Cloverfield Page #7

Synopsis: Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie is exactly the length of a DV Tape and a sub-plot is established by showing bits and pieces of video previously recorded on the tape that is being recorded over. The movie starts as a monster of unknown origin destroys a building. As they go to investigate, parts of the building and the head of the Statue of Liberty come raining down. The movie follows their adventure trying to escape and save a friend, a love interest of the main character.
Genre: Action, Horror, Sci-Fi
Director(s): Matt Reeves
Production: Paramount
  5 wins & 27 nominations.
 
IMDB:
7.0
Metacritic:
64
Rotten Tomatoes:
77%
PG-13
Year:
2008
85 min
$79,952,254
Website
1,951 Views


Hud, put the camera down

-and help me, okay?

-Okay, okay.

-It'll be okay.

-Okay, here we go.

-If we all just lift at the same time.

-Hold on, okay. We got you.

-All right? We have to.

-Don't do that, Rob.

-Please don't do that.

-It's gonna be over in a second.

-All right?

-Okay. Ready, guys?

-No, please. No.

-Slowly. It's okay.

We're gonna do it real slow.

-Easy, easy, just wait.

-No, don't.

-One, two, three.

-One, two, three.

Oh, God.

-Okay, now, sit down. Sit down.

-I know. I know. Here.

I know. I know. You're gonna be okay.

You're gonna be okay.

-You're gonna be fine.

-No, no, no.

I know, I know, I know it hurts.

I know it hurts.

What is that?

-God.

-It's a terrible thing.

-Okay. We gotta go. We gotta go.

-Okay. Let's go.

-I got you.

-Oh, God.

-Oh, God.

-All right. All right. Go, go, go.

-Go.

-Okay. I got you.

You're gonna be okay.

You're gonna be okay, all right?

Just hold on to me.

You're gonna be all right.

You're gonna be okay, all right?

You're gonna be okay.

-Okay. Hang on to me.

-Oh, my God.

-Okay, okay.

-Oh, my God.

Okay.

Oh, sh*t. Man, this is unbelievable.

-Are you okay?

-Just don't look down, okay?

-I can't help it.

-You're all right. You're all right.

Oh, my God.

Oh, God!

-Okay, let's go.

-Keep moving, just go.

Go, just go. Just go, go, go. Go.

Just get to the other side.

Come on, just keep moving.

Oh, my God.

-Oh, sh*t!

-Oh, my God!

-Oh, my God. Did you see that?

-Okay, come on.

-Get inside.

-Okay. Come on, come on.

-Oh, God.

-Go! Go!

Run! Run! Hurry!

-Rob, come on!

-Oh, my God.

Oh, my God.

-What the hell was that?

-I don't know.

Something else also terrible.

Rob, what time

do the choppers take off?

-0600.

-What time is that?

-6:
00, Hud.

-Yeah, okay. I knew that.

-Come on, come on.

-Okay.

Wait up!

-Did we make it?

-We want to get out of here, come on.

Let's go! Let's go!

Keep your heads down.

Come on! Come on!

You guys are on the next chopper.

-No!

-Clear this area. Clear this area.

-No, no, wait. Wait.

-Lily!

We'll be right behind you, okay?

Wait for us. Wait for us.

We'll be right behind you.

We're gonna be okay. All right?

We're gonna be all right, you hear me?

Oh, God! Jesus Christ!

Stay low. Stay low.

Come on, come on, come on.

Thank you.

-They're starting the bomb run.

-Get them out of here. Get going.

Oh, sh*t. Oh, my God.

Oh, my God.

Are you guys seeing this right now?

Are you seeing this right now?

Look, look, look.

Are you seeing this sh*t right now?

Oh, my God. Oh, God. Oh, God.

Oh, God.

Those aren't gonna hit us, are they?

Oh, my God. They hit it!

They just hit it right now!

Look, you guys, they just hit it!

They hit it with... Oh, my God!

-Yeah, they hit it, you guys! They hit it!

-Oh, he's going down.

Target down. Target down.

Target down. He's down.

I think they got him.

Yeah, yeah, yeah!

That's the sh*t right there!

That's what I'm talking about...

Oh, my God! Oh, no, no, no!

Oh, my God. Oh my God.

God, please, God.

Please, God. Please.

Please, God and Jesus.

Jesus Christ, I'm sorry.

I'm so sorry, God. Please, no.

Help me, Rob!

Rob. Oh, sh*t. Oh, sh*t.

This is Hawkeye 6. Target still active.

Initiating Hammer Down.

TOT, 15 minutes.

Sirens will sound two minutes out.

If you can hear those sirens,

you're in the blasting zone.

Come on. Come on. Hud.

Hud, are you okay?

-Yeah, all right. I guess. I think so.

-I can't move my arm.

-This is Duncan-Charlie, return to base.

-Help me, you got to help me.

-God help us.

-Okay. Okay, okay.

Come on, help me.

I know, I know. We're gonna

get you out of here. Come on.

Hud, come over to the other side.

You've got to pull him up.

Come on, come on.

-Okay, okay.

-I don't think I can move.

Yes, you can. Don't say that.

Copy your last, we're on the move.

-Here, take his hand. Take his hand.

-Good luck.

Hold on, I got it. I got it. I got it.

Come on, come on.

I got his legs, go!

-My leg!

-I know. I know, I know. I know.

It's okay, you're fine. You're good.

You're okay. You're okay.

I'm gonna have to stop the bleeding,

okay? Okay?

I'm not okay.

I'm not gonna be able to walk.

You are going to be able to walk.

Don't do it.

Okay. All right, listen,

we got to get out of here, okay?

Well, which way do we go?

We have to get away from here,

because I think it's gonna explode.

-Okay, okay. Okay.

-All right? Come on. Let's go.

Let's go this way. Come on.

Come on, you can walk. Okay.

Come on. Hold on, wait a second.

-Hud!

-Hud!

What? Oh! Oh, no!

-Hud! Hud!

-Hud, what are you doing?

Hud!

Hud!

Hud!

Hud!

Hud! Hud!

Hud! Hud!

Hud! Hud!

Hud!

He's gone.

He's gone.

-They're all gone.

-I know.

We gotta go. We gotta go.

We gotta get out of here.

Where? There's nowhere to go to.

We got to go. He's coming towards us.

No, we should just wait here.

Just wait here.

Listen, we wait here,

they'll find us, all right?

They're fighting him right now.

If we wait here, they'll find us.

No, we can't stay.

It's okay. It's okay.

-I'm so scared.

-I know. I know. I know.

My name is Robert Hawkins.

It's 6:
42 a.m. on Saturday, May 23.

Approximately seven hours ago,

something attacked the city.

I don't know what it is.

If you found this tape... I mean,

if you're watching this right now,

then you probably know more

about it than I do.

Whatever it is,

it killed my brother, Jason Hawkins.

It killed my best friend, Hudson Platt,

and Marlena Diamond,

and many, many others.

We've crashed here in Central Park

and taken shelter under this bridge.

The military has begun

bombing the creature

and we're caught in the middle.

Okay. Ready?

It's okay.

-Beth, look at me.

-I don't know what to say.

Well, just tell them who you are.

My name is Elizabeth Mclntyre.

I don't know why this is happening.

But we're gonna wait here

until this passes.

Rob, we're gonna wait here.

Look at me, Beth.

Look at me. Look at me.

-I love you.

-I love you.

I know what I'm talking about.

Come on, admit it.

You are going to miss me

a little bit, right?

Yeah, we'll see.

Okay, yeah, all right.

All right, we're almost out of tape.

We got, like, three seconds left.

What do you wanna say?

What do you wanna say?

Last thing to the camera.

I had a good day.

Rate this script:5.0 / 2 votes

Drew Goddard

Andrew Brion Hogan Goddard (born February 26, 1975) is an American film and television screenwriter, director, and producer. He began his career as a writer on numerous acclaimed television series, such as Buffy the Vampire Slayer, Alias, and Lost. Goddard received further recognition for writing the successful monster horror film Cloverfield (2008) and the action horror film World War Z (2013). Goddard made his directorial feature film debut with the horror-comedy film The Cabin in the Woods (2012). In 2015, Goddard wrote the screenplay for the acclaimed science fiction film The Martian, for which he won the National Board of Review Award for Best Adapted Screenplay and received a nomination for the Academy Award for Best Adapted Screenplay. He then directed the mystery thriller film Bad Times at the El Royale (2018). more…

All Drew Goddard scripts | Drew Goddard Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Cloverfield" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/cloverfield_5691>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Cloverfield

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In screenwriting, what does the term "spec script" mean?
    A A script that includes special effects
    B A script written on speculation without a contract
    C A script written specifically for television
    D A script based on a specific genre