Castle on the Hudson Page #6

Synopsis: Mobster Tommy Gordon isn't worried about being sentenced to Sing Sing prison because his political pals have promised him a quick parole. A troublesome prisoner, he finally concedes that ...
Genre: Crime, Drama
Director(s): Anatole Litvak
Production: Warner Bros.
 
IMDB:
6.8
APPROVED
Year:
1940
77 min
78 Views


GOT TO WORK HERE, TOO.

GOT TO GET OU OF HERE SOME WAY. WAIT A MINUTE!

WE FORGO THE GUARDS' KEYS. GET THEM, QUICK!

WHAT' S ALL THE RACKE ABOUT UP THERE?

GET BACK!

SAY, WHO IS IT?

Guard:

COME ON, SPEAK UP!

[BLOWS WHISTLE]

MIKE! MIKE!

HURRY UP!

HURRY UP!

[LOUD WHISTLE]

[RINGING]

FIND IT, FIND IT.

TRY ANOTHER ONE.

[ALL TALKING AT ONCE]

LET ME.

GET GOING, MIKE.

Man:
BE CAREFUL, WARDEN.

ALL RIGHT.

LOCK IT UP, QUICK.

[SHOUTS]

LET THEM HAVE IT. GIVE THEM THE GAS.

[GUNSHOT]

[ALL COUGHING]

YOU HAVEN' T GO A CHANCE, BOYS.

GET RID OF THOSE GUNS

AND COME ON DOWN SINGLE FILE.

COME ON UP,

YOU YELLOW RATS!

COME ON UP:

AND GET US!

IF YOU COME DOWN PEACEFULLY,

YOU' LL HAVE EVERY CHANCE AT A LIFE SENTENCE.

OTHERWISE, IT' S THE CHAIR.

YOU' D BURN US ANYWAY,

YOU LYING RAT!

YOU' LL NEVER

TAKE US ALIVE!

CLEAR OUT OF THERE

AND LET US THROUGH!

BLACK JACK.

BLACK JACK?

[GUNSHOT]

JACK! JACK!

[COUGHING]

[NO AUDIO]

[MIKE COUGHING]

MIKE, LET' S TRY

THE OTHER END.

NO USE, ROCKFORD.

IT' S A HOPELESS FIGHT.

Steve:

YOU SAID IT, WARDEN!

[GUN CLICKING]

WE' RE THROUGH, MIKE.

GO BACK TO YOUR CELL.

BUT, STEVE!

DO AS I SAY AND GO BACK

IN THE CELL!

ALL RIGHT, ROCKFORD!

GIVE UP!

YOU WON' T GET ME!

YOU WON' T GET ME!

HOLD IT!

NOBODY SHOOTS!

NO!

NO!

NO!

FOR THE LAST TIME,

ROCKFORD, COME DOWN!

NO! OH!

[WHIMPERING]

[THUD]

[PRISONERS SHOUTING

AND APPLAUDING]

WELL, THAT GUY WON' BOTHER US ANYMORE.

CALM DOWN!

CALM DOWN,

EVERYBODY!

Man:
COME OU OF THERE!

IT' S ALL OVER NOW.

ALL RIGHT, TURN IN.

Mike:
LEAVE ME ALONE!

GET OUT OF HERE!

COME ON OUT!

COME ON OUT!

COME ON.

CUFF HIM!

DO IT LIKE I SAID!

HE' S GOT WORSE THAN THA COMING TO HIM LATER. STICK HIM IN SOLITARY.

MAYBE SOMEDAY:

THEY' LL REALIZE

THEY HAVEN' T GO A CHANCE IN THE WORLD TO GET AWAY WITH THIS.

WE...DIDN' T DO

SO GOOD, DID WE?

TAKE HIM AWAY.

COME ON, COME ON.

Tommy:
HEY, WARDEN.

WHAT?

COME HERE,

IF YOU DON' T MIND.

MAYBE YOU BETTER

LOCK THIS.

WHAT' S THE MATTER,

GORDAN?

YOU LOSING YOUR NERVE?

DON' T TELL ME THIS PLACE

HAS SOFTENED YOU UP.

DON' T THINK BECAUSE

I' M PLAYING IT SMART THAT I' M GETTING SOFT.

WELL, MAYBE I' M GIVING

MYSELF TOO MUCH CREDIT FOR YOUR GOOD BEHAVIOR,

BUT I' M GLAD YOU DIDN' TRY IT, GORDAN.

YOU' D PROBABLY BE ON

YOUR WAY TO THE MORGUE BY NOW.

IF I WAS, YOU WOULDN' CRY ABOUT IT.

WELL, MAYBE

YOU' RE RIGHT.

HEY, HOW' D A GUY LIKE YOU

EVER BECOME A COPPER?

WHAT DO YOU MEAN?

WELL, I MEAN YOU AIN' T A BAD GUY AFTER ALL.

YOU DIDN' T THINK SO MUCH

OF ME WHEN YOU FIRST CAME UP HERE.

YOU WERE:

PRETTY TOUGH THEN.

I' M STILL PRETTY TOUGH.

I JUST HAPPENED TO REALIZE

TODAY IS SATURDAY,

AND SATURDAY IS ONE DAY

I CAN' T WIN, THAT' S ALL.

OH, SO THAT' S

WHAT IT IS.

17-365.

17-365.

14-389.

14-389.

HEY, GORDAN.

THE WARDEN WANTS TO SEE YOU RIGHT AWAY.

I' LL TAKE THIS OVER.

THE WARDEN? THANKS.

45-136.

[KNOCK ON DOOR]

COME IN.

GORDAN' S HERE, SIR.

ALL RIGHT.

SEND HIM IN.

COME ON.

MORNING.

MORNING, GORDAN.

WANT TO TALK TO YOU.

NOW WHAT ARE YOU GOING

TO DO, FIRE ME?

TELEGRAM FOR YOU.

TELEGRAM?

WHY, THEY' RE CRAZY.

SOMEBODY' S KIDDING ME,

WARDEN.

NO, IT' S TRUE.

WE INVESTIGATED IT.

NO, THERE AIN' T A CHANCE.

SHE WAS JUST UP HERE.

THERE WAS NOTHING WRONG WITH HER.

IT' S AN AUTOMOBILE

ACCIDENT.

SHE' S NOT EXPECTED

TO LIVE.

KAY.

SHE CAN' T DIE, WARDEN.

IF I COULD ONLY DO

SOMETHING.

WARDEN, SHE' S THE ONLY

THING I EVER HAD...

AND I CAN' T DO A THING.

BEING BURIED IN HERE WAS...

WAS NEVER REALLY TOUGH

UNTIL NOW.

I KNOW.

YOU' RE HIT PRETTY HARD.

SHE' S THE ONLY THING

I EVER HAD.

GORDAN...

SUPPOSE I TOLD YOU

THERE WAS A TRAIN LEAVING IN 20 MINUTES,

AND I LET YOU GO

TO IT.

ON YOUR HONOR, WOULD YOU

COME BACK TONIGHT?

OF COURSE, YOU KNOW

WHAT IT' D MEAN TO ME

IF I LET YOU GO AND YOU

DIDN' T COME BACK.

I UNDERSTAND.

WARDEN, I NEVER BROKE

MY WORD, SEE?

AND I WON' T BREAK IT NOW

TO A GOOD GUY.

AFTER WHAT YOU' RE DOING

FOR ME, I' LL COME BACK.

EVEN IF IT MEANS THE CHAIR,

I' LL COME BACK.

ALL RIGHT.

THANK YOU, WARDEN.

GOOD LUCK.

[FAST JAZZ PLAYING]

CROWLEY HERE?

AND HOW.

HE' S BEEN WAITING

A COUPLE OF HOURS AND, BOY, IS HE BURNED UP.

HE' S DOWN AT THE BAR.

LEAVE THE BOTTLE.

YES, MR. CROWLEY.

HELLO, ED.

OH, DID YOU HAVE

TO TAKE THIS LONG?

WHAT DID:

THE CROAKER SAY? IS SHE HURT BAD?

PLENTY, BU A SWELL FOOL YOU ARE,

TRYING TO START SOMETHING

IN A CAR GOING 50.

HOW DID I KNOW:

SHE' D JUMP?

YOU COULD HAVE HELD HER.

AW, SHUT UP.

DID SHE SQUAWK?

NO, BUT SHE' S GOING TO.

WHY DIDN' T YOU THROW A SCARE INTO HER?

SHE DOESN' T SCARE.

THINKS SHE' S GOING

TO DIE ANYWAY.

YOU' RE LUCKY

THAT MUG OF HERS IS STILL IN PRISON.

THAT ISN' T WORRYING ME.

IT' S JUST THAT I AIN' ACHING TO GET THE SETUP THERE MYSELF.

BEFORE SHE KICKS OFF,

YOU BETTER FIND A WAY TO MAKE HER CLEAR ME.

SHE WILL...

FOR $10,000.

WHAT FOR?

TO HELP GORDAN.

SHE STILL THINKS SHE

CAN GET HIM OUT OF PRISON.

SHE SAID THAT?

YEAH.

IT' S A LOT OF MONEY.

LOT OF MONEY.

SING SING' S

A LOT OF PRISON.

ALL RIGHT, DRAW UP

THE PAPERS. I' LL GET HER TO SIGN ' EM.

WHY DIDN' T SHE GE KILLED WHEN SHE JUMPED? I NEVER GET A BREAK.

THAT' S TOUGH.

[TRAIN BELL CLANGING]

I MUST BE GOING:

NUTTY, JOE. WHAT' S WRONG?

I JUST SAW:

TOM GORDAN GO BY.

WENT UP THE RIVER

4 MONTHS AGO. 5- TO 30-YEAR RAP.

SURE?

GONNA MAKE SURE.

WAIT FOR ME.

SAY, SISTER, WHO WAS

THE FELLA JUST CAME IN?

I DON' T KNOW.

WHERE' D HE GO?

I DON' T KNOW.

UPSTAIRS, PROBABLY.

VERY POSSIBLE.

NOW DO YOU KNOW WHO HE

IS OR WHERE HE WENT?

NO. HONEST, I DON' T.

THE ELEVATOR WASN' T DOWN.

HE WENT UP THOSE STAIRS.

GIVE ME A LIS OF THE PEOPLE WHO LIVE HERE.

YES, SIR.

[DOORBELL BUZZES]

I' M SORRY. MISS MANNERS

CAN' T SEE ANYONE.

NEVER MIND THAT.

HOW IS SHE?

RESTING EASILY.

SHE' S A LITTLE BETTER TODAY.

HAS SHE--

DOES SHE HAVE A GOOD CHANCE TO PULL THROUGH?

SHE HAS A CHANCE.

ALL RIGHT.

YOU CAN BEAT IT NOW. COME BACK IN AN HOUR.

BUT--

BEAT IT.

YES, SIR.

KAY. KAY.

KAY, HONEY, IT' S ME.

IT' S TOM.

TOMMY.

IT' S REALLY YOU

THIS TIME.

YOU' RE FREE, TOMMY?

YOU' RE FREE?

SURE.

SURE, I' M FREE.

OH, I' M SO HAPPY.

I' VE PRAYED ALL THE TIME

TO SEE YOU JUST ONCE MORE BEFORE--

ONCE MORE?

WHAT DO YOU MEAN, ONCE MORE?

YOU' RE GONNA BE

ALL RIGHT.

I' LL BE ALL RIGH AS LONG AS YOU' RE HERE.

YOU WON' T LEAVE ME,

WILL YOU?

DON' T LEAVE ME, TOMMY.

I WON' T LEAVE YOU, HONEY.

HONEST, I WON' T.

WE' RE GONNA BE TOGETHER

NOW ALWAYS.

YES. ALWAYS.

AND YOU' RE GONNA

GET WELL QUICK.

WHY, THE NURSE SAYS

YOU' RE SWELL TODAY.

EVERYTHING IS GONNA BE

WONDERFUL, HONEY.

OH, IF--

IF I' D ONLY KNOWN YOU WERE FREE,

I WOULDN' T HAVE--

WOULDN' T HAVE WHAT?

GONE WITH HIM:

IN HIS CAR.

YOU WERE RIGH ABOUT HIM, TOMMY.

BUT I--I STILL BELIEVED

HE COULD HELP US.

I HAD TO TAKE A CHANCE.

WITH WHO?

[WHISPERING]

Oh, what' s the difference?

COME ON. TELL ME.

CROWLEY.

CROWLEY?

YEAH.

HE SAID THAT THE BOSSES

WOULDN' T HELP YOU.

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Seton I. Miller

Seton Ingersoll Miller (May 3, 1902 – March 29, 1974) was an American screenwriter and producer. During his career, he worked with many notable film directors such as Howard Hawks and Michael Curtiz. Miller received two Oscar nominations and won once for Best Screenplay for fantasy romantic comedy film Here Comes Mr. Jordan (1941) along with Sidney Buchman. more…

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Submitted on August 05, 2018

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