Cross of Iron Page #5
- R
- Year:
- 1977
- 119 min
- 1,003 Views
STEINER:
(to Schnurrbart)
You wait here. Attack in exactly
five minutes --
Schnurrbart looks at his watch.
STEINER:
As soon as the first shots are fired,
we'll come in. Clear?
SCHNURRBART:
(grunting)
All Clear.
He shakes hands with Steiner, who walks into the darkness
followed by Kern, Anselm and Pasternack.
trudging toward a clump of woods. Suddenly, Steiner drops
to the ground.
28. CLOSE SHOT - STEINER ON GROUND
The other men have wordlessly followed his example. Anselm,
crawling on his belly, comes INTO THE SCENE.
ANSELM:
(whispering)
What's wrong?
Steiner points his head leftward. Anselm follows his gaze.
29. LONG SHOTA COLUMN OF DIM FORMS
moving cautiously through the darkness. They are no more
than twenty yards away.
ANSELM:
Russkis! At least a hundred of
them!
Steiner is hesitant.
STEINER:
How many men has Schnurrbart got --
a dozen? They'll run right over
them.
ANSELM:
Why don't we fire on them now?
STEINER:
That may louse up the whole counter-
attack.
(bites his lips as
he thinks hard)
Schnurrbart probably won't even
see them coming --
He reaches into his belt for flares.
STEINER:
A couple of flares -- and Schnurrbart
can see he's getting visitors --
Then if we start shooting up
their rear --
(shrugs)
Maybe, the confusion --
He sends up two flares in quick succession.
31. LONG SHOT - THE RUSSIAN COLUMN
is taken by surprise. SHOTS RING OUT, several fall.
32. MED. SHOT - STEINER AND HIS MEN
STEINER:
All right -- after them. Stick close
together and don't save on hand
grenades.
(ironically)
Remember, the eyes of the entire
German nation are upon you.
He runs in the direction of the Russians, the men following.
33. EXT. CAPTAIN STRANSKY'S BUNKER
The air is crackling with the SOUND of GUNFIRE and heavy
EXPLOSIONS. Captain Stransky comes running OUT of the
bunker, followed by Lieutenant Triebig. A Private comes
running INTO the SCENE from the opposite direction.
PRIVATE:
Word from Corporal Schnurrbart,
sir. The Russians have broken
into the trenches.
Triebig looks alarmed.
STRANSKY:
(to Triebig)
Take up positions in front of the
bunker with all the men attached
to staff. I'll phone the combat
train.
He turns and runs hack INTO the bunker.
34. CLOSE SHOT - STEINER AND ANSELM
manning a machine gun. They are lying on the slope FIRING
toward the trenches.
ANSELM:
We've mowing them down.
STEINER:
Who? Ours or theirs?
35. EXT. 2ND. PLATOON'S BUNKER
There is the SOUND of faraway BURSTS of machine gun fire.
Hollerbach and Kern are helping Anselm who is limping
badly. Behind them are Dorn and Kruger. All look weary
and begrimed.
36. INT. BUNKER
as they come IN.
KERN:
(to Anselm)
You're a damn fool not to go to
the Field Hospital --
ANSELM:
(sinking to the floor)
I'll wait until the holiday rush
is over. Otherwise, they're
just as likely to amputate as not.
HOLLERBACH:
Does anybody still have any idea
what the hell went on?
DORN:
(who seems dazed)
--- confusion --- confusion --
ANSELM:
I couldn't see anything. When
something moved I fired at it.
Probably got as many Germans as
Russians.
HOLLERBACH:
Shut up!
ANSELM:
Please -- a little respect for a
wounded man.
Steiner comes IN. He has a bandage on top of his head.
STEINER:
Kruger, what happened to you at the
signal?
KRUGER:
I was Clearing Out the craters --
then I heard the firing from your
direction --
STEINER:
I was wondering if you were waiting
for a formal invitation.
KRUGER:
You know what you can do with your
f***in' sarcasm. I saved your ass.
STEINER:
Oh, did you? Well, you know what
You can do with my --
37. MED. SHOT. AT ENTRANCE TO BUNKER
as Stransky and Triebig come IN. The men start to come to
attention.
STRANSKY:
(curtly)
At ease.
(to Steiner)
That was a bad business. You know
half of 2nd Company was put out of
action?
STEINER:
Yes, Sir. Our platoon was hit, too.
STRANSKY:
Why didn't the plan go according to
schedule?
KRUGER:
We didn't think that --
He is now close enough to the beach to stand. He takes an
uncertain step or two to stand, then he falls, his face
down in the water. He makes no effort to rise -- allowing
himself to slide deeper and deeper into the water. Suddenly
Gertrud's hands come INTO THE SCENE, grip Steiner's feet,
pull him back.
69. MED. SHOT - GERTRUD AND STEINER
Struggling for breath, he lies on the ground.
Steiner turns over on his back and looks at her. There is
rage and shame on his face. The blood starts streaming down
his face again. He tries to sit up. She tries to support
him and he knocks her arm back.
STEINER:
If you don't leave me alone I'll
smash --
He stands up, takes a few steps to meet the incoming surf,
bends, scoops up a handful of water, washes the blood from
his face.
Then he turns and sees that Gertrud has retreated a few feet
up the beach, and stands watching him. The wind is blowing
her skirt close to her thighs.
He looks at her a moment, then, CAMERA TRUCKING with him, he
makes his way to her side. Gertrud looks at him steadily.
Suddenly he seizes her. She struggles, wordlessly. Steiner
forces her to the ground. With one swift movement he pulls
her blouse from off one shoulder.
70. CLOSE SHOT - STEINER AND GERTRUD
She has stopped struggling. His face is close to hers.
There is no resistance in her expression, but neither is
there compliance. She looks steadily into his eyes as
if there is a battle of wills. Roughly Steiner grabs her
shoulders. Suddenly, he releases her, stands up. He
watches her as she slowly sits up, rearranging her clothing.
He stares at her without Speaking. Then --
STEINER:
(in a low voice)
Why did you follow me?
She doesn't answer. He shakes his head slightly.
STEINER:
Nurse Gertrud.
keep your humanitarian
paws off drunken men. It might be
misunderstood.
GERTRUD:
(breathing heavily)
You'reinsane.
STEINER:
(laughs harshly)
We are all insane.
(he makes a tiny,
mocking bow)
goodnight.
He walks toward the blackness of the garden. Gertrud turns
to watch him until He is no longer in sight.
DISSOLVE TO:
71. HALL - REST HOME - STEINER
has just reached his bedroom door He is about to go in,
when he stops, hesitates. Then he walks slowly to the next
door, leans forward, listening. He glances up and down the
hall, then Slowly depresses the latch.
72. INT. DARK BEDROOM
A streak of LIGHT coming through a space afforded by the
blowing curtains. As Steiner COMES IN, we SEE Inge's shape
sitting up in bed.
INGE:
Who's there?
STEINER:
(Closing the door
behind him)
Three guesses.
Inge, her long nightgown trailing around her ankles, approaches
him in the darkness.
INGE:
Leave my room at once.
STEINER:
Out of character, but very nicely
said. Don't worry; I just wanted to
ask you if you have any aspirin.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Cross of Iron" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/cross_of_iron_839>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In