Crime Spree Page #7

Synopsis: Would-be thieves of the French underworld, Marcel (Johnny Hallyday) and Zero (Renaud) have a knack for doing everything wrong. But even their most ardent doubters could not have seen the latest disaster coming. After being handed a seemingly easy score -- robbing a Chicago house said to be full of jewels -- the crew rips off mob boss Frankie Zammeti's (Harvey Keitel) home instead. They then steal a street gang's car for their getaway, which gets them into even more hot water.
Genre: Action, Comedy, Crime
Production: Millennium Media Services
  1 win.
 
IMDB:
6.6
Rotten Tomatoes:
43%
R
Year:
2003
105 min
499 Views


ZAMMITO:

(overlapping)

-- Super what?

BOBBY BEANS:

Supernumerary. It means better than

expected.

ZAMMITO:

Then why not just f***in' say better

than expected? Everybody knows what

better than expected means.

BOBBY BEANS:

I'm taking a vocabulary course to enhance

my communication skills.

ZAMMITO:

Okay. How much?

BOBBY BEANS:

I'm not here to negotiate.

ZAMMITO:

Why are you here?

BOBBY BEANS:

To tell you that we're interested in the

property.

ZAMMITO:

You told me that on the phone. What the

hell are you doing here? Showing off

your communication skills? Go back to

your people and tell them when they're

serious to put a number on the table.

BOBBY BEANS:

I will relay the particulars of our

conversation to Mr. Maranzano.

ZAMMITO:

Yeah -- you do that.

Bobby Beans leaves.

ZAMMITO:

Jerk-wad!

Zammito looks over at Joey and Nicky.

ZAMMITO:

How's my brother?

NICKY "THE RAKE"

He's over at St. James. They had to put

two pins in his arm.

ZAMMITO:

I said a clean break.

JOEY "TWO TONS"

Hey boss, it's not a science.

ZAMMITO:

Send some flowers. Something nice.

Roses or carnations. And one of those

get well soon cards.

Nicky gets up to carry out his instructions.

ZAMMITO:

Oh and uh, send a case of steaks over to

his house. I don't want the kids to go

hungry while he's recuperating.

INT. SOPHIE'S WAREHOUSE -- LATER -- AFTERNOON

Julien and Zero are playing cards at the back of the room. Sami

sitting by himself sorting through a BLACK CANVAS BAG filled with

shoes. Sophie joins him. Sami pulls another pair of shoes out of

the canvas bag.

SOPHIE:

You like shoes?

SAMI:

No, I like the bag. It would be good

for the job tonight.

SOPHIE:

It belongs to Vincent Bastaldi. He left

it last time he was here. I'm sure he

wouldn't mind if you used it.

Sami dumps the rest of the shoes out of the bag.

SOPHIE:

So, how did you get hooked up with these

guys?

SAMI:

Just lucky I guess. How'd you start

working for the Bastaldi's?

SOPHIE:

The art world doesn't fully appreciate

my talent yet. I needed some way to pay

the rent. Laurant and Vincent pay well

for information.

SAMI:

So you arranged to have the people you

worked for robbed?

SOPHIE:

They're not nice people.

She sees a TATTOO on Sami's arm. It's a heart with someone's faded

name.

SOPHIE:

I like your tattoo.

Sami is suddenly self-conscious of it. She traces along the letters

with her finger.

SOPHIE:

(reading the name)

Casandra. Old girlfriend?

SAMI:

Something like that.

SOPHIE:

Did she break your heart?

SAMI:

Something like that.

SOPHIE:

It looks old. Did you get it a long

time ago?

SAMI:

You ask a lot of questions.

SOPHIE:

That's how you get to know someone. Did

it hurt when you got it?

SAMI:

I don't remember. I was drunk.

SOPHIE:

You got it in a bar?

SAMI:

No. I got it in prison. I went in for

three years. When I came out she was

married to my best friend. Happy?

SOPHIE:

Sorry. I didn't mean to pry.

SAMI:

It's okay. It was a long time ago.

SOPHIE:

I've been thinking about getting tattoo.

You know, a flower or something. On my

ass.

Sami looks at her quizzically.

SAMI:

Who's gonna see it there?

SOPHIE:

The lucky ones.

She smiles flirtatiously and walks away.

EXT. LIQUOR STORE -- EVENING

A car drives up. We can only see the outline of an old Chevy

Impala. Two men get out of the car, leaving the engine running as

they head for the liquor store.

Across the street Raymond is checking out a Buick LaSabre, but

stops when he sees the flashing alarm light on the dashboard. He

looks across the street and sees the Impala.

INT. LIQUOR STORE -- EVENING

An OLD MAN is behind the counter. Two masked men enter with guns

and rush up to the counter.

RAPHAEL:

Gimme the money!

The old man opens the cash register and hands him all the bills.

RAPHAEL:

Open the safe!

OLD MAN:

I don't have the combination.

Raphael pistol whips him with his gun and drags him half way over

the counter, then presses his gun to the old man's head.

OLD MAN:

I swear! I don't have it!

Raphael pushes him to the floor. He runs out of the store with

the others.

EXT. LIQUOR STORE -- EVENING

They run out and remove their masks. RAPHAEL RUIZ, 20's, Latin,

tough, shaved head, neck covered with tattoos. HECTOR, Latin,

small, cubby, stops and stares at something with confusion.

HECTOR:

Hey, Vato, where's your car?

Raphael stops as he sees the street is empty.

RAPHAEL:

My car!

Hector has to grab Raphael who is too stunned to move and drag him

down the street.

INT. SOPHIE'S WAREHOUSE -- EVENING

The crew gets ready. On the table a variety of gear is laid out.

Cells phones, electronic devices, all the tools of the trade.

Sami throws some items into the black canvas bag. A cell phone

rings. Julien answers it.

Rate this script:0.0 / 0 votes

Brad Mirman

Born June 28, 1953 in Hollywood, California. Went to Beverly Hills High school. First big break came with the sale of a spec script "Partners in Crime" to Paramount in 1989 after a bidding war. He Lived in Paris from 1999 to 2005 and currently resides in Paris and Los Angeles. Married to Delphine Wilhelem in 1996. more…

All Brad Mirman scripts | Brad Mirman Scripts

1 fan

Submitted by aviv on November 01, 2016

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Crime Spree" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/crime_spree_359>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Crime Spree

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the "climax" of a screenplay?
    A The opening scene
    B The final scene
    C The introduction of characters
    D The highest point of tension in the story