Take this, it's cold out.

The lookout?

Yeah.

It's cold! You're up top.

I'm second shift.

Thanks.

That was scary!

It's beautiful.

Get in.

Can't sleep?

It's warm.

Sheeta, you look behind.

I'm scared beyond words.

The truth is,

I don't want to go to Laputa at all.

I hope we don't find the Goliath.

There are just too many

strange and powerful...well...

You mean like what happened with the robot?

That was sad, wasn't it.

And it happened because of a spell

taught to me by my grandmother.

I learned many other spells, too.

To find things, and to cure illness and

words I must absolutely never use...

Words you must never use?

Spells of destruction,

good spells to bestow power...

She said I must also know the

bad words but never use them.

After I learned them,

I was too afraid to sleep.

And it all had to do with the stone.

It was always hidden in the fireplace,

and except at weddings, never used...

Mother, and Grandmother, and Grandmother's Grandmother...

Rate this script:3.7 / 3 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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