Cover Girl Page #3

Synopsis: Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. But
Director(s): Charles Vidor
Production: Sony Pictures Home Entertainment
  Won 1 Oscar. Another 4 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
94%
APPROVED
Year:
1944
107 min
368 Views


...last time, your mother had the

Decency League investigate my place.

Mother's quite a girl.

Shall we go backstage?

No. Now, in the first place,

Maribelle's already spoken for.

See that boy at the piano?

- Don't bother me with trifles.

- And, John...

...I promised your mother I wouldn't

introduce you to girls.

Maribelle isn't just another girl,

Mr. Pastor.

I'm going to marry her.

John. John!

- I'm ready, darling.

- Wonderful, so am I.

John, have you lost your mind?

At your most beautiful service,

mademoiselle.

Well.

- Miss Hicks, how are you?

- Who is this?

- I never saw him before in my life.

- I'm John Coudair.

The only thing in your life,

so make the best of it.

If anyone should enquire for us, we've

gone to Rector's to discuss our future.

Unless it's my mother.

Then you haven't seen me.

Now just a minute.

You're a perfectly enchanting person,

Mr. Coudair.

Not even bad-looking,

in a strange sort of way.

But I have an engagement, and it's

not with you or at Rector.

- But...

- I don't even know you.

What's the difference?

This was meant to be. Can't you see?

You don't belong in a dingy hole.

You should be surrounded

by luxury, beauty, elegance.

I can give you these things, Maribelle.

Just climb aboard my magic carpet,

and away we'll go.

From Rector's we went on to...

Pardon me.

Yes.

Oh, dear, I forgot all about it.

Yes, I'll look it over immediately.

Thanks for reminding me.

That advertising prospectus...

That advertising prospectus

the lender sent over.

Completely slipped my mind.

- Good night.

- Hey, wait a minute.

What does Maribelle got to do

with this kid? Are they related?

I haven't the faintest idea.

By the way, don't wait until tomorrow.

Send that child a wire tonight, will you?

- Hello, Joe

- What do you know?

- I just came back from a bing-bang show

- A sing and a dance

- I'll tak e a chance

- Well, flippity-jippity

- Let's go!

- Okay.

Come on, pearl.

- Oh, how I hate oysters.

- Ain't they repulsive?

I don't get it.

Every Friday night for the last

six months, they order oysters.

Then they don't eat them.

- We don't like oysters.

- Joe, we're looking for a pearl.

The night we find that pearl,

that'll be it. It'll be an omen.

That'll be the time

when things break for all three of us.

- You know what?

- What?

I think it's a fake. I don't think

pearls comes from oysters.

- Pearls don't come from oysters.

- How long since you left Harvard?

Never heard of it. Be reasonable.

How could a oyster give birth

to a pearl?

How could an oyster give birth

to an oyster?

Hey, that's something to think about.

Let them live their lives,

and I'll live mine.

- When? I wanna see that.

- I don't.

Oh, you fools, you.

Rusty, did you find a pearl?

- No pearls.

- No pearls.

Well, better luck tomorrow.

Tomorrow!

Here we go again.

Let's k eep on singing,

"Mak e way for tomorrow!"

The sun is bringing a new day tomorrow

Don't let the clouds get you down

Show me a smile, not a frown

Stand up and win

Turn about

Don't give in!

Let's give out!

To the blues

Just refuse to surrender

One smile

And you are a true, solid sender

What if it rains and it pours?

It only rains out of doors!

Let every frown disappear

And you'll find that tomorrow's here

Listen, all

This is Genius calling

- Hear ye!

- Hear ye!

- Why not gather rainbows while ye may?

- While ye may?

You can lose the gremlins

The goblins, the glooms

Laugh and they're back in their tombs

Let's k eep on singing,

"Mak e way for tomorrow!"

The sun is bringing

A new day tomorrow

Don't let the clouds get you down

Show me a smile, not a frown

Stand up and win

Turn about

Don't give in

Let's give out

To the blues

Just refuse to surrender

One smile

And you are a true, solid sender

What if it rains and it pours?

It only rains out of doors

Let all the frowns disappear

And you'll find that tomorrow's...

That's pretty. That's very, very pretty.

Glad to see you.

Hi, Mac.

Hello, Harry.

Maybe it's a draft notice.

Danny, it's from John Coudair.

Who's he?

He publishes that magazine

that wants a...

He wants me to come

to the office tomorrow.

What do you suppose happened?

How did he ever...?

One hour rehearsal at 10, honey.

I'll see you then.

Yeah, I'll try to make it, Danny.

Good night.

I don't feel good.

Oh, you don't? Where?

In the hall.

I felt sick the minute you got

the telegram. Didn't you, Danny?

I think Rusty knows what she wants

to do with her own life.

- Lf she wants to go it alone...

- I don't wanna go it alone.

I wanna go it with you, Danny, but...

Well, the man sent for me, Genius.

It just doesn't seem polite not to...

Well, he might not even like me.

Ever see a man that didn't?

- Skip it, will you?

- No, I won't skip it.

I've got some stock in this corporation,

and I'm certainly going to protect it.

I like Danny McGuire's Place

and you two there every night.

I like oysters and...

- You hate oysters.

- Ain't they repulsive?

Then I like opening oysters, and I like

the clowning around in Joe's Place...

...and the laughs and the music

and everything.

I like that pearl we're gonna find.

You don't want this.

Do you?

Now you two say good night

like you mean it.

Good night, chicken.

Night, Danny.

You're a genius at everything but

minding your own business, aren't you?

A girl's got a right to make up

her mind about her own life.

Why didn't you let her tear up

her own telegram?

It's things like this that make me

a genius. Ain't they?

Wait until the landlady sees the hall.

All right, I'll clean it up.

Big thing.

- Rusty Park er to see you.

- Send her right in please.

All right, I'm trying not to be excited.

What would you do if your youth

walked in the door?

I'd put braces on its teeth.

- Hello.

- Hello.

Come in.

This is Mr. Coudair, Miss Parker.

- How do you do, Miss Parker?

- How do you do?

Well, you have ambitions

to be a cover girl?

Well... I did have.

I find Miss Parker exceptionally reposed.

- I thought you told me that she leaped.

- She did leap.

What happened to that lovely, gay,

rose- in-the- teeth personality you had?

- Did I look like that?

- Exactly.

No wonder you threw me out.

I'm not a very good actress, am I?

That was acting?

That was acting.

Sit down, won't you?

We saw you, quite by accident,

at Danny McGuire's Place last night.

- You dance beautifully.

- I've had good training.

Apparently.

It seems to come to you so naturally...

...I was wondering if someone

in your family were a dancer.

Your mother, perhaps?

Oh, no.

My mother couldn't dance a note.

- She raised cattle.

- Cattle?

My grandmother was a dancer.

I don't suppose you ever heard of her.

- Maribelle Hicks?

- Your grandmother?

Oh, my goodness,

how time flies, doesn't it?

She was kind of a star.

Well, it seems I've mislaid

a few years somewhere.

Is she living, Miss Parker?

Your grandmother?

- No, she died about six months ago.

Rate this script:0.0 / 0 votes

Virginia Van Upp

Virginia Van Upp (January 13, 1902 – March 25, 1970) was an American film producer and screenwriter. more…

All Virginia Van Upp scripts | Virginia Van Upp Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Cover Girl" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/cover_girl_5996>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Cover Girl

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is a "treatment" in screenwriting?
    A The character biographies
    B A detailed summary of the screenplay
    C The first draft of the screenplay
    D The final cut of the film