Cool Hand Luke Page #7
- GP
- Year:
- 1967
- 126 min
- 824 Views
GAMBLER:
Gettin' up, Carr.
FULL SHOT BARRACKS
as Carr paces, SQUEEGEEING. The fan CREAKS. Springs SQUEAK.
CARR:
Yeahhpp.
Gambler gets up, chains JANGLING.
uncomfortable, tense, shifting.
LOUDMOUTH STEVE:
Giddyap, Carr.
CARR'S VOICE (O.S.)
Yeahhpp.
Tramp turns, irritated, as Carr SQUEEGEES by.
TRAMP:
How can you sleep with that damn
squeaking!
FULL SHOT BARRACKS
Carr pacing. SQUEEGEEING, the fan CREAKING, springs SQUEAKING.
DYNAMITE'S VOICE
Gettin' up, Carr.
CARR:
Yeahhp.
Dynamite gets up, chains JANGLING.
ON FAN:
It is turning slowly, CREAKING, CREAKING, CREAKING. And now
on the SOUNDTRACK we HEAR low at first, but steadily building,
the tinny SOUND of the Blonde Girl's radio.
ANGLE ON MEN:
tense, annoyed, frustrated as the SOUND of the RADIO GROWS,
joining the CREAKING, SQUEAKING and SQUEEGEEING.
ANGLE ON DRAGLINE
as Carr passes by. He speaks in a low whisper.
DRAGLINE:
Man, that lil Lucille was a lot of
lil girl.
OMITTED:
ANGLE ON MEN:
some turning away, not wanting to be reminded, some staring
ahead unhappily, thinking the same thing.
DRAGLINE'S VOICE (O.S.)
You see how she was jus' poppin'
outa the top of that dress.
ANGLE ON KOKO:
irritated, anxious.
KOKO:
Aw, come on, Drag.
ANGLE ON DRAGLINE
not paying attention.
DRAGLINE:
And down below, that thing didn't
reach no higher than...
(chuckles)
She liable to catch cold... runnin'
around like that.
ANGLE ON MEN:
irritated by Dragline's voice and the SQUEEGEEING and the
SQUEAKING and CREAKING and the RADIO SOUND, tinny and grating,
growing in volume.
DRAGLINE'S VOICE
...And that thing was so tight 'cross
her bottom... made me wanna just
reach out my hands and...
ANGLE ON LUKE:
LUKE:
Forget it, man.
ANGLE ON DRAGLINE
suddenly angry.
DRAGLINE:
Whatta you mean, forget it?
ANGLE ON LUKE:
LUKE:
Stop beatin', man. You ain't doin'
nobody no good.
ANGLE ON DRAGLINE
his face corroding in fury as the RADIO SOUND and the
CREAKING, SQUEAKING and SQUEEGEEING are at an unbearable
peak.
DRAGLINE:
(with slow menace)
Boy, you better get some sleep and
save your strength. 'Cause you're
gonna need it.
OMITTED:
ANGLE ON FAN CLOSE
As the SOUNDS threaten to burst our ears with their high-
pitched tension, the CAMERA MOVES SLOWLY into the hub of the
fan and our nerves scream for relief.
OMITTED:
EXT. BARRACKS CLOSE ON LUKE AS GLOVE SMASHES INTO HIS FACE
(DAY)
and Luke falls back into the dirt. He's hurt, startled, but
grins. We HEAR a CHEER from the men O.S., as he gets up. He
is stripped to the waist, wears huge 16 oz. boxing gloves.
FULLER ANGLE:
showing Dragline similarly dressed. They are squared off in
the yard, surrounded by YELLING men who want blood. It is a
release from the sexual tension built up by the night before.
The guards stand in the guard boxes, watching. The Captain
sits up on his porch, so he can see without being too obvious.
Luke gets up and manages a lunging right across to Dragline's
Adam's apple. Dragline is momentarily staggered but counters
with a terrible clubbing blow that mashes Luke's gloves into
his face, knocking him to the ground. Time is called for the
round.
as he gets to his feet.
TRAMP:
Why don't you just stay there? He's
only gonna knock you down agin.
ALIBI:
It's not your fault. He's just too
big.
SOCIETY RED:
Let him hit you in the nose, get
some blood flowing. Maybe they'll
LUKE:
(shaking his head,
grinning)
I don't want to frighten him.
The second round is called and Luke advances toward Dragline.
TWO SHOT LUKE, DRAGLINE
circling. Luke has to get in his shot before Dragline gets
too close and clubs him again. He feints a punch that moves
Dragline off-balance and winds up for a big one, but Dragline
smashes him backhand. Luke hits the dirt, the men SCREAM AND
YELL. Wiping some blood from his mouth, Luke rises again. He
is dizzy. Dragline smacks him down again.
THE MEN:
SHOUTING, SHRIEKING, they have blood in their eyes, releasing
their tensions.
INTERCUT THE VARIOUS REACTIONS
as the fight continues. The Captain on his porch rocks and
spits dry little spouts of wind, Godfrey, impassive, waiting
in his guard house. The YELLING gradually subsides as Dragline
continues to smash Luke, who keeps getting up.
ANGLE ON DRAGLINE
Without relish, he pokes Luke down again. Now there is no
cheering, no yelling, just silence.
ANGLE ON CAPTAIN
as he gets up and walks down to the wire where he can see
what is happening. The silence disturbs him.
ON LUKE:
He rises, grinning and winds up to throw another punch. But
the act of lifting his giant glove is a Herculean task.
Seconds go by in which he tries to raise the glove high enough
to launch a punch.
ON DRAGLINE:
waiting, gloves at waist level, poised.
DRAGLINE:
(low)
Ommana pop you one easy. Stay down.
He pops Luke who reels, goes down on a knee and then slowly
rises, rises. Dragline is honestly agonized.
DRAGLINE:
I'm gonna kill you, you go on...
LUKE:
That's what you're gonna have to do.
ANGLE ON CAPTAIN
concerned.
ANGLE ON BOSS GODFREY
impassive.
ANGLE ON DRAGLINE
He raises his fists. But Luke is up again. Dragline realizes
he'll have to kill him to beat him. After a long moment,
Dragline drops his hands to his sides, looks back toward
Godfrey and the captain and then starts walking to the
barracks, fast.
ANGLE ON LUKE:
He looks after him and reaches up to wipe the blood away,
still grinning.
INT. BARRACKS (NIGHT)
The poker game. Five card stud. Playing are Gambler, Koko,
Dynamite, Blind Dick and Luke, bandaged. The mood of the
barracks is quieter than usual. The men are still assessing
the fight, uncertain as to who now is their leader, looking
toward Dragline for an indication. Not playing, Dragline
lies on his bunk behind Koko, sullenly reading a sex book.
Gambler deals the third cards.
GAMBLER:
Ana paira ninas. Koko's the brains.
KOKO:
Cuter.
Dynamite is already out. Blind Dick now folds.
GAMBLER:
Ace calls.
LUKE:
Kick a buck.
KOKO:
(considers, then chips)
I'm in.
GAMBLER:
Ace calls. Here we go.
(deals Luke)
King-five gets a tray for no help.
(deals Koko)
Paira ninas gets a Jack.
(deals himself)
Ana man with the ace gets... slop in
the face... Ninas up.
KOKO:
(regarding Luke)
Cuter again.
GAMBLER:
Call.
LUKE:
(expressionless)
Kick a buck.
Koko is worried. He looks at his hole card, considers, long
silence. Dragline looks over from his bunk.
DRAGLINE:
(to Koko)
Whatcha got?
KOKO:
Pair'a nines.
DRAGLINE:
I kin see that, brick head. I mean
your hole card.
Koko hands it over his shoulder to Dragline, who now sits up
to consider the whole situation.
DRAGLINE:
(continuing)
Uh-huh. And he ain't got nothing
showing. Raise his head off.
KOKO:
He's been betting his head from the
gun. Gotta have kings.
DRAGLINE:
So then you just call him.
KOKO:
(chipping)
I call.
GAMBLER:
(studies Luke's cards)
I gotta believe. Out!
(folds)
Now they're rollin'.
(deals Luke)
King-five-four gets an eight.
(deals Koko)
Pair'a nines with a Jack gets a four.
Ninas still up.
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"Cool Hand Luke" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/cool_hand_luke_837>.
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