Counterpoint Page #4
- Year:
- 1967
- 107 min
- 106 Views
That's very gallant of you
to let the lady decline.
Captain Klingermann's
in vitation was not so routine.
Excuse me. Mrs. Rice.
- What did Schiller want?
- Me, I suspect.
For openers,
I was invited to dinner tonight.
Why did you turn him down?
Look, the only thing
that can save us is time.
Long and Callaway will need time
to break out and send back help.
My staying behind
in the wine cellar bought time.
Maybe his interest in your
wife will buy us sane more time.
And just who
the hell do you think you are?
How can you be sure of my wife's
ability with Schiller's interest?
It's the sort of problem a beautiful
woman's equipped to cope with.
Brahms, ladies and gentlemen,
from letter B.
Piu andante.
Good luck to you.
We'll be waiting for you.
Come in.
My husband thinks
I should be wearing a price tag.
Are you?
Depends on what's for sale.
Mrs. Rice, I believe we'll have
a delightful evening together.
Champagne. No seduction
Caviar. A late supper. Champagne.
The scene is set.
Complete to the musicians
behind the screen.
Though, I must say, your Maestro
could've made a happier choice.
I find it explosive for a scene of
intimacy. Especially the second half.
But I'm sure he has his reasons.
I liked your husband's instincts when
you were in the cellar with Evans.
What was it?
Yes, Schubert's
the Unfinished.
Much more suited to the situation.
Former lover recalling the past.
I wonder how much time we got.
Let's use it.
Here, Sergeant, keep me covered.
I see you in the promised land.
Bring him.
I thought you'd got me up here
to make love to me, not question me.
Every military operations
has its secondary target.
Moreover, the secondary
often becomes the primary.
No thank you, General. That's not
as good an offer as a blind date.
Mrs. Rice.
I wouldn't leave just now.
I'm not so well acquainted
with the selection to know where
exactly The fugue begins.
Appropriate. Fugue.
The musical passage denoting flight.
It could be dangerous.
I don't know. It could've been
that Belgian peasant, Chaminant.
No.
- Had to be someone in the orchestra.
- Why?
all about you and me.
That's quite a trick. I don't
know all about you and me, myself.
I don't want to die,
Who does?
Aspirin.
The strongest thing I could find.
Calloway might make it yet.
We've still got a chance.
Try and get some sleep.
Conduct that concert for Schiller.
Once I do that, he's won the game.
I'd be signing our death warrant.
Gentlemen, take care that
this is distributed, and report.
We shall rendezvous with Rundstedt
troops and attack west to Namur.
It'll be much faster
with no prisoners.
No prisoners, Herr Arndt.
Such a beautiful day.
You're a man of unceasing activity
and matchless energy.
The new Germany in microcosm.
Please delay the execution until
after I have left this even ing.
Yes, sir.
No. No ersatz.
That's Long's gun, isn't it?
He round it on Calloway's body,
two kilometers west of here.
He stepped on a land mine.
There goes the ball game.
No. We can still break out of here.
They're willing to help us.
A handful of civilians covering for a
bunch of trombones and French horns?
We don't stand a chance.
As soon as Schiller's tanks are
gassed, the division is pulling out.
Victor, there is no more time left.
Colonel Arndt has
literally dug our graves.
With any luck, a few
of us will make it to the woods.
All right,
I will play your damned concert.
It's been a delightful game,
doubly delightful for the winning.
Is it mere coincidence
attempted escape, you capitulate?
- If you don't want the concert...
- Yes, I do, Indeed.
But I must ask myself why. Why now?
The only answer is you feel last
night's fiasco will lead to reprisal.
Thus anything to delay the inevitable.
I've given you what you wanted.
To see me at your feet.
Now, in return,
I want my orchestra set free.
Conditions.
I want that bus in the yard after,
to take them to the Allied lines.
It'll be there.
It'll be there.
But the Colonel's mass
grave will be there, too.
There's that, too.
I don't really have any choice, do I?
but to trust your word?
Your proposition was not entirely
satisfactory from my point of view.
It hardly puts you at my feet.
There is that, too.
Our electrical generator comes with,
but I'm prepared to improvise
a special lighting
for your performance.
A concert here? Poss ible, I suppose.
In this hall.
Something Wagnerian would be nice.
No. Emphatically, not Wagner.
All right, until this evening then,
eight o'clock.
We can't possibly be
ready until 8:
45.Not with white tie
and all the trimmings.
Surely appropriate
for a command performance.
area be evacuated no later than 9.
But if you wish, all right.
- 8.45.
Now, the Partisans are supposed
to attack at 9 o'clock.
opening selection, the Tanhmauser.
As soon as the firing starts.
we rush Schiller.
An officer with a gun in his back'll
give us some bargaining positions.
Let me have it,
you don't know anything about it.
Put it on safety.
Have each section leader brief
his people at the last moment.
It's still possible
for word to get back to the Germans.
- May I, until after the performance?
- Maybe he will let us go.
- Make no mistake.
Hers every intention of murdering us.
as soon as he gets his concert.
He has his orders. At nine o'clock.
- May god be with us.
- I'm sure he will.
Lionel, forgive me. I was wrong.
About what?
About you for one thing.
This isn't real, you know.
This is suspended animation.
Furniture's on the ceiling.
The world's upside down.
When it's over, you are
a married woman with a husband.
That's what's real.
Ladies and gentlemen,
let us practice our profession.
I apologize for the light attendance.
Your hour for con certizing finds
most of my Officers in the field.
Captain Klingermann
and I will be your audience.
Back to headquarters.
Detail, attention.
The Concert is not over, General.
I do not wish to be here
for the end of it.
Let him finish his last performance.
Got a light?
Jordan!
What was the next selection? Verdi.
Yes, the Verdi, everyone.
There's no one out there.
The Germans have gone.
- It's not 9 o'clock yet.
- Schiller meant it. He's letting us go!
- The bus is still there, let's go!
- No.
- There's no guard. Let's go.
- Not till we attack.
Let's go!
Hurry. Don't let them escape!
Over there in front of the ditch.
See if anyone is left inside.
Section fall in.
Bring him with the rest!
Damn it.
Firing squad!
Load your weapons!
Aim!
No, no, you can't.
Not me. You promised me.
Silence.
You said you'd save me.
Back in line.
Fire.
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"Counterpoint" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/counterpoint_5972>.
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