Contract to Kill

Synopsis: Harmon is a CIA/DEA enforcer investigating Arab terrorists captured in Mexico. With his team--seductive FBI agent Zara and spy-drone pilot Sharp--he flies to Istanbul and uncovers a brutal plot: Islamic extremists plan to use Sonora drug-smuggling routes to bring deadly weapons, and leaders, into the U.S. To prevent an attack on America, Harmon must turn these two savage forces against one another before his time--and his luck--run out.then the fool now bacame the foool
Genre: Action, Adventure
Director(s): Keoni Waxman
Production: Lionsgate
 
IMDB:
3.5
Metacritic:
3
Rotten Tomatoes:
0%
R
Year:
2018
90 min
89 Views


1

You know what?

F*** Rivera!

And f*** the Sonora Cartel!

Think they can dictate terms

to us and the Babas.

That primitive sh*t

may work on the Mexicans

but it doesn't work in Eastern Europe

Let's get the f*** out of here, man.

A storm is coming.

Hey! A**hole!

Alright,

on my count, go, go, go.

Clear.

Watch that corner.

Hands, let me see your hands.

Got you...

Stuck up.

Hey, move it, gringo.

- Hey, John.

- Hola, chica.

Do you guys need anything?

Nope, we'll be fine,

thanks, we're cool.

You hear that song?

In terms of the latest

narco quarter

that we're interested in,

that was set up by El Mini Oso.

Now, interestingly enough,

it's been taken over

by Felix Camarena.

Oso was an ex-cop who at the

time of Camarena's first arrest

ran the Puento Grande

Mexican prison.

Oso made sure to help set up

Camarena's first prison break.

I'm not sure who helped him

the second time around really.

But Camarena did

return the favor.

In February, my team

raided his compound.

As you may, or may not,

know when we got in there

we encountered severe resistance,

got into a big gun fight.

I ended up killing El Mini Oso.

We had 200 million dollars

in cash, some Euros,

over 100 big exotic cats,

200 firearms, most of them FA,

and 150 tons of cocaine.

- I ended that motherf***er.

- That's why I'm here, John.

You killed the bear.

I don't need to tell you

about your reputation

on both sides of the law.

The cartels know that you're

someone to be reckoned with

and the FBI and ICE

know that as a purported agent

of the DEA, you're also

in bed with the CIA.

Do you need to get that?

F*** no.

Look, I'm here,

off the books, because I need to

reactivate a cold asset.

My brother, if I get back in,

there's 1,000 motherfuckers

that are gonna die,

good guys and bad guys,

and I'm gonna end up

being the bad guy,

and I don't want that.

In the past several weeks

ICE has been picking up

more and more OTM's along

Sonora smuggling routes.

ICE runs across

them all the time.

Mexicans being smuggled

in all the time.

Nuh-uh, not like this.

Two days ago ICE picked up two

OTM's along the Texas border.

This close to making it across.

But your Native American friends

working the routes that night

noticed something

different about these two.

Let me guess,

you got a hit on an OTM.

Two hits. Two known

Islamic extremists, John.

Two of the three main players

responsible for blowing

Crimea A-450 out of the

sky over Syria last year.

As you know the CIA in concert

with the DEA and the FBI

have been after these animals.

Each belong to

different groups though.

Split between Al-Nusra Front

and Hezbollah.

So you're talking high level,

high value targets.

Wow.

I'm interested, tell me more.

DOJ has reasons to

believe that these guys

are attempting to form

an unholy alliance

with the narco terrorists

along our borders.

Same cartels that create

men like El Mini Oso.

Now the agreement

is simple in theory.

Their caliphate will supply

the cartels if the cartels

use their smuggling routes

to sneak terrorist cells

into the US undetected.

The FBI doesn't want it

and the CIA can't do anything

about it once they

land on US soil.

And that leaves the DEA.

And that brings you to me.

You're the best

wet mechanic out there, John,

and a very unique asset,

straddling both worlds,

the CIA and the DEA.

Okay, so, I'm gonna

need something actionable.

There is a meeting taking place

marking the marriage

between these groups,

making it official.

Where is the

meeting taking place?

Neutral ground.

But the exact location,

we don't know.

Stay and drink with us, baby.

Don't be shy.

Okay, so here's the deal.

If I'm coming in to do this,

I need resources.

I want to pick my own team,

I want my own equipment,

my own gear, and I'll need a jet

to tote me and my team around.

So I guess you're back.

My account info,

same as usual.

And I want to talk

to the OTM tonight.

Now if you'll excuse me.

Just stay, relax.

- Hey, Maria, Maria.

- Hi, papi.

- How's my baby.

- Who's this guy?

- How's my baby girl?

- Not that good.

Not that good,

what's happening?

- Because of them.

- Really?

Hey, who the f*** are you?

Do you guys know

this is my baby?

You're baby?

But you know what,

it seems to me...

Seems that what?

- Is this your beer?

- Yeah.

Hey,ese.

He took your beer, man.

It seems to me that

you're bothering her.

Stay down, b*tch.

I was never here.

You understand that right?

Hello.

Zara, it's me.

John, wow,

it's been a long time.

How's Mexico or wherever

you're living these days?

I'm coming back home,

good old USA.

I need your help for something.

Alright let's try an easy one.

Where are you from?

I don't speak English.

Ah yes. You don't speak English.

This is me speaking English.

This is me speaking Spanish. Better?

Let's talk in Spanish.

Okay. Go ahead.

Coyote of the Cartel, yes?

Your tattoos say you're Sonora, no?

Yes, Sonora.

Okay, I see you

recognize the word.

So, probably you didn't

count on me grabbing you.

And because you were trained

to sit tight and not say

a word, then you'll probably

be kicked loose by dawn

because that's where our current

administration

makes all of us act.

You didn't count on my Native

American brothers grabbing you,

and I'm sure they

took one look at you

and saw you a mile away.

You're an Arab.

You're no Mexican.

Just as I see it now.

Your clothes ill-fitting.

Eh, you look kind of

Yemeni with a neck scarf.

But your friend

from the other room,

he's not from there is he?

No. I am alone.

I do not know the other man.

Of course you do,

he's already rolled on you.

How do you think

I know you're Yemeni. You know?

He tells me that the Al-Qaeda

and the Arabian peninsula

are very active.

But you guys aren't

usually found hanging out

with the Al-Nusra Front.

AQAP working with Daish, yeah?

This tells me that you

and your pal aren't really

trial running anything

to set up smuggling routes.

This tells me

you're forward negotiators

setting the stage for something

big that's about to happen.

I do not speak English.

Man that's some funny sh*t.

I also know who caught

the eye of the border agents

when they nabbed you guys.

See, Native Americans

are experts at tracking

and...

and the thing of it is

you weren't sneaking in

from Mexico to the US.

You were sneaking out of

the US into Mexico.

You were already here.

So tell me your name,

tell me the name

of your contact in Mexico

and finally tell me exactly

where the real meeting

is taking place and when.

My name is Abdulah Al-Hamdani.

Our contact in Mexico is the

head of the Sonora drug cartel.

He wanted to show us his

southern border operations.

So you were kind of

inspecting the routes, right?

For the corridors?

We were making

an alliance of convenience.

Yeah, I understand that.

Mexico isn't really interesting

enough without AQAP and Daish.

We have enough

Rate this script:0.0 / 0 votes

Keoni Waxman

Keoni Waxman (b.1968) is an American film director best known for his work with Steven Seagal."I think that Keoni is one of the brightest young men out there," said Seagal. "I think he’s a very good director. I think he has a wonderful story-mind, which is very important – in other words, he doesn’t just have to film what’s on the page; he understands what’s on the page. I think he’s a wonderful director who understands editing, looping, dubbing, mixing, foley… he just understands all of that stuff. He’s a great friend: very ethical and very moral." more…

All Keoni Waxman scripts | Keoni Waxman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Contract to Kill" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/contract_to_kill_5898>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Contract to Kill

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "CUT TO:" indicate in a screenplay?
    A A transition to a new scene
    B The end of a scene
    C A camera movement
    D The beginning of the screenplay