Castle in the Sky Page #5

Synopsis: A young boy stumbles into a mysterious girl who floats down from the sky. The girl, Sheeta, was chased by pirates, army and government secret agents. In saving her life, they begin a high flying adventure that goes through all sorts of flying machines, eventually searching for Sheeta's identity in a floating castle of a lost civilization.
Director(s): Hayao Miyazaki
Production: Tokuma Shoten
  1 win.
 
IMDB:
8.1
Metacritic:
78
Rotten Tomatoes:
95%
PG
Year:
1986
125 min
2,938 Views


Find the entrance!

Captain, what in the world is this place?

The nerve center of Laputa.

The castle and treasure above are just rubbish.

The science of Laputa is completely stored in here.

You will wait here.

Captain!

Beyond here, none but the royal family may enter.

It's a sanctuary.

What's this?

Tree roots, this deep?

One phrase,

and it will all be reduced to ashes.

Come on...this way.

Here it is!

Here, too?

Found it!

Look at this huge Levistone!

This is the source of Laputa's power.

Excellent. For 700 years it has been

waiting for the return of the king.

700 years?

Your clan forgot, didn't it?

It's the black stone!

Just like in the legend!

I can read it! I can read it!

Who in the world are you?

I also have an old, secret name, Lucita.

My name is Romuskaalo Ul Laputa.

Your clan and mine were

originally one royal family.

But when we returned to the earth,

it divided into two.

Not a crack.

It's not ordinary stone.

Use all the bombs we've got!

Your Excellency,

you cannot get in like that.

Muska, where are you?

Well...what are you waiting for?

Do come inside, your Excellency.

Yes. Follow me!

Follow His Excellency!

Wh...what is this place? Muska...come out!

Be silent.

What kind of trick is this?

Be quiet. You are before the King of Laputa.

Are you mad?

Today, we celebrate the rebirth of a monarchy.

The rebirth of a global empire under one king.

Let me show you gentlemen

the power of Laputa.

It is the heavenly fire that destroyed Sodom

and Gomorrah in the Old Testament,

and the arrows of heaven which

took Ramayana, Indora, and Atlantis.

The whole world will bow to Laputa again!

Excellent, Muska...you're a hero.

Now here is your reward.

The look on your face!

Run, everybody!

Die!

Those fools!

It's full of them...

Everybody...RUN!

Check the flapters!

Mama, let's fly!

Hurry, let's get away!

Be quiet. Don't raise your voices.

Why are those two waiting behind?

They'll end up falling.

I hope you don't anger me again...

...because it looks like we'll be

spending some time together.

I do hope they're not trying to get away.

They really intend to fight me.

Robots.

Excellent! Don't you think

that this is a great show?

Look! The people - they look like garbage.

What are you doing?

Give it back. Be a good girl. Come on.

Please...open up!

Where do you think you're going?

Open up!

Sheeta! I'm coming through!

Get down!

Hurry, take this! Muska's here!

Throw it in the ocean.

That stone you have is important.

I'll trade the girl's life for it.

Get up! The game is over.

The old throne room isn't very splendid, is it?

Come here!

You say this is the throne room?

This is our grave.

Our country was destroyed,

and a king like you survived. How tragic!

I won't give you the stone.

You can't leave here without killing me.

Why was Laputa destroyed?

I know perfectly well.

There's a song in the valley of Gondoa.

Let our souls fall to the earth;

Live as one with the winds.

Pass the winter along with the seeds,

and sing together with birds for spring.

No matter how many weapons you have,

or how many poor robots you use,

you cannot live, parted from the earth.

Laputa will not be destroyed.

However many times, it will be reborn.

The power of Laputa is the

dream of the human race.

Your ears will be next.

On your knees! Beg for your life!

Get the stone back from the brat!

Wait!

I hid the stone.

If you shoot her, I won't return it.

Pazu...stay away; it's no use.

He's going to kill us, no matter what.

Brat...the girl's life for the stone.

Tell me where it is.

Or, are you just going to scare

me with that cannon?

I want to talk with Sheeta - alone.

It's no use...throw the stone away and run!

I'll give you three minutes.

Sheeta...calm down. Listen closely.

Tell me those words. I'll say them, too.

The stone is in my left hand.

I've freed Auntie and the others.

Time's up! Let's hear your answer.

Ba lusu!

My eyes...my eyes!

My eyes!

Mama, it's collapsing!

It can't be helped...launch!

Hurry!

Mama, look! The bottom is falling off!

Sheeta was a good girl.

She used the words of destruction...

Those children protected Laputa from those idiots.

The collapse has stopped!

It's the Levistone! What luck!

It's going up.

The tree! It may have them! Follow it!

The tree roots saved us.

We'll break the wire.

Let's go.

What are you doing?

We're supposed to be going up!

We can't like this!

It's Sheeta!

They're alive.

It's the apprentice.

Auntie!

Safe and alive, aren't you?

Everyone's okay!

Everyone's okay except for my poor,

tattered ship.

Don't be so sentimental.

You can build another ship.

Poor thing...

what a cruel way to get a haircut...

Auntie...ouch!

Oh, sorry.

Isn't it terrible?

Worrying so, while full of these!

At any rate, we worried in our spare time...

# The reason the horizon shines #

ano chiheisen kagayaku no wa

# is that somewhere it's hiding you. #

dokoka ni kimi o kakushite iru kara

# The reason I long for the many lights #

takusan no hi ga natsukashii no wa

# is that you are there in one of them. #

ano doreka hitotsu ni kimi ga iru kara

# So, I set out, with a slice of bread, #

saa dekake you hitokire no PAN

# a knife, a lamp, stuffed in a bag. #

NAIFU RAMPU kaban ni tsumekonde

# Father left me his burning desire. #

tou-san ga nokoshita atsui omoi

# Mother gave me her eyes. #

kaa-san ga kureta ano manazashi

# The earth turns, hiding you. #

chikyuu wa mawaru kimi o kakushite

# Shining eyes, twinkling lights. #

kagayaku hitomi kirameku tomoshibi

# The earth turns, carrying you, #

chikyuu wa mawaru kimi o nosete

# carrying us both who'll surely meet. #

itsuka kitto deau bokura o nosete

# Father left me his burning desire. #

tou-san ga nokoshita atsui omoi

# Mother gave me her eyes. #

kaa-san ga kureta ano manazashi

# The earth turns, hiding you. #

chikyuu wa mawaru kimi o kakushite

# Shining eyes, twinkling lights. #

kagayaku hitomi kirameku tomoshibi

# The earth turns, carrying you, #

chikyuu wa mawaru kimi o nosete

# carrying us both who'll surely meet. #

itsuka kitto deau bokura o nosete

Rate this script:3.7 / 3 votes

Hayao Miyazaki

Hayao Miyazaki (宮崎 駿, Miyazaki Hayao, born January 5, 1941) is a Japanese film director, producer, screenwriter, animator, author, and manga artist. A co-founder of Studio Ghibli, a film and animation studio, he has attained international acclaim as a masterful storyteller and as a maker of anime feature films, and is widely regarded as one of the greatest animation directors. Born in Bunkyō Ward of Tokyo, Miyazaki expressed interest in manga and animation from an early age, and he joined Toei Animation in 1963. During his early years at Toei Animation he worked as an in-between artist and later collaborated with director Isao Takahata. Notable films to which Miyazaki contributed at Toei include Doggie March and Gulliver's Travels Beyond the Moon. He provided key animation to other films at Toei, such as Puss in Boots and Animal Treasure Island, before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I alongside Takahata. After moving to Zuiyō Eizō (later known as Nippon Animation) in 1973, Miyazaki worked as an animator on World Masterpiece Theater, and directed the television series Future Boy Conan. He joined Telecom Animation Film/Tokyo Movie Shinsha in 1979 to direct his first feature films, The Castle of Cagliostro in 1979 and Nausicaä of the Valley of the Wind in 1984, as well as the television series Sherlock Hound. Miyazaki co-founded Studio Ghibli in 1985. He directed multiple films with Ghibli, including Castle in the Sky in 1986, My Neighbor Totoro in 1988, Kiki's Delivery Service in 1989, and Porco Rosso in 1992. The films were met with commercial and critical success in Japan. Miyazaki's film Princess Mononoke was the first animated film to win the Japan Academy Prize for Picture of the Year, and briefly became the highest-grossing film in Japan following its release in 1997; its distribution to the Western world greatly increased Ghibli's popularity and influence outside Japan. His 2001 film Spirited Away became the highest-grossing film in Japanese history, winning the Academy Award for Best Animated Feature at the 75th Academy Awards and considered among the greatest films of the decade. Miyazaki's later films—Howl's Moving Castle, Ponyo, and The Wind Rises—also enjoyed critical and commercial success. Following the release of The Wind Rises, Miyazaki announced his retirement from feature films, though he returned to work on a new feature film in 2016. Miyazaki's works are characterized by the recurrence of themes such as humanity's relationship with nature and technology, the wholesomeness of natural and traditional patterns of living, the importance of art and craftsmanship, and the difficulty of maintaining a pacifist ethic in a violent world. The protagonists of his films are often strong girls or young women, and several of his films present morally ambiguous antagonists with redeeming qualities. Miyazaki's works have been highly praised and awarded; he was named a Person of Cultural Merit for outstanding cultural contributions in November 2012, and received the Academy Honorary Award for his impact on animation and cinema in November 2014. In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. more…

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Submitted on August 05, 2018

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