Cat Run 2 Page #4

What are you doing?

Take your pants off.

I've seen you with less

clothes on than that before.

All right. Uh, okay. Okay.

I remember when you used to give

me looks when we were kids.

(GROANS)

I guess I was a little chubby

chaser back then, right?

No, I mean, but

you've changed, girl!

Tattoos and everything. I can do tats.

That's what I do now.

Well, I admire a man

who will risk his life

to save his family.

What can I say? That's what I do.

I risk for the family.

You really grew up.

(INAUDIBLE)

ANTHONY:
So, that's it. Julian's

cousin's completely innocent'

Mmm, I knew n.

But if you're just gonna

whack the top brass,

why go somewhere

where you're guaranteed

to get caught

and killed yourself?

I think they were at the

base for something else.

We just don't know what it is yet.

(LAUGHING)

My man.

So, what's the bad news?

What's the bad news?

RAY:
You and Jackhole let some

motherf***er shoot up my goddamn car?

Oh, son of a b*tch!

If it makes you feel any better,

Jules got a flesh wound.

Good, God damn it!

Where's your motherfucking

flesh wound?

If it wasn't the Chinese,

who were they?

I don't know.

But they obviously had

the same intel we did.

(BOJAN SPEAKING OTHER LANGUAGE)

Whoever" they were, you will

have to deal with them.

And your former

employer, Mr, Cordray.

I will inform the Wolf that

these plans are incomplete.

We will have to

find another way.

Boss. (TAPPING)

Boss, wake up. Boss.

What? Camera three.

CORDRAY:
(SNIFFS)

Go check it out.

(SIGHS)

(GUNSHOT)

CORDRAY:
Casey?

Casey?

(GROANING)

Oh, f***!

B*tch!

Two men who came by,

who were they?

(sum-nus)

Who were they?

Couple pie-ass Pls

from New York.

I didn't tell them nothing.

I know what you told them.

You f***ing shot me.

I have something for the pain.

(CORDRAY SNIFFLES)

This is how I'm going out?

Yes.

No b*tches on my hp?

Is that better?

Actually, yeah.

I want you to know

it's nothing personal.

I don't give a...

(SCATTING)

(GUITAR STRUMMING)

(SCATTING CONTINUES)

Sounds good.

(CHUCKLING) Thank you, partner.

Hey, Big Ray,

let me ask you a question.

Hit me, Antoine.

Remember those, uh,

ribs that I made?

Yeah.

What was wrong with them?

Well, there was nothing

wrong with them exactly.

In fact, I don't think I've ever

had a rib sauce so precise.

What they lacked was

passion, spontaneity.

See, there's three things

in life you got to riff,

Cooking, playing jazz,

and f***ing.

So, what do I do'?

Man, you know how

to f***, don't you?

Good-looking white boy like

you must get plenty of tail.

See, you got to...

You got to give

yourself over to it.

Just riff' brother. Just riff.

I don't really do that

Yeah. Well, the levees

wasn't built in a day.

I can help you with

the cooking and the jazz,

but the f***ing you got to

do on your own. (LAUGHING)

See, it's like this. It's about the...

Mmm, mmm, mmm.

About the... (HUMMING)

When you get the good

food, you say...

(STRUMS) Mmm.

Right? And when you get

the good jazz, you say...

Mmm! Mmm!

And, boy' you get

that good p*ssy,

it's sure gonna make you say.

Mmm! Mmm!

Let's go back to the...

(HUMMING)

Come on. (HUMMING)

That's what I'm talking about.

Then you got to say.

Mmm!

I feel dirty. I feel dirty now.

Grab your nuts. Grab your nuts.

Hold on to them nuts,

say... Mmm!

Mmm!

Mmm! Mmm!

One more time, say...

Mmm!

(SINGING) Baby, you go!

that good p*ssy

Oh, yeah, that's what

I'm talking about

Spread them pretty legs And let

me sink between them, yeah

(LAUGHS)

Oh, baby!

Oh, baby!

I think I'm ready.

I think I'm ready.

Let me hear that f***ing.

(GUITAR STRUMS) Mmm!

Ow! Ow!

And finally you say.

(BOTH HUMMING)

(BOTH LAUGHING)

All right, all right.

You got it, baby. (LAUGHING)

Thank you. I appreciate it.

Let me make you some breakfast, yeah?

All right.

What do you want?

What do you want?

Some p*ssy. (CHUCKLES)

(BEEPING)

(SPEAKING OTHER LANGUAGE)

GUY:
Welcome to

the Barataria Bayou Barn!

(APPLAUSE)

I'm Guy Mancini.

And this is Americana Chophouse!

(PEOPLE CHEERING)

Today on the Chophouse,

we are going to feed you

the filet mignon of the bayou.

The American alligator.

We are going to cue 'em

and stew 'em and feed

'em to you good folks.

And this particular gator that

we're going to enjoy today

came right out of

the bayous behind us.

(SPEAKING OTHER LANGUAGE)

(APPLAUSE)

Before we go any further though,

I would also like to say thanks

to the man who provided us with

the space and the game today,

Mr. Beau LaMonde. (APPLAUSE)

Looking very sharp back there.

(WHISPERING)Wail.

Isn't he the one.

Cordray mentioned. Probably

tipped off the assassins.

Go try and get close to him.

GUY:
Well, first things first

Got to have a nice, sharp knife.

So, we're going to

start up here, high.

Can you hang on to it for me?

ANTHONY:
Yeah.

Keep this thing from

spinning right here.

It's like that saying.

"Bravest man I ever saw, the

first to eat an oyster raw."

I'd like to see the first guy who

wrestled one of these things

and go, "I'm hungry."

(ALL LAUGHING)

You got to go on in there, you

got to go through the rib cage.

But you don't want to

bypass the stomach either.

'Cause we found a 12-pound

catfish in one of them one time.

We smoked it up with some pecan shells.

It was delicious.

Okay, here we go.

Feel around in the stomach right there.

You see it?

See the stomach right there?

Feel around, see if you can

find anything in there.

You feel anything?

I got something solid.

Well, it could be a turtle.

They eat those whole.

You can make a soup out of that

No, I don't think it's a turtle.

Let's see. Can you get it out?

It's not a turtle.

Hmm.

Oh-ho!

ANTHONY; F***.

GUY:
Whoa, that's not a turtle.

Let's, uh, put that in a pan.

(CHUCKLING NERVOUSLY)

Never found one of those before.

That's... Getting a little

too curious about...

GUY:
What is it?

Are you missing somebody?

MAN:
Whoa, what's up,

Beau? What is that?

GUY:
I'm cutting open a gator, I'm cooking

this food. What the hell is that?

ANTHONY:
That was definitely that

girl from the morgue's hand.

She had the tattoo.

She also had these

weird metallic implants.

Wasn't on the coroner's report.

JULIAN:
That ought to raise

a red flag at Homicide.

ANTHONY:
Or not.

JULIAN; What was that?

That's Louisiana justice.

We got to get by that water, man

There's going to be more

evidence around there.

The water? Like, where

the gators are? Yeah.

And they're doing gator sh*t,

like devouring human parts?

You know what we gotta do over

there, right? We're gonna look.

No, you going

to look over there.

Hell' no, I'm not going there.

We're both going over.

Come on. Let's go. What?

Man' I hate gators.

SECURITY' Sir,

I can't understand you.

What?

Could you speak English please?

ANTHONY:
They probably dumped

the body over by the bridge.

(JULIAN MURMURS)

ANTHONY:
Just keep

your eyes open, all right?

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