Cherry Tree Lane Page #3

Synopsis: Prosperous professional couple Mike and Christine are settling in for a standard evening of wine, TV and low-level marital hostility when a ring on their doorbell changes everything. Turns out their son Sebastian is in a little trouble with some local boys, who are quite prepared to camp out and wait for him to get home... The resulting culture-clash chamber drama is raw, revealing and nerve-splittingly tense.
Genre: Horror, Thriller
Production: Steel Mill Pictures
 
IMDB:
5.0
Rotten Tomatoes:
63%
NOT RATED
Year:
2010
77 min
100 Views


Flick the switch. It's on the handle.

You'll have to go

put it back on again.

lt's f***ing easy.

Keep your f***ing head

on the floor.

Don't be looking around at me.

Hey, Asad.

Asad, get in here.

You told me to shut the door.

Just watch him.

Don't want him seeing my face.

He's already seen it

when you walked in.

l'll cut his f***ing eyes out

if he looks at me.

Forget it.

He needs to be bringing back

a drink or something.

Get something from the kitchen.

They ain't got anything. It's iuice.

Call him up, then.

Ain't you got a drink in this house?

Mate, there's a f***ing bottle of wine

on that table there.

Not for me.

Then find something or call him up.

Just stop f***ing going on about it.

l'm going to take the tape

off your mouth.

But f***ing shout or say something

or whatever...

Look at me. Come on, look at me.

You understand me, don't you?

Don't be screaming.

l'm taking it off.

What's the matter with you?

- Stay f***ing still.

- What are you doing that for?

Mind your f***ing business.

l want to talk to her.

You didn't put tape on her ears.

Tape yourfucking ears.

Tape your head in a minute.

Don't be flinching like that.

You're gonna piss me off.

Act like l'm gonna hit you and l will.

How many kids you got?

One.

Sit back, yeah?

How old are you?

- 42.

- Speak up.

l'm 42.

F***, man.

You look good for being that age.

l know women younger than you

that look older than what you do now.

My mum's younger than you. 35.

But she looks older.

Yeah, cos she's a crackhead.

What do you do?

Does he make you work?

l don't understand. Do you work?

Do you have a iob?

l sell advertising.

l don't even know what that is.

F*** it. It don't matter, anyway.

What are you going to do?

To you?

To Sebastian.

l'm not even gonna tell you.

Just why are you going to hurt him?

Why are you... Why are you even here?

That boy of yours is a grass.

Fessing up things

he ain't supposed to.

F*** off, Asad.

She don't need to know about that

or be worying about that.

You already told her

you're gonna f*** him up.

Yeah, but that's for me to say, innit?

lt's my business dealing with this.

lt's my cousin.

Ain't your fault for your son, is it?

Damn, you look fit.

You must be working out.

At least running or something.

Stand up a second.

Come on, l'm not gonna do anything.

Just stand up.

See this?

See these abs right here?

This is the real sh*t. Solid.

Cos l work out.

l work out cos l know what looks good,

you get me?

Can't be no jelly belly

hanging out over my trousers.

Yeah, man.

So come on.

Let me see how fit you are.

Yeah, yeah. Sit down.

You can sit down again.

What did you think l was gonna do?

l was iust looking at you.

Take that as a compliment.

You shouldn't be

sweating so much, man.

Did you think l was gonna do something

to your lady?

What do you take me for, blood?

Asad, get another blade

from the kitchen.

- Why?

- Do you have one?

No. Think Ted might have it.

Go and get one, then.

What do you reckon about Teddy?

He won't even be there yet.

You'd better call him up, then.

Getting the knife. Do you want me

to f***ing do evemhing?

Call him now, then.

Let me see the knife.

What should l say to him?

He's only been gone five minutes.

Make sure he ain't f***ing off

with that money.

What are you talking about?

He won't even have the money yet.

Alright, l'll call him.

What are you doing?

l've got to do something.

Keep your knife on him.

He can't move. He ain't going nowhere.

Just do what l said, yeah?

F***'s sake, man. Always attitude.

lf you move, l'll f***ing hurt you.

Yo, Ted, where are you?

l know, he asked me to call.

Yeah.

Yeah.

Tell him to be running.

Thingy's back in half an hour.

Tell him to call me

as soon as he's been to the machine.

l know how much money

should be coming back.

- You heard that, yeah?

- Tell him to get it himself.

- Yeah, laters.

- Yeah, alright. Laters.

You should have called him yourself.

Barking orders at me what to say.

Just watch him.

F*** it. Come on.

- Get the f*** up!

- Don't f***ing struggle.

- What are you doing?

Blood, don't wory...

Don't wory what l'm f***ing doing.

What are you gonna do to her?

Don't f***ing wory about

what l'm doing to her.

lt's none of your f***ing business.

What the f***, man?

l told you to watch him.

F***ing keep a knife on him.

And if Ted calls, let me know.

- What are you doing?

- Don't wory what l'm doing.

F***, man.

You know what?

F***ing take your panties off now.

- l didn't know that, man.

l didn't know he was gonna do that.

He's f***ing her. l bet you.

There's no point in doing that.

You ain't gonna get free.

Catch my breath.

l iust gotta wait till nine.

Just gotta wait until nine.

Be f***ing quiet.

lt's a bit f***ing heavy.

Gotta get a drink.

Listen, l'm going to the kitchen

to get a drink, yeah?

l'm asking you

not to move or anything.

Just don't do it.

l've got you a drink, too.

Just let me finish mine first.

Now, listen, l know l just got you

a drink from the kitchen,

but l willcut you

ifyou make any noise.

Just don't do it, alright?

Remember, l've still got this knife.

Right, l'm gonna take this tape off.

l f***ing mean it.

See?

Just got to do it quick

so the sting is over fast.

l'm gonna pour this in your mouth.

Don't be going mad, don't be

going crazy, don't be shouting.

That eye looks bad, boy.

You're gonna be hurting for some time.

Listen, if it was my fault that done

that, l gotta say l'm sory, yeah?

That's not nice.

- Whoa, whoa, whoa. Hang on, man.

Don't wory, l ain't gonna kill you.

lf your mouth is wet, l ain't gonna

get the tape to stick, am l?

That's f***ing logic.

What's your name, man?

Michael.

Listen, don't think of me like what

he's doing to her in that room, yeah?

l ain't like that.

You've got to have some sort of line,

you get what l'm saying?

Rian iust goes too far sometimes.

Don't get me wrong,

he might not even be doing anything.

Could iust be talking.

l've got a girlfriend.

l don't cheat.

My dad done that to my mum.

No f***ing way.

Sory, l was thirsty, blood.

l'm gonna put this tape

back on your mouth.

lf Rian comes in and sees you,

l'll have to do you or he'll be onto me.

You got all the channels for this?

You just end up flicking through,

there's so many.

Don't end up watching anything

for more than 20 seconds.

My mum's got all the channels.

It's good, though.

Fucks with your attention span.

Listen, man, your son has got to be

the stupidest kid l've ever met.

Now one thing you know

is not to grass. Never.

You go around telling tales,

it's gonna come back

and bite you on your arse.

He really f***ed up.

Jamal's gone to iail for a long time.

Sebastian should have just

kept his mouth shut.

Look at the mess he's got you in.

He's gonna get spiked.

Oi, Rian, you're ringing.

Oi, listen, l'm gonna turn you over,

yeah? Don't look back.

Turn. Look the other way.

Don't turn around.

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Paul Andrew Williams

Paul Andrew Williams is a British film writer and director, born in Portsmouth, England in 1973. He won the New Director's Award for his film London to Brighton in the 2006 Edinburgh International Film Festival. more…

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Submitted on August 05, 2018

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