Colombiana Page #4

Synopsis: A young woman grows up to be a stone-cold assassin after witnessing her parents' murder as a child in Bogota. She works for her uncle as a hitman by day, but her personal time is spent engaging in vigilante murders that she hopes will lead her to her ultimate target - the mobster responsible for her parents' death.
Genre: Action, Crime, Drama
Director(s): Olivier Megaton
Production: Sony Pictures
  2 wins & 5 nominations.
 
IMDB:
6.4
Metacritic:
45
Rotten Tomatoes:
29%
PG-13
Year:
2011
108 min
£36,665,854
Website
2,720 Views


Brian, it's done.

I'll call you when I got something, okay?

Thank you, babe.

You'll thank me later.

Hey, I want a trace put on

an incoming transmission.

Chicago, third precinct.

Get somebody down there now.

That was such a nice surprise.

- Everyone grows up sometime.

- She's gonna be okay.

Yes, Mama.

I think so.

- Uh... excuse me?

- Come with me, please.

That's my computer! Why is she...

why are you all up on my computer?

- You have the right to remain...

- You better not mess up my favorites!

We have a base, sir...

Let's try size.

Good. Now...

Let's see hands.

Looking good.

Now...

Hm...

nice nose.

Congratulations.

You have a girl.

Print it.

Get it out to all stations.

- And get the mobile unit ready.

- Yes, sir.

- It's me.

- Jen?

Are you busy?

No, no I'm not.

Now we do a name.

Positioning in progress...

I was just

looking out the window and thinking,

- where are you?

- I'm... I'm at home.

I was looking out the window too.

So we're looking at

the same star right now, huh?

- Almost there.

- You have a sexy voice on the phone.

- Yeah, you do too.

- We've got it.

Okay, we've got.

Give SWAT the location.

Go!

- I'm really glad you called me.

- Me too.

I was literally just looking at a picture

of you, thinking of you,

when the phone rang.

- What picture?

- I took a picture of you...

while you were sleeping

with my phone.

It's really bad, but I just wanted

to have something to remind me of you.

- Did you show it to anybody, Danny?

- No. Well actually, to my friend Ryan.

- Who else saw the picture, Danny?

- Nobody. Why?

- Danny, who else?

- Nobody.

I didn't show it to anybody,

what's the big deal?

Look, I just took a stupid picture of you

with my phone. I'm sorry.

I'm sorry too.

- Let's see what we got

- Special Agent Williams, FBI.

It's clear.

No, ma'am,

everything's under control.

I just need you to come with us,

we're evacuating the building.

Charges.

Blow it.

She's not here.

Lock down this building. ASAP!

- Anything?

- Naw, nothing.

No, wait, wait, wait,

one security camera down.

- A second one down.

- Where?

The garage!

- All units, get to the garage.

- Let's go, let's go!

Cover all the damn exits.

She's here!

Look everywhere!

Under every car, look in every room.

She's here. Find her!

Anything?

Come on, check that booth,

she's here.

Tio!

Mama.

Mama.

Oh, sh*t...

Emilio!

Emilio!

- This won't take long. Please. Sit.

- You think you've been smart.

Have you covered all your bases?

'Coz this... this is already over.

- This whole place is wired with webcams.

- You mean these?

Talk about covering all my bases:

Your chair is pressure-wired.

You move a single inch, and that'll be

the last move you ever make.

And given what you know about me,

you know I don't bluff.

I don't know about you.

So I'm just gonna ask...

what happened to you,

that you could kill 23 people?

Would you believe me if I told you

this wasn't the life I had imagined?

When I was a child,

I wanted to be like you,

- on the other side.

- Really?

So what happened?

This how it all went...

I was nine when he had

my parents killed,

in front of me.

So all this... the tag killer?

The clues... weren't for us at all,

they were all for him?

It was the only way

I could track him down.

And you needed us

to put it all in the press?

Yes, but it took you

so f***ing long.

Goddamn.

You had to be really determined,

very focused, huh?

Not focused enough.

This morning

he took the last piece of me.

You sent the man a message,

he sent you one right back.

And now

I'm gonna finish it.

- Oh, I can't help you.

- Yes you can,

he is protected by your government.

By a part of my government

that I cannot reach. It's CIA...

and I don't know why,

but I can't get under it,

I can't get over it,

you have to believe me...

- I have tried.

- Try harder, Agent Ross.

You have a beautiful family.

If you go anywhere

near my family,

- I swear to God, I'll...

- Shhh...

Now you know what you have to do.

Get me Luis Sandoval.

Because if you don't, you're gonna go

to a funeral, every week.

And I will not stop, until you begin to feel

what I've felt all these years.

I'm sorry.

Cataleya.

When your dinner's ready,

the timer in your chair

will have expired.

Don't get up before.

Wait!

Now, you do understand

that I only took this meeting...

out of professional courtesy?

Well, the truth is,

- I really can't help you at all.

- Can't, or won't?

- It's the same thing, really.

- But in the, uh, spirit of reaching out...

Let me put my cards on the table.

I have met this woman.

- This tag killer.

- It's a woman?

- Yeah.

- Is she pretty?

She got the drop on me in my home

and she told me, that if I don't bring her

the whereabouts of this man, she says...

she's gonna kill a member of my family

every week until I have none left.

- Are you kidding me?

- Does it seem to you...

that I would make

something like this up?

So why don't you just...

tell me what I should do.

Call 911. Now, if you'll excuse me,

I have a meeting.

It starts now.

Ross.

It's her.

She says, if you don't give her

exactly what she wants,

she's gonna redecorate your whole office,

with you.

Can you please tell her that glass

is temperative resistant...

to a direct hit by a 57mm ordinance?

Ten seconds to give up that address.

How can I be sure that if I give her

the address, she won't kill me anyway?

She says you can't,

but you can trust me,

if you do not give her

what she wants,

you will be the 24th victim

on the hit parade.

She asks that you keep this coversation

strictly confidential.

- With pleasure.

- What about my family?

- Good morning.

- Who are you?

That's not important.

What's important is...

I need the floor plants

to 8-6-7 Magnolia Terrace.

If you don't leave my office immediately,

I will call the police.

I really need those floor plans.

You will take positions here...

here... and here.

You must expect

the unexpected.

She's like mist under a door.

Like a mouse on the wall.

She will never attack

straight on...

and you will not see her

until it's too late.

She's that invisible.

Let's go!

Don Luis...

Don Luis, are you okay?

- Get the Mercedes.

- What happened?

- You need to get out of here.

- Leave me alone.

Come on!

Come on, come on.

- Everybody in!

- Let's go! Quick!

We have to move.

Hurry!

Come on.

You hide here.

- And wait for my call.

- Okay.

- Did you get her?

- We're checking.

I think we got her.

Marco.

Marco!

Marco!

- What the hell is going on?

- I will hold here.

Marco!

You've been waiting for this moment

for a very long time, right?

Yes.

Hurry.

- Marco?

- No. It's Cataleya.

What were you expecting?

You have ruined your whole life

trying to kill me, someone like me?

I cannot be killed. I do the killing!

And now, it's your turn to be hunted.

You will never find me.

But as the day follows night, believe me,

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Luc Besson

Luc Besson is a French film director, screenwriter, and producer. He directed or produced the films Subway, The Big Blue, and Nikita. more…

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Submitted on August 05, 2018

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