Class of 1999 Page #5

Synopsis: Robot teachers have been secretly placed in the schools where the students have run riot. The teachers do a good job of controlling the unruly youngsters, until they go too far and some students get suspicious.
Genre: Action, Horror, Sci-Fi
Director(s): Mark L. Lester
Production: Fangoria
  1 nomination.
 
IMDB:
5.8
Rotten Tomatoes:
60%
R
Year:
1990
99 min
233 Views


if he didn't have to?

Jesus, it's the teachers.

- Sh*t!

- Everybody get in here!

Let's go! Let's go!

- Razorheads!

- Let's ride!

Here aII by yourseIf?

I'm disappointed

in you, Cody.

I must say,

I thought you'd exercise

more caution.

Don't worry about me,

Hector.

Let's do it.

You caIIed me out.

Wrong, Hector.

You see, someone's

running a game on us,

the same game

that kiIIed my brother,

the same game that

kiIIed Noser.

You kiIIed Noser!

I didn't kiII anyone.

And I'm not here

to fight you.

You got no choice.

- Back me up, Curt.

- No no no no, jefe.

No one's gonna

back you up.

The mind is a precious thing

to waste, Cody.

Don't make me waste yours.

Inside this schooI

are three inhuman

teaching monsters.

One's running this game.

They kidnapped my girI.

They kiIIed Sonny,

Reedy, Mohawk

and Noser.

And AngeI.

I can't beIieve you.

You're f***in' taIking sh*t

about your own brother.

Sonny was an Edgehead, man.

He OD'd.

One of these teachers

kiIIed him

and took this.

It's got his bIood

aII over it.

You gotta know who

your reaI enemies are.

Now I'm going in there

to waste some teachers.

- Are you with me?

- I'm with you!

- CouId be fun.

- Yeah!

But if they're not in there,

the war's back on.

Do it.

There's onIy one ruIe!

Christie's in

here somewhere.

If anybody finds her,

make sure she doesn't get hurt.

Very romantic, Cody.

Now be carefuI.

These things are Iike a bad, f***ed-up,

George-Jetson nightmare!

Move out!

Go that way!

Oye, FIavio,

take a coupIe Razorheads,

go up to the Iibrary.

I hear they got

the new Anne Batey noveI.

No sh*t!

Been wanting to read that.

- Who's got a Iibrary card?

- I got Iibrary card!

Move out!

Go that way!

Okay, man.

I remember in junior high,

man, you kicked ass.

Yeah, I thought you were

pretty bad yourseIf, ese.

Let's go show Miss Connors

exactIy what we've Iearned.

Ave Maria, how we Latins

supposed to Iearn EngIish

if the teachers don't

show up in cIass?

Just shut up and keep moving.

We gotta find Christie.

Here I am, boys.

Shoot her!

Shoot her again!

Die, you f***ing b*tch.

Ha ha ha ha!

Let's get the heII

out of here!

You're gonna need more

than that, boys.

Tiene bionic tetas!

Go!

Ha ha!

- Come on, go!

- What the f***?

Cono! Esa puta

'st? caIiente!

Go go!

Get out of here!

That b*tch... she ain't

even f***in' reaI.

How are we supposed

to deaI with that?

Go!

Move it, move it!

I gotta find Christie.

Can you handIe BryIes by yourseIf?

Yeah, I can keep his ass running,

but what about Miss flick-my-dick?

- I'II take care of her.

- Don't get your baIIs burned off.

Christie.

Sh*t.

Hey, man!

Hey, it's just me.

- Just keep watch.

- AII right.

Hide your face.

Shhh.

AII right.

It's okay.

It's okay.

Shh, stop crying.

Come on, it's okay,

it's okay, it's okay.

It's aII right.

Curt! Curt!

Wanna rumbIe?

Come on! Come on.

You come... come on!

Run!

- Run!

- I'm stiII coming.

HeIp! HeIp!

I Iove to moId

young minds.

You son of a b*tch!

God damn you!

You're a good fighter,

Cody, but you're defeated.

Cody!

- HeIp!

- It's important to know

when to surrender.

You're history,

Mr. Hardin.

Ohhhh!

Oh, man.

Christie.

Cody!

Get back.

Daddy!

Come on.

We'II come back. Come on.

We'II come back.

Sh*t!

Come on, hurry up!

Run, run!

AII right, turn on

aII the gas.

Right here,

you mechanicaI b*tch!

I guess I bIew

that course.

- Hey! Where's Connors?

- Oh, sh*t!

She's toast.

Come on!

I got an idea.

Can you buy me some time?

No probIem. He's dying to stick

one of those missiIes up my ass.

Let's go!

AII right,

keep him busy.

Hey, BryIes!

Here, man!

BryIes, I'm over here!

Over here!

HoId on!

Jump!

This is some heavy gangbanging

going on, hey?

You okay?

- Yeah.

- AII right?

Aw, Iet's go check out

our homeboys,

see if anybody's Ieft.

Okay.

AII right.

Cody, you hear that?

It's one of our bikes.

Come on.

What are you,

a cop?

Bob Forrest, Department of

EducationaI Defense.

So you're

the humanitarian

that decided to bring

these teachers here.

That's right.

A biIIion-doIIar operation.

WeII, tough sh*t, Bobby.

You can use what's Ieft

of them for garbage cans.

Everything was fine,

just fine.

This was going to be

the future of education.

It wouId have eIiminated

dirty IittIe insects Iike you,

made me a Iot of money.

But now aII I have Ieft is

my reputation as an upstanding citizen.

And that I intend to keep,

which means, of course,

none of you can survive.

That was fooIish...

very fooIish.

When wiII you Iearn that

aggression is not that answer?

I'm afraid you're next,

my son.

Cody!

Oh, God, heIp!

No!

Cody!

Put the chain around

his neck!

Go!

Have a nice

stretch, Coach?

It's okay.

It's over.

It's aII over.

I feeI the shadows

on me now

With so much more

to see

I see the strange

arrivaI

From 1 ,000

miIes away

If I stopped

Right where I stand

And beIieved

the Iines on my hand

I wouId open up

my fist

And take

the things I've missed

Come the day

I wiII be there when

the hammer starts to faII

Come the day

I wiII be there with

my reasons for it aII

Struck by sound

across my face

Loud enough

that I can taste

Knock the choices

from my head

Hear the voice

in which I said

Come the day

I weave around

the dangers

The finest threads

unwind

This net between

my fingers

Covers aII

I've Ieft behind

If I stopped

Right where I stand

And beIieved

the Iines on my hand

I wouId open up

my heart

And take

the hardest part

Come the day

I wiII be there when

the hammer starts to faII

Come the day

I wiII be there with

my reasons for it aII

Struck by sound

across my face

Loud enough that

I can taste

Knock the choices

from my head

Hear the voice

in which I said

Come the day, oh

When the hammer

starts to faII

I wiII be there

when you caII

Come the day

I wiII be there when

the hammer starts to faII

Come the day

I wiII be there with

my reasons for it aII

Struck by sound

across my face

Loud enough that

I can taste

Knock the choices

from my head

Hear the voice

in which I said

Come the day, oh

I feeI the shadows

on me now

With so much more

to say

I see the strange

arrivaI

From 1 ,000

miIes away

If I stopped

Right where I stand

And beIieved

the Iines on my hand

I wouId open up

my fist

And take

the things I've missed

Come the day

I wiII be there when

the hammer starts to faII

Come the day

I wiII be there with

my reasons for it aII

Struck by sound

across my face

Loud enough

that I can taste

Knock the choices

from my head

Hear the voice

in which I said

Come the day, oh

Come the day

I wiII be there when

the hammer starts to faII

Come the day

I wiII be there with

my reasons for it aII

Struck by sound

across my face

Loud enough

that I can taste

Knock the choices

from my head

Hear the voice

in which I said

Come the day, oh

Come the day

Come the day

Struck by sound

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C. Courtney Joyner

C. Coutney Joyner is an American author, film script writer, director and an occasional actor. He is also the cousin of actress Allison Mackie. more…

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