Come See the Paradise Page #2

Synopsis: In this drama from director Alan Parker, on-the-lam Jack McGurn (Dennis Quaid) flees to Los Angeles and takes a job as a projectionist at a movie theater owned by a Japanese-American man (Sab Shimono). Jack falls for the owner's daughter, Lily (Tamlyn Tomita), but they are forced to elope to Seattle when her father forbids the relationship. The couple marry and have a daughter, but when World War II breaks out, Jack is powerless to stop his new family's forced internment.
Genre: Drama, Romance, War
Production: Fox
  3 nominations.
 
IMDB:
6.7
Rotten Tomatoes:
64%
R
Year:
1990
138 min
566 Views


JACK:

Yeah, well that's why I feel so at home here, Gerry, because when

it comes to shoveling sh*t, you're full of it.

MARGE:

Shut up, the two of you!

GERRY:

Jesus. No wonder your f***ing wife left you.

JACK:

She left because she missed Ireland, Marge. She's happy there.

It was never gonna work out. You know that.

MARGE:

She left because you spoiled it for her. You lost your faith in

everything, Jack. You were so full of rage she got sick of it

and stopped dreaming, too.

JACK:

Maybe I shouldn't stay here.

MARGE:

No. Don't even think of it. We're glad to have you. Go talk to

Gerry. He means well.

SCENE 9

GERRY:

You shouldn't have come here, Jack. You're my brother and I want

to help you, but trouble sticks to you like sh*t to a blanket.

I'm a content kind of guy, you know? I'm sick of trouble.

JACK:

So am I. Honest to God, Gerry, all I want is a regular job.

GERRY:

You're a politician, Jack. A sweat shop lawyer and the Chicago

heavies have closed this town off to any outside union guys.

JACK:

I know. I know. Don't worry, I'll be gone tomorrow.

GERRY:

Where will you go?

JACK:

I don't know. San Francisco, maybe.

GERRY:

You don't want to do that. Maybe I can talk to some people for

you.

JACK:

No, Gerry, no.

GERRY:

You see this yard?

JACK:

It's a nice yard.

GERRY:

You should see it in the daytime. It's beautiful. Really

beautiful. I got geraniums, I got magnolias, I got sweet peas.

I got a fountain. Hey, I'm even thinkin' of putting a pool in

for the kids.

JACK:

A pool would be nice.

GERRY:

It's enough for me, Jack.

JACK:

It's enough for me, too, Gerry.

SCENE 10

PAPA K:

I bring in these Japanese films to play at my theater and they do

okay. Good films. Big Japanese stars. But young people today,

all they're interested in is tap dancing. Fred Gable and Jinji

Rogers.

FUJIOKA:

Fred Astaire.

NISHI-

KAWA:

Kawamura...We're here to talk about money, not tap dancing.

PAPA K:

I know. I'll pay. I always do.

NISHI-

KAWA:

Not soon enough, Hiroshi. Now, Mr. Fujioka here has offered to

settle your debts.

PAPA K:

Fujioka?

FUJIOKA:

Hiroshi...I've been thinking about remarrying.

PAPA K:

Good idea. Your wife has been dead long enough.

FUJIOKA:

I was thinking of your daughter.

PAPA K:

Which daughter? LILY?

FUJIOKA:

Yes, LILY. A beautiful girl.

CHARLIE:

Papa! Papa! Excuse me, Mr. Fujioka, Mr. Nishikawa. Papa, it's

Mr. Ogata!

PAPA K:

Did the projector break again?

CHARLIE:

No! No! Papa, he's killed himself! He's killed himself, Papa.

I just found him.

PAPA K:

You're right. I should be in tomatoes like you, Fujioka.

SCENE 11

JOYCE:

Can you imagine killing yourself?

DULCIE:

Do you have to? We're going to eat.

CHARLIE:

It's the only thing he could have done. Why do you have to keep

talking about it?

LILY:

Mr. Fujioka? But he's old and he's sleazy! Papa, are you

serious?

JOYCE:

Why did Mr. Ogata have to kill himself? Why didn't he just kill

her?

CHARLIE:

Because of honor.

DULCIE:

Why do you have to kill anyone? Why can't they just make up? Or

why didn't he just leave her?

MAMA K:

I knew his wife, Mrs. Fujioka. Nice woman. Died too young.

LILY, he'd make a good husband.

DULCIE:

Papa, you smoke too much!

LILY:

But he's horrible. He's ugly. And he has bad teeth, Mama.

He's...

DULCIE:

Sleazy!

CHARLIE:

He's rich. And Papa owes him money.

LILY:

But I don't know him.

PAPA K:

That's all right. All I knew of Mama was a picture.

CHARLIE:

Listen to Papa.

LILY:

You're not marrying anyone, I am!

DULCIE:

Oh, you like the idea!

LILY:

I do not! I hate the idea!

MAMA K:

Just meet with him, for Papa's sake.

CHARLIE:

For all our sakes. We could do with the money. And we need a

new projectionist.

MAMA K:

Do as your Papa says. What harm can it do?

PAPA K:

You'll meet him.

LILY:

But Mama, he's older than Papa!

PAPA K:

You'll meet him and that's that!

SCENE 12

MOTHER:

Have you ever been to Japan?

LILY:

No. No, I haven't.

MOTHER:

Where does your father come from?

LILY:

Wakayama, quite near to Osaka.

MOTHER:

Ah, is that so? We have a brother who lives in Osaka.

FUJIOKA:

You prefer we speak English?

LILY:

It's okay. I should prefer...I'm sorry. My Japanese isn't very

good.

FUJIOKA:

My mother doesn't speak English, so...I want you to know...I make

you a good husband...I give you a good life...I have a good

business and ah...I want you to know...I can...

LILY:

I'm sorry?

FUJIOKA:

I give you pretty babies.

SCENE 13

CHARLIE:

We have five shows a day, six if the film is short, and it pays

twenty dollars a week.

JACK:

Seven days a week?

CHARLIE:

Oh yes.

JACK:

Good union hours.

CHARLIE:

It's a Japanese custom. People expect it. And it's for one

month. My cousin in Portland is coming to work here then.

JACK:

Sounds good to me.

CHARLIE:

First show is eleven o'clock.

JACK:

Eleven o'clock, huh?

CHARLIE:

Mm hm.

JACK:

The last guy sleep here?

CHARLIE:

Yeah, he uh, liked to take nap in between shows.

JACK:

What happened to him?

CHARLIE:

He died.

JACK:

Overwork, probably.

CHARLIE:

He committed suicide. He was disgraced.

JACK:

What did he do? Miss a changeover?

CHARLIE:

The projectors are very old, so you have to treat them like a

woman.

JACK:

With love?

CHARLIE:

No, with patience.

SCENE 14Jack sings a Japanese song.

SCENE 15

CHARLIE:

What did you say to her?

JACK:

I don't know. It's in the third reel of the movie...Hey, who was

that?

CHARLIE:

No one worth knowing.

JACK:

Are you kidding?

CHARLIE:

She's not your type.

JACK:

Oh, she's your girlfriend or something.

CHARLIE:

Oh, no, no, no, no. Just a girl.

JACK:

Just a girl! She's beautiful.

CHARLIE:

She's my sister.

JACK:

Wait a minute. You told me that your sister had a face like a

plate of steamed dumplings.

CHARLIE:

You should see her without makeup.

JACK:

You said that she was four foot tall and squat.

CHARLIE:

I've got a lot of sisters.

JACK:

We're asking her to lunch.

CHARLIE:

No, no, no. Listen. She's Japanese, Jack. We'll find you a

nice American girl.

JACK:

Uh, hi. I'm uh, Jack. I work with your brother Charlie. Are

you Dulcie?

CHARLIE:

Lily. Dulcie's my other sister.

JACK:

Hi, Lily.

LILY:

Hello.

JACK:

Uh, we were just wondering if maybe you would join us for lunch?

CHARLIE:

He was wondering.

LILY:

What?

CHARLIE:

Don't come with us...(TO JACK): Look, I'm in a hurry. She's

busy. Let's go.

LILY:

I can have lunch. (TO MR. MATSUI): Can I take my lunch now, Mr.

Matsui?

MATSUI:

Sure. Go ahead.

LILY:

Thank you. (TO JACK): I can.

JACK:

Oh, great.

CHARLIE:

Great.

FUMIKO:

Don't do anything I wouldn't do.

LILY:

Fumiko, you have a big mouth.

SCENE 16

JACK:

So, what are we ordering here, huh?

LILY:

Can you read that?

JACK:

Oh, yeah. My Japanese is getting better everyday.

LILY:

It's in Chinese. It might help you if you turn the menu up the

other way.

JACK:

Maybe you oughta order then.

CHARLIE:

Don't forget we're going to that game tonight.

JACK:

Oh, yeah Lily, you gonna go with us?

CHARLIE:

No. She hates baseball.

Rate this script:0.0 / 0 votes

Alan Parker

Sir Alan William Parker, CBE is an English film director, producer and screenwriter. Parker's early career, beginning in his late teens, was spent as a copywriter and director of television advertisements. more…

All Alan Parker scripts | Alan Parker Scripts

0 fans

Submitted by aviv on November 30, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Come See the Paradise" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/come_see_the_paradise_701>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Come See the Paradise

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which screenwriting software is considered industry standard?
    A Google Docs
    B Final Draft
    C Scrivener
    D Microsoft Word