Cherry Pop
Let me ask you something.
Do you know what
How about a memory?
Anybody?
Well, I once heard that memory
is about dreams from our past,
and dreams are about
memories from our future.
both dreams and memories
are somewhat shapeless
and hard to define.
Confused?
Okay,
this is my memory
about a dream I once had.
A dream to perform,
in my own way,
and as long as I got to do that,
nothing else
really mattered at the time.
You see,
when I arrived that night,
and yes, this is the memory,
I was scared shitless.
I was about to follow a dream,
but in doing so,
I was getting way more
than I bargained for.
B*tch.
No, no, no, no,
no, let me tell you something.
I know that motherf***er
around here somewhere,
because I tell you what,
I got that track his ass app
he was telling me about.
Talking about he
going to get some milk.
-Who take two - -?
-Excuse me?
Excuse you.
What the f***?
I'm sorry,
I'm just trying to get to - -.
No, what you're trying
is my mother f***ing patience.
What are you,
sneaking around here.
You the FBI?
The NSA?
-The CIA?
-Okay.
BLT?
-BET?
-I'm sorry.
B*tch please. Hello, girl..
Hi.
You here for the show?
Yeah, yeah,
I'm here for the show.
ID.
Right, sorry.
Here you go.
I'm actually in the show.
You sure you're not lost?
This is the Cherry Pop, right?
Go on then.
Dressing room's in the back.
Great, thanks.
Don't make eye contact with him.
F***ing queers.
But in doing so, I was getting
way more than I bargained for.
F***ing lights.
Cherry Pop wasn't exactly
the place to be at the time.
But I was prepped and ready.
Nothing was gonna
stand in my way.
I wanted to be on that stage.
Looks like Dorothy got lost.
That's tonight's cherry.
-He's the cherry?
-Hey, you got here.
He's the cherry?
I'm Michael, the night manager.
Right.
Were you running late
or something?
No, why?
Nothing.
You know where
the dressing room is?
Yeah, back there, right?
Yeah,
but you got
a while till you're up.
So take your time.
Okay great.
You nervous?
Yep, a little.
But I, I've been warming up
For the after party?
No, for the singing.
Honey, there's no singing, just
move your lips to the words.
I, I understand, but,
I told the day manager
that I'm actually singing.
He said it was fine.
Well, I don't.
Meet Michael.
And I'm pretty sure
he didn't want anyone else's
to come true neither.
And it's night now and not
day, so what I say goes.
-Yeah, yeah, but you...
-Listen,
I got to get back to work.
But if you need anything,
let me know.
-Yeah, but it's a big part of...
-Break a heel.
Just to clarify for all of you
who might be
I was a normal guy
with a normal life
that I was lucky enough
to share with an amazing person.
So, why didn't I just leave
when I was told
I couldn't sing as promised?
Well, the answer is that
singing was only
a part of the performance.
I had this dream, I wanted
to have the experience
of giving others an experience.
But finding the stage
is not an easy task.
And that is how
You see, Cherry Pop
wasn't your normal dive bar
with an open mic.
It was a drag club.
Taken.
Taken two,
the sequel, honey.
I'm not really sure
what I had expected.
You can't sit here.
But feeling like it was my
first day of school was not it.
Anyway, let's start
with the queen of queens.
Zaza.
Girl.
Get your ass out here.
Zaza.
My Marcello.
What am I supposed
to do without you?
If only you could see
what's become of this place,
of me.
How am I supposed to follow such
talentless drool
without you?
What's the point when the only
good thing about this shithole
went away with your last breath.
You left me.
Helpless.
Hopeless.
Worthless.
Powerless.
Senseless,
defenseless.
Motionless.
Emotionless.
Zaza.
They say Zaza had the potential
to be the biggest drag queen
the world had ever seen.
Not only because she broke
seven feet in heels,
but because her
performance as the first cherry
was supposed to be the greatest
drag number of all time.
Garnering a three-hour standing
ovation that was just ending
by the time she reached home.
But it never would have happened
without her long-time muse,
lover and collaborator Marcello.
He was her Mona Lisa.
Her inspiration.
And when he died
shortly before my arrival,
she lost all reason to tuck.
Hey, hon.
I'm Ariela, did you want a seat?
Yes.
Thank you.
So, you're our cherry tonight?
Yeah.
Laundry day?
What? No.
Why? W - - why?
Never mind.
Okay, hey,
they always this warm?
Only to the cherry.
Don't worry about
Skid Row over there.
Some sort of
friendly hazing, or...?
No, this is just
them being friendly.
Everybody goes through it.
So, how long does it last?
As long as you do.
And then if you
survive the night,
you get to come back
and join us again.
I was the last cherry
to make it.
-How long ago was that?
-A few months ago.
That's high standards for
such a fine establishment.
I mean, sorry.
This gig isn't what
it was supposed to be,
so I'm not sure
if I'll be back anyway.
Because you think this
is where we want to be?
after they're dead
and gone and buried,
six months rotting,
here we are.
You found yourself
at the same place.
Great.
I swear to God, Zaza,
if you don't come out,
I will get them to tow your car.
I will do it.
Not my reserve spot.
I'll f***ing do it.
You wouldn't dare.
You just,
you just gonna sit here?
Did you want
me to sit there?
Being raised on a farm
had earned Kitten
a rare degree of patience,
She'd left home
at the mature age of 15
and followed her dream
to move to the big city.
A couple of years
she eventually ended up here.
But you could
still see that twinkle
of a little farm boy's dream
shining bright in her eyes.
My God,
Zaza, I'm serious.
The show starts
in like, two minutes.
I don't care.
Tell them I'm dead.
Wish I could.
All right, look.
You're on suicide watch tonight.
No, honey, that was last week.
But thank you for being aware.
What are you talking about?
That was last week's
episode that I was on.
No baby, no.
No, no, no.
I:
need
you
to stay outside this door
and make sure Zaza
doesn't kill herself.
You know, c...
Thank you.
I'm just gonna see....
Okay,
what is wrong with my clothes?
Seriously?
You're the cherry?
Yes.
Okay, whatever.
Listen, you go on
towards the end of the show.
-Okay, great.
-Just before Zaza, got it?
-Yes. 'Cause I was...
-All right, good.
That's good.
I was trying to tell, Michael,
that I'm supposed to sing live.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Cherry Pop" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/cherry_pop_5408>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In