Chekist Page #3

Synopsis: Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.
 
IMDB:
7.2
Year:
1992
93 min
162 Views


216

00:
22:22,160 -- 00:22:24,310

lgnat Usljabin Karlovic, Colonist,

217

00:
22:24,440 -- 00:22:26,715

abetted the white movement.

218

00:
22:27,320 -- 00:22:28,878

- Motions.

- A firing squad.

219

00:
22:29,240 -- 00:22:30,355

Firing squad.

220

00:
22:30,480 -- 00:22:33,278

Varlam Kirilnikov lvanovik,

priest,

221

00:
22:33,600 -- 00:22:35,830

participated in a conspiracy.

222

00:
22:36,280 -- 00:22:38,157

- Motions?

- A firing squad.

223

00:
22:38,800 -- 00:22:41,030

Viktorov lvan lvanovic,

aristocrat,

224

00:
22:41,520 -- 00:22:43,909

his children are soldiers

under Kutepov.

225

00:
22:44,840 -- 00:22:46,876

- No doubt.

- Agreed, firing squad.

226

00:
22:47,000 -- 00:22:47,830

Firing squad.

227

00:
22:48,520 -- 00:22:50,909

Tichon Polujan Jurevic,

merchant,

228

00:
22:51,040 -- 00:22:53,395

participated in peasant riots.

229

00:
22:54,480 -- 00:22:56,596

- Motions?

- Dispatch him.

230

00:
24:00,880 -- 00:24:02,029

Silence!

231

00:
24:26,760 -- 00:24:28,318

Next batch!

232

00:
24:28,440 -- 00:24:29,634

Take them away.

233

00:
24:31,840 -- 00:24:33,034

Stand up!

234

00:
24:35,600 -- 00:24:37,670

- Aim better!

- Shut up.

235

00:
24:44,440 -- 00:24:45,919

Splash some water here.

236

00:
24:50,280 -- 00:24:51,349

Enough.

237

00:
24:53,800 -- 00:24:55,074

Face the door!

238

00:
24:55,200 -- 00:24:56,235

Closer!

239

00:
25:06,600 -- 00:25:07,589

Give that back!

240

00:
25:08,040 -- 00:25:09,155

Let me see.

241

00:
25:10,680 -- 00:25:11,749

Pig!

242

00:
25:13,000 -- 00:25:15,195

Hell holds open house.

243

00:
25:15,640 -- 00:25:17,392

No need to wear a cross

to get in!

244

00:
25:19,800 -- 00:25:21,438

You tell us when you get there!

245

00:
25:24,360 -- 00:25:27,909

Comrade Srubov, it's a mistake!

246

00:
25:28,040 -- 00:25:31,237

- l doubt it.

- You are stained with blood.

247

00:
25:32,280 -- 00:25:33,190

There.

248

00:
26:00,200 -- 00:26:01,394

Come on!

249

00:
26:53,160 -- 00:26:54,593

Pepel speaking.

250

00:
26:54,880 -- 00:26:56,552

How is Vladimir llic Lenin?

251

00:
26:57,240 -- 00:26:57,990

Thank you.

252

00:
27:23,000 -- 00:27:25,560

Yes, the Revolution

is a fierce starveling.

253

00:
27:27,320 -- 00:27:28,719

lt's hungry for blood.

254

00:
27:29,880 -- 00:27:32,348

Sucks the blood out

of the best men.

255

00:
27:32,880 -- 00:27:36,475

But it is essential to satisfy

its thirst with blood.

256

00:
27:37,880 -- 00:27:39,757

To shock and renew this world...

257

00:
27:40,560 -- 00:27:43,757

... it's required to suffer anguish,

filth and misery.

258

00:
27:46,000 -- 00:27:49,356

The new isn't born

without torture and blood.

259

00:
28:33,840 -- 00:28:35,637

Parade arms!

260

00:
28:37,400 -- 00:28:38,594

Down!

261

00:
28:41,040 -- 00:28:42,712

Parade arms!

262

00:
28:46,080 -- 00:28:46,910

Down!

263

00:
29:05,880 -- 00:29:06,949

Well, how's Katz?

264

00:
29:08,240 -- 00:29:10,435

Nothing. Just telling jokes.

265

00:
29:11,520 -- 00:29:12,873

What kind of jokes?

266

00:
29:13,280 -- 00:29:14,110

Dirty.

267

00:
29:14,960 -- 00:29:16,029

For example?

268

00:
29:17,280 -- 00:29:19,748

Lenin and Trotski want to attack

the Winter Palace.

269

00:
29:20,360 -- 00:29:22,920

Trotski to Lenin: ''Won't we be late to lnessa's?''

270

00:
29:25,440 -- 00:29:26,475

Not true.

271

00:
29:27,320 -- 00:29:28,469

lt's a joke!

272

00:
29:29,680 -- 00:29:33,593

Lenin never did such things.

273

00:
29:34,360 -- 00:29:37,796

To suppress chaos a strong,

even cruel authority is needed.

274

00:
29:37,920 -- 00:29:40,150

That's our basement.

275

00:
29:40,280 -- 00:29:42,840

ln France it's the guillotine.

276

00:
29:42,960 -- 00:29:45,030

The inmate is like an actor in a theater.

277

00:
29:45,160 -- 00:29:46,878

Every stupidity from his lips

278

00:
29:47,000 -- 00:29:50,356

is memorized in people's presence.

279

00:
29:51,040 -- 00:29:53,998

However, the executions

in the basement, in secret,

280

00:
29:55,760 -- 00:29:58,274

wihout announcing a trial,

without a trace,

281

00:
29:59,120 -- 00:30:01,315

morally destroy the individual.

282

00:
30:01,880 -- 00:30:04,599

After his death nothing remains.

283

00:
30:05,120 -- 00:30:08,795

Neither the body nor the grave

or details of his disappearance.

284

00:
30:10,400 -- 00:30:12,755

What a conveniently ample

back of the head you have!

285

00:
30:26,080 -- 00:30:26,910

What?

286

00:
30:29,240 -- 00:30:30,593

Are you ill?

287

00:
30:34,480 -- 00:30:35,674

l understand.

288

00:
31:11,760 -- 00:31:13,637

The old family friend, right?

289

00:
31:39,800 -- 00:31:40,789

Good evening.

290

00:
31:59,760 -- 00:32:01,352

Why do you look at me like that?

291

00:
32:02,480 -- 00:32:04,277

Don't give me that look.

292

00:
32:05,400 -- 00:32:07,118

How do you feel, Andrej Pavlovic?

293

00:
32:07,240 -- 00:32:08,593

Wonderful.

294

00:
32:09,640 -- 00:32:11,392

Wonderful.

295

00:
32:12,640 -- 00:32:13,516

Very good.

296

00:
32:14,440 -- 00:32:15,953

Do you think

l am off my rocker?

297

00:
32:18,000 -- 00:32:19,956

Did mom tell you

or Valentina ?

298

00:
32:23,320 -- 00:32:26,278

You are a specialist in female diseases,

citizen Popov.

299

00:
32:27,920 -- 00:32:30,150

My Mommy thinks

l've gone raving mad.

300

00:
32:33,320 -- 00:32:35,788

Don't you think it is the world

which has gone mad?

301

00:
32:36,600 -- 00:32:38,875

l instead

l'm perfectly fine.

302

00:
32:39,560 -- 00:32:40,390

l understand.

303

00:
32:42,240 -- 00:32:45,869

Andrej Pavlovic, l'm here

as an old friend of your father.

304

00:
32:50,880 -- 00:32:54,919

Then, as a family friend

you should not look at me like that!

305

00:
32:56,680 -- 00:32:57,510

Excuse me.

306

00:
33:22,200 -- 00:33:23,030

Sleep...

307

00:
33:24,000 -- 00:33:25,319

You're tired.

308

00:
34:16,680 -- 00:34:19,513

Comrade Srubov,

we stopped Colonel Chelkashin.

309

00:
34:19,640 -- 00:34:21,232

He was shooting, the swine!

310

00:
34:32,680 -- 00:34:34,511

Come on, get her down!

311

00:
34:34,640 -- 00:34:35,959

Boje, help.

312

00:
34:38,440 -- 00:34:41,079

Don't take him away,

he's my only child!

313

00:
34:41,200 -- 00:34:43,111

l will clarify everything. Hurry.

314

00:
34:43,400 -- 00:34:45,994

lf he is innocent, he is released.

315

00:
34:49,480 -- 00:34:50,515

Stop!

316

00:
34:50,640 -- 00:34:51,834

Stop l said!

317

00:
35:15,640 -- 00:35:17,073

Stop!

318

00:
35:24,200 -- 00:35:27,670

That's right!

Cut them down at the root!

319

00:
35:27,800 -- 00:35:29,995

At ease, you must

take a break.

320

00:
35:39,760 -- 00:35:42,718

Andrej Pavlovic

l have not done anything!

321

00:
35:43,560 -- 00:35:44,754

Help me!

322

00:
35:48,760 -- 00:35:50,990

Somebody alert

comrade Srubov!

323

00:
35:53,520 -- 00:35:55,158

Somebody call him!

324

00:
35:57,200 -- 00:35:58,553

Comrade Srubov!

325

00:
36:10,440 -- 00:36:12,271

- Questions?

- lt's all clear.

326

00:
36:12,400 -- 00:36:16,791

Galina lvanovna Georgevna,

Rate this script:0.0 / 0 votes

Jacques Baynac

All Jacques Baynac scripts | Jacques Baynac Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Chekist" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/chekist_5393>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Chekist

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is one key element that makes dialogue in a screenplay effective?
    A Long monologues
    B Excessive use of slang
    C Overly complex vocabulary
    D Natural-sounding speech that reveals character and advances the plot