Chicago Page #3

Synopsis: Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Genre: Comedy, Crime, Musical
Director(s): Rob Marshall
Production: Miramax Films
  Won 6 Oscars. Another 51 wins & 128 nominations.
 
IMDB:
7.2
Metacritic:
82
Rotten Tomatoes:
85%
PG-13
Year:
2002
113 min
Website
5,942 Views


I'd fix him a drink.

We'd have dinner.

And then I found out.

SingIe, he toId me?

SingIe, my ass.

Not onIy was he married . . .

Oh , no. . .

He had six wives.

One of those Mormons.

So that night

when he came home from work. . .

I fixed him his drink,

as usuaI .

You know, some guys

just can't hoId their arsenic.

- He had it coming

- Pop, six, squish

- He had it coming

- Cicero, Lipschitz

He took a flower

in its prime

- And then he used it

- Pop

- And he abused it

- Six

lt was a murder,

but not a crime

Cicero, Lipschitz

Now, I'm standing

in the kitchen

carving up the chicken

for dinner,

minding my own business.

In storms my husband , WiIbur,

in a jeaIous rage.

''You been screwin' the miIkman ,''

he says.

He was crazy,

and he kept on screamin' ,

''You been screwin' the miIkman !''

And then he ran into my knife.

He ran into my knife 1 0 times.

lf you'd have been there

lf you'd have seen it

l betcha you would have

done the same

[ Speaking Hungarian ]

Yeah , but did you do it?

Not guiIty.

My sister, Veronica, and I

had this doubIe act.

And my husband , CharIie,

traveIed around with us.

Now, for the Iast number

in our act. . .

we did these

One, two, three, four, five. . .

spIits, spread eagIes,

backfIips, fIip-fIops.

One right after the other.

One night before the show,

we're down at the HoteI Cicero.

The three of us boozin'

and havin' a few Iaughs.

We run out of ice,

so I go out to get some.

I come back, open the door. . .

and there's Veronica and CharIie

doing number 1 7.

The spread eagIe.

WeII , I was in

such a state of shock. . .

I compIeteIy bIacked out.

I can't remember a thing .

It wasn't untiI Iater

when I was washing the bIood

off my hands

I even knew they were dead .

- They had it coming

- They had it coming

- They had it coming

- They had it coming

They had it coming all along

- l didn't do it

- She didn't do it

- But if l'd done it

- But if she'd done it

How could you tell me

that l was wrong?

- They had it coming

- They had it coming

- They had it coming

- They had it coming

They had it coming

all along

l didn't do it

But if l'd done it

How could you tell me

that l was wrong?

I Ioved AI Lipschitz

more than I couId possibIy say.

He was a reaI artistic guy.

Sensitive. A painter.

[ WhistIe bIows ]

But he was aIways trying

to find himseIf.

He'd go out every night Iooking

for himseIf, and on the way. . .

he found Ruth , GIadys,

Rosemary, and Irving .

You couId say we broke up

because of artistic differences.

He saw himseIf as aIive. . .

and I saw him dead .

The dirty bum,

bum, bum, bum, bum

The dirty bum,

bum, bum, bum, bum

- They had it coming

- They had it coming

- They had it coming

- They had it coming

They had it coming all along

- And if they used us

- And if they used us

- Then they abused us

- Then they abused us

Could you tell us

that we were wrong?

- He had it coming

- He had it coming

- He had it coming

- He had it coming

He only had himself to blame

- lf you'd have been there

- lf you'd have been there

- lf you'd have seen it

- lf you'd have seen it

l betcha you would have

done the same

-Pop that gum one more time. . .

-SingIe, my ass.

Number 1 7.

The spread eagIe.

Artistic differences.

Pop.

Six.

Squish .

Cicero.

Lipschitz.

Who beIongs to them?

What's it to you?

Nothing .

Heard they were VeIma's.

The Hunyak does her Iaundry

for a buck a week.

Fresh toweIs for the can .

Make it quick.

MAMA MORTON :

I'm gonna take care of you now.

I know a coupIe of things.

Hear me out.

BiIIy FIynn's set

your triaI for March 5th .

March 7 th you'II be acquitted .

March 8th , Mama is gonna put you

on the vaudeviIIe circuit.

VELMA:

Now you're an agent, too?

MAMA MORTON :
UntiI Ma BeII

instaIIs a Iine in your ceII . . .

aII the caIIs

have gotta go through me.

What kind of dough

are we taIking about?

It's a crazy worId .

Babe Ruth is wearing rouge

and pIaying the PaIace

for $5,000 a week.

Yeah . What about someone

with reaI taIent?

I been taIking to the boys

over at WiIIiam Morris.

Due to your recent

sensationaI activities. . .

they think

they can get you $2 ,500.

$2 ,500?

Jeez, the most me

and Veronica made was $350.

That's what happens when you

have the right representation .

I aIways wanted to pIay

Big Jim CoIosimo's.

Do you think

you can get me that?

-Big Jim's?

-Yeah .

I don't know. That's gonna

take another phone caII .

How much is that gonna cost?

You know how I feeI about you .

You're Iike famiIy to me.

You're Iike one of my own .

-I'II do it for 50 bucks.

-50 bucks for a phone caII?

You must get a Iot

of wrong numbers, Mama.

Oh , Miss KeIIy,

got your personaIs.

FreshIy pressed

by yours truIy.

No, it's my pIeasure.

Hey, Iisten ,

can I ask you something?

You know that Harrison guy?

He said that what I done

is a hanging case

and that he's prepared to ask

for the maximum penaIty.

-Yeah , so?

-So I'm scared .

I sure wouId appreciate

some advice.

EspeciaIIy from someone

I admire as much as you .

Since I can remember, I have

wanted to be on the stage.

What's your taIent?

Washing and drying?

No. I danced in the chorus.

That was before

I met my husband , Amos.

Look, honey,

you want some advice?

Here it is.

Direct from me to you .

Keep your paws

off my underwear, okay?

Yeah , okay.

Thanks.

For nothin' .

She's something , ain't she?

No matter how big she gets,

she's stiII as common as ever.

I'd Iike to heIp you , dearie.

Take a Ioad off.

So, what do you figure

on using for grounds?

Grounds?

What are you gonna teII

the jury?

I just figured

I'd teII them the truth .

-The truth?

-Yeah .

That's a one-way ticket

to the death house.

HoIy Mother of God .

Oh , reIax.

In this town , murder's

a form of entertainment.

Besides, in 4 7 years,

Cook County ain't never hung

a woman yet.

So the odds are 4 7 to one

that they won't hang you .

Jesus, Mary, and Joseph .

You're taIking

to the wrong peopIe.

What you need is BiIIy FIynn .

-Who?

-BiIIy FIynn .

He's onIy the best

criminaI Iawyer in IIIinois.

What he don't know

about juries and women . . .

How do you get BiIIy FIynn?

WeII , not by praying , dearie.

First, you give me $ 1 00.

Then I make a phone caII .

$ 1 00?

WeII , you just. . .

I mean , it seems pretty steep

for a phone caII .

He's worth every cent.

He's never Iost a case

for a femaIe cIient yet.

With a sweet IittIe puss

Iike yours. . .

Iet's just say justice

ain't so bIind in Chicago.

He's never Iost a case?

Never.

Every girI in this pIace

wouId kiII to have

BiIIy FIynn represent her.

Billy

We want Billy

B-l-Double-L-Y

We're all his

He's our kind of a guy

And, ooh, what luck

'Cause here he is

BANDLEADER:

Ladies and gentIemen . . .

presenting the siIver-tongued

prince of the courtroom .

The one, the onIy BiIIy FIynn .

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Bill Condon

William Condon (born October 22, 1955) is an American screenwriter and director. He wrote and directed the films Gods and Monsters (1998), Kinsey (2004), and Dreamgirls (2006), wrote the screenplay for Chicago (2002), and directed the final two installments of the Twilight series (2011, 2012), and Beauty and the Beast (2017). Condon won an Academy Award as screenwriter for Gods and Monsters; he was also nominated for his screenplay for Chicago. His work in television includes directing pilot episodes for several series. more…

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Submitted on August 05, 2018

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