Cliffhanger Page #8

Synopsis: Outdoor thriller in which a former mountain rescuer is pitted against a group of criminals who have lost their $100 million stash during a plane crash in the Rocky Mountains. After being persuaded to help rescue a group of stranded hikers, he discovers that they are in fact a gang of violent robbers who need help to locate their missing loot.
Production: Sony Pictures Home Entertainment
  Nominated for 3 Oscars. Another 1 win & 9 nominations.
 
IMDB:
6.4
Metacritic:
60
Rotten Tomatoes:
68%
R
Year:
1993
113 min
668 Views


struggle to reel in the cable, because --

CLOSE ON THE CABLE

The money cases are still, barely, holding on, the cuffs

caught on the broken clip at the end --

QUALEN AND TRAVERS

aren't even bothering with the electric winch, they're

dragging it in hand over hand -- but --

CLOSE ON THE CABLE

-- the cases, torn by the wind, work their way loose one at a

time and drop -- one -- two -- three -- into the snowy

mountains below!

IN THE CABIN:

Heldon and Ryan clamp the door shut as Qualen angrily attacks

Travers --

THE COCKPIT - KRISTEL

tries to bring the plane up, but can't -- the fuel guage

needle is dropping fast --

INSERT - THE WING

is pouring out fuel through a dozen bullet holes -- one of two

engines sputters to a stop.

THE COCKPIT - KRISTEL POV

The plane is now just skirting the mountain tops, and is still

being battered by storm winds -- Kristel aims it for what

looks like the flattest, longest mountain top --

THE CABIN:

Kynette and Ryan grab Qualen and Travers to separate them --

all strap in, because

THE PLANE:

is going down -- it just tops the edge of a precipice and hits

the ground level --

THE MOUNTAIN TOP - LONG SHOT

-- the problem is, the ground itself isn't level, it tilts

down towards another edge five hundred yards distant -- if the

plane keeps skidding, it'll go over the edge --

THE PLANE:

sleds down at an angle, skipping over rocks -- -- through

trees --

-- tearing off a wing --

THE COCKPIT:

Kristel rides the stick only out of habit -- nothing she does

is going to matter now --

INSIDE THE CABIN

The men are jolted around -- windows IMPLODE as Kynette tries

to protect a bag of what is obviously explosives --

THE PLANE:

rips downhill through a wooded area like a runaway train --

-- the second wing is sheared off by trees --

COCKPIT POV - THE OPPOSITE EDGE

is coming up fast -- but

THE PLANE:

wrenches to a sudden halt, the fuselage intact.

WIDER VIEW - THE PLANE

or what's left of it has stopped several feet short of the

edge -- we can see why: the steel cable, trailing from the

cargo door, has lashed itself around a half dozen trees,

acting as a tripwire to stop the plane.

INSIDE THE PLANE

Quiet. All are dazed but, outside of superficial cuts,

unhurt. Kristel moves out of the cockpit, looking around.

KRISTEL:

So much for phase one.

(to Travers)

Now what?

She speaks for all of them -- especially a still-seething

Qualen. Travers pulls out the tracer monitor for the cases.

The tracer screen shows three distinct blips -- the tracers

have survived the fall.

TRAVERS:

Now -- we call the police.

INT. RANGER STATION - DAY

Hal, agitated, paces in the main office -- Frank, unconcerned,

puts a coat hanger and some aluminum foil on a little TV to

drag in the fading signal of a Broncos game.

HAL:

Look -- I know there's a storm, but

that wasn't thunder.

FRANK:

(unconcerned)

Hal, when you've been in this line as

long as I have --

The station's scanner radio barks to life.

KRISTEL (O.S.)

(panicky)

Mayday -- mayday -- downed DC-3 --

mayday --

Hal runs to the radio and keys the mike.

HAL:

Rocky Mountain Rescue -- come in,

mayday --

INT. COCKPIT

Kristel is on the radio, as Travers and Qualen hang back.

Kristel's voice is panicked but she can't suppress a grin.

KRISTEL:

Downed charter flight

alpha-charlie-niner--

(keys mike to "garble"

transmission)

-- dead, seven seriously wounded,

acknowledge --

INT. RANGER STATION

HAL:

Acknowledged, mayday. What's your

position?

KRISTEL (O.S.)

("panicked")

Don't know -- position unknown --

landed on top of some mountain -- only

visual bearing is a facing

cylinder-type formation -- over --

HAL:

Got to be Comb Bluff.

(keys mike)

Acknowledged, mayday. Winds are too

strong for us to get a copter up there

-- can you and your passengers make it

through the storm? Over --

KRISTEL (O.S.

Negative -- cockpit is on fire --

fuselage broken into three sep--

("garble")

--ed in shock. Need medical supplies,

including insulin, repeat, insulin, as

soon as po --

Dead silence. The transmission cuts off/

HAL:

Mayday -- come in, mayday --

INT. COCKPIT

Kristel hangs up the radio and smiles, Travers and Qualen

standing behind her. Qualen lightly applauds.

QUALEN:

Not bad. The insulin was a nice touch.

EXT. COUNTRY ROAD - DAY

The Bronco wends through a winding country road, coming

finally to a cabin settled in a clearing.

GABE:

pulls into the driveway and puts the Bronco in park. He

doesn't cut the engine, because he's not sure whether he's

going in or not. Finally -- he cuts the ignition.

INT. CABIN - DAY

A knock on the door brings no response -- no one inside. Gabe

opens the unlocked door -- and steps inside.

GABE:

Maggie?

No answer. Gabe takes a look around the living room. His face

tells us, without a doubt, this used to be his home. Gabe

moves inside, pausing at a mantle. Two framed photos -- Gabe

and Maggie sleeping together in a hammock, bolted to a sheer

wall over a 2,000 foot drop. Gabe, Hal and Maggie, all

younger, all sporting drunken grins, in a mountain cave. Gabe

smiles for the first time today at this memory -- a BANGING at

the back of the cabin shakes him out of it.

Rate this script:3.7 / 3 votes

Michael France

Michael France (January 4, 1962 – April 12, 2013) was an American screenwriter. He is best remembered for writing the screenplays for Cliffhanger (1993), the James Bond film GoldenEye (1995), and the comic book films Hulk (2003), The Punisher (2004), and Fantastic Four (2005). more…

All Michael France scripts | Michael France Scripts

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