Crazy Horse Page #4

Synopsis: In Crazy Horse, he pulls back the curtain on Le Crazy Horse de Paris, a landmark that has prided itself as "the best nude dancing show in the world" since 1951. Le Crazy Horse sets itself apart from the average strip club by adhering to exacting standards in choreography, lights and physiques. The erotic revue is composed of songs and sequences that blend traits of old-fashioned burlesque, Bob Fosse and Cirque du Soleil, designed not only for the enjoyment of men, but also couples.
Genre: Documentary
Director(s): Frederick Wiseman
Production: Zipporah Films
  1 nomination.
 
IMDB:
6.4
Metacritic:
72
Rotten Tomatoes:
85%
NOT RATED
Year:
2011
134 min
$150,477
Website
710 Views


act like a little mous

Its not my fault. Its absurd!

We have to be happy and proud of what we do

In the beginning, I felt honoured,

but in the end...

I dont want to shame the Crazy.

This meeting is about this:

we should have a complete

review from beginning t

and then share the work out between us,

so that the planning is completed within a week.

If I cant have the full picture, lll give up

We felt it was logica

that youd oversee

all the costumes of

the new show to keep it coher

Thats what they asked me at first, so

Its much better that way, since myself

I now should oversee the consistency

in terms of choreography, music and structure.

If I cannot supervise the whole show,

it will end up being shaky.

The same goes for you.

You should supervise the costumes as a whole.

As for the method to do it, frankly

Im lost, I dont know

We have an approval process

which is normal for all the decisions.

You have to approve

Andre must approve,

and Roselyne must approve.

It became anarchic

because at the same time

we were creating a new s

We should know who does what

We are always in creation

Its been going so fast that

we lost touch with c

OK. Yes

Dont smile.

Dont look at me, look in front of you.

Let me... Let me see...

Yes, perfect

OK...

OK... turn your head

Turn your head a little bit on this side.

Lumina,

please understand that

these women are like riva

At first, they size each other up,

they look each other up and down,

they judge each other

to see whos stronger,

more beautiful more competent

Then comes a phase of seduction with

a touch of r

They go into a kind of fight

both lethaland loving

and one kills the other

Zoo be zoo be zoo

be zoo be zoo...

Here we go

Push your hips up.

Dont swing it, position yourself in profile.

We dance kind of funky,

you might think were somewhat naughty,

but please,

dont you get the wrong idea.

Forward and up

All men with plenty of money...

Baby, go backward,

keep in line with the others.

Profile

if you

would like to be happy,

in Paris,

come to the Crazy Horse saloon.

Lena, keep your hips up.

Dont lower your head.

Final pose

Thank you, girls

We take it from

Is that it?

...Darling, what did you do with that pearl?

What? Pam pam pam pam.

l am a good girl.

Hop hop hop... Hop

Good

OK! Pipimpipimpim... Good!

Bang

Backward!

Turn around

Oh yes!

I know what happened.

I showed you something thats not in it.

This was good

But when youre there...

You have no retire, youre here.

You dont lose time.

I just saw that l taught you incorrectly.

This foot down... and turn around.

Right

It gives you more time

I showed it to you with a retire

But it takes one beat more and you miss it.

Leg down, foot down...

it helps you turn around

Right. Exactly. And you leave. There

Its been an excellent rehearsal.

Finale on stage, please

Desire is on!

I noticed that the good thing

with Stars of Par

was that the three rows of sidelights were on

Sorry, but the problem is...

were not in the lighting angle

The moving walkway and the letters

are not lit by the sidelights

We could add more all the same

for the feeling

What worked well yesterday was that at times

all these lights were on

and anyway we had these two on... intermittently

So, in addition to the basic lighting,

well need these

Not always, butiust to

have some sort of progres

so that you have more and more light.

Youre doing too many things at the same time

You decide on the lighting aesthetically

while setting the lighting to the music

What I would do...

what I did for Jungle and with Dita

was to try it first manually

without recording th

We have to record it, its for tonight

Weve been rehearsing manually for two days.

We can check it together

Could I have an almost naked girl inside a letter?

Almost naked?

Yes

This is beautiful

Itd be more beautiful

if the letters were animat

Frankly, l...

Thats sublime

Right, but we cant have everything

at the same t

We said wed have an animation

on the curtain, r

And on the letters

It stays when the curtain goes up

But at that moment, the girls are just posing

So youd cut the animation and light the faces

To me, its madness, its much too quick

When the curtain goes up

wed see only silhouett

Then the girls take their places,

sing and stay there.

This is when lighting the faces makes sense

because it lasts.

I understand your idea of the first image

but it

No animation of the letters

It has to open, possibly with some smoke

The opening could be a maxi-shock.

Minus three, approximately...

Two doubles...

Silicone rubber

Bust size...

Ill see about the straps when youre on stage.

Right now, theyre adjustable.

Let me see the back.

If the straps are too stretched

the back sags down, one cant see the curve.

So you should

I think... its all right

Lets try it with the fringes.

Where are they?

I dont know.

Ill get the fringes from Roselyne

Half an inch there

Thats better.

You were too close.

Try to adjust, approximately

If its too high, you adjust

Look for the right position.

Youre not centered, girls

Same here:
it,s nicer

with only the buttocks pres

Stick the bust out.

You look like a pile of pudding.

Right, thank you!

Keep playing with your fingers

sensual l ittle f

Youre not listening!

I am

Diagonally means your forearm to

the light and a

Right! This is nice

And here you have to throw your arm

put the other on it

As if you were designing the glove

Dont do...

It has to be fluid, fluid

You pull it and you stretch it and then... off.

Excellent, Liv

Ive always been a devoted admirer of the Crazy

It was more than admiration, it was an obsession

Ive seen the show at least forty times

I was always here, I sang the songs...

I cant do it now that Im part of the team.

I play the music at home and

my assistants go cra

theyre fed up with You told me Im a good girl.

So Im just very obsessional

Ive had various obsessions

Saint-Laurent, Marlene Dietrich

Helmut Newton, the Crazy

The Crazy is one of my strongest obsessions.

And when Im so obsessed with something

I put my whole life in it.

Im obsessed with details that

may not interest P

whos more about another vision of femininity.

At a certain point

he may have had some difficulties here

Maybe because hes worked here too long

with everybody interfering and having an opinion

And since Philippe

is very democratic,

he tends to listen to everybody.

I dont.

I listen to maybe three people whom I believe in

I may even be too much of a dictator

So Ali, are you the co-director of the show?

The artistic director. Philippe is the director

Artistic director because...

I came in much later than him,

and also because most of the acts

were already co

The artistic director... takes care of the ideas

Some acts we designed together.

Others have been designed by Philippe

My job is to look at things in a new light

I come after him.

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Robert Schenkkan

Robert Frederic Schenkkan, Jr. (born March 19, 1953) is an American playwright, screenwriter, and actor. He received the Pulitzer Prize for Drama in 1992 for his play The Kentucky Cycle and his play All the Way earned the 2014 Tony Award for Best Play. He has three Emmy Nominations and one WGA Award. more…

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Submitted on August 05, 2018

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