Crush Page #2

Synopsis: An American student studying in Australia mistakenly gets involved with a mysterious and unhinged girl while house-sitting for a rich family on vacation.
Production: Sony Pictures Classics
 
IMDB:
4.6
Rotten Tomatoes:
36%
R
Year:
2009
82 min
$1,080,072
Website
415 Views


WHAT IS IT?

- IT'S A SURPRISE.

- OH.

- I SAID I'D MAKE IT UP TO YOU.

- OH, MY GOODNESS.

OH, IT'S BEAUTIFUL.

- SO ARE YOU, CLARE.

- THANK YOU.

YOU'RE NOT TRYING TO SEDUCE ME,

ARE YOU?

- OH, OF COURSE.

- [laughs]

- YOU'RE GONNA LOVE THIS.

- WHAT IS IT, PORN?

- SOMETHING EVEN BETTER.

- OH.

[laughs]

- I'M FIGHTING DAMIEN

THIS SATURDAY.

WATCH THIS.

SEE HOW HE DROPS HIS GUARD?

THAT GUY BEAT DAMIEN LAST YEAR.

I'M SORRY, YOU KNOW.

[laughter]

- BLACKOUT.

- GREAT.

YOU SEE MY PHONE ANYWHERE?

[electronic beep]

I'M NOT GONNA BE HAPPY.

- YOUR LUCKY DAY.

- YEAH.

[doorbell dings]

- OH, COME ON, JULES,

DON'T STOP.

[doorbell dings]

- JEEZ, WHO COULD THAT BE?

- I DON'T KNOW.

[doorbell dings twice]

- GIVE ME A SEC, OKAY?

- OKAY.

[giggles]

[crowd cheering on TV]

[eerie music]

- HOLD ON.

[eerie music]

ANYONE HERE?

[crowd cheering]

WHERE YOU GOING?

- HOME.

I'VE GOT AN EXAM

TOMORROW MORNING.

I TOLD YOU.

- CLARE, STAY THE NIGHT.

- I CAN'T.

IT'S OPEN-BOOK.

MY NOTES ARE AT HOME.

TOMORROW NIGHT.

THANKS FOR MY BRACELET.

- GOOD LUCK TOMORROW.

- I'LL NEED IT.

[engine starts]

[eerie music]

- [sighs]

[eerie dramatic music]

[crowd cheering]

[distant scream]

[metal clanking]

I'M MINDING THE HOUSE.

[heavy rock music]

FRIENDLY.

- I CAN'T GO ON

- REMEMBER, KEEP YOUR FOCUS.

- CUT MY LIFE INTO PIECES

THIS IS MY LAST RESORT

SUFFOCATION, NO BREATHING

DON'T GIVE A [...]

IF I CUT MY ARM BLEEDING

'CAUSE I'M LOSING MY SIGHT

LOSING MY MIND:

WISH SOMEBODY:

WOULD TELL ME I'M FINE

LOSING MY SIGHT,

LOSING MY MIND:

WISH SOMEBODY:

WOULD TELL ME I'M FINE

NOTHING'S ALL RIGHT

NOTHING IS FINE:

- [exhales]

- REALLY?

- WHERE'D YOU MEET HER?

- AT THE LIBRARY.

- DOING YOUR ASSIGNMENT?

- I HATE ASSIGNMENTS.

- MAN, I'M JUST GLAD

MINE'S FINISHED.

YOURS IS FINISHED,

RIGHT, JULES?

- EARTH TO JULIAN.

- UGH, I'M SORRY.

SORRY, GUYS.

WHAT DID YOU SAY?

- FINISHED YOUR ASSIGNMENT.

- UH, YEAH.

ALMOST.

YEAH, I'M ALMOST FINISHED.

GUYS, I GOT TO--

I GOT TO TELL YOU SOMETHING.

- THIS SOUNDS INTERESTING.

OOH.

- SO YOU KNOW THIS PLACE

I'M HOUSE-SITTING, RIGHT?

- THE MANSION?

- SO I'M JUST DOING MY THING,

OKAY,

AND THIS GORGEOUS GIRL DECIDES

TO DROP BY FOR A SWIM.

I MEAN, BREATHTAKING.

- IS SHE HOT?

- WHAT COLOR WAS HER HAIR?

- GOOD SKIN?

- NICE EYES?

- WHAT ABOUT HER LEGS?

- GREAT RACK?

- IF YOU JUST LET ME FINISH.

- TELL ME EVERYTHING, PLEASE.

- YEAH, JULES,

TELL ME EVERYTHING.

- NOTHING, LOGAN.

- GO ON, GREAT RACK, HEY?

I'M SURE CLARE WOULD BE

IMPRESSED WITH IT TOO.

- LOGES, THIS IS

A BOYS' TALK, OKAY?

IT IS A CAPITAL OFFENSE

TO BE LISTENING IN LIKE THAT.

- I'M GONNA LEAVE YOU GUYS

TO IT, OKAY?

[mid-tempo drum beat]

- MAYBE, MAYBE

NOTHING COULD PREPARE YOU

BUT THAT SOMETHING AND THA SOMEDAY ALWAYS COMES

AND THE ONLY THING AROUND

WORTH HANGING ONTO

IS YOUR LOVE:

OF THE TWISTED SYMMETRY

DEMANDING IT BE DONE

[cell phone ringing]

- HEY.

HOW'D YOUR EXAM GO?

- YEAH, GOOD, I THINK.

UM, I KNOW I SAID

I'D COME OVER TONIGHT,

BUT DOUG REALLY NEEDS ME

AT THE STORE.

- [sighs]

CAN'T HE FIND SOMEONE ELSE?

- NO, HE CAN'T.

WHAT ABOUT TOMORROW NIGHT?

- OKAY, I'LL CALL YOU TOMORROW.

- NOW THAT YOU'RE

ON YOUR OWN:

ON YOUR OWN:

ON YOUR OWN, YOUR OWN,

YOUR OWN:

- THE PLEASURE'S ALL MINE.

SO DO YOU WANT TO JOIN ME

FOR A DIP?

[light tapping]

SORRY.

- HEY.

- I DIDN'T MEAN TO SCARE YOU.

- YOU ALMOST SCARED ME.

- I'LL GO IF YOU WANT.

- NO, UM...

NO, I WAS KIDDING.

- ARE YOU SURE?

- I'M SURE I LOCKED UP.

- I'VE GOT KEYS, REMEMBER?

WHAT'S THAT?

[laughs softly]

IT'S ME, ISN'T IT?

IT'S REALLY GOOD.

I USED TO STUDY ART TOO.

- ACTUALLY, I'M--

I'M NOT STUDYING ART.

ARCHITECTURE.

- THOUGH YOU'RE

QUITE THE ARTIST.

I CAN TELL.

I NEVER FINISHED MY DEGREE.

I GOT KICKED OUT.

FOR BEING A NAUGHTY GIRL.

HAVE YOU EVER BEEN NAUGHTY?

- I'VE HAD MY MOMENTS.

- I THINK YOU SHOULD FINISH

YOUR SKETCH, JULIAN.

BUT I THINK YOU NEED

TO INCLUDE THE REST.

HOW DO YOU WANT ME?

- UH--THERE--THERE'S---

THERE'S JUST FINE.

- [laughs softly]

I LIKE YOU, JULIAN.

YOU'RE SO MUCH LIKE ME.

- I SHOULDN'T.

I SHOULDN'T DO THIS.

- I WANT YOU TO MAKE LOVE TO ME.

I'M SO HAPPY I FOUND YOU.

- YEAH.

- DO YOU REALLY LOVE ME?

- HMM?

- YOU TOLD ME YOU LOVED ME.

- DID I?

- MM-HMM.

[girl screams]

[eerie dramatic music]

HOW DO YOU WANT ME?

[eerie zapping noise]

[slow piano music]

- ANNA?

- WHY SHOULD I KEEP HOPING

IF YOU'RE...

- YOU STILL HERE?

- WHO TOOK AWAY

THIS CHANCE I GAVE

WHY SHOULD I KEEP HOPING

IF YOU'RE

IF YOU'RE LOST

THEN YOU TAKE AWAY

- MAN.

- NO, I WON'T BE 'ROUND

NO MORE:

YOU KNOW THE SCORE

YOU TAKE AWAY:

- I GOT YOU SOMETHING.

- WHAT IS IT?

- IT'S A SURPRISE.

SAID I'D MAKE IT UP TO YOU.

- CRAZY

I WILL BE CRAZY:

CRAZY:

CRAZY FOR YOU:

- UGH.

[ceramic shatters]

GREAT!

[sighs]

[doorbell dings]

GIVE ME A BREAK.

- HEY.

WHY DIDN'T YOU CALL ME

LAST NIGHT?

- I'M SORRY.

I WAS JUST...

I WAS JUST BUSY.

- YEAH, I BET YOU WERE,

WITH STUDIES AND TRAINING.

HOW'S IT ALL GOING?

- AS USUAL.

NEED TO DO MORE.

- SO WERE YOU GOING

TO LET ME IN?

- YEAH, SORRY.

- [laughs]

YOU ALL RIGHT?

- YEAH, I'M JUST...

I'M DEAD TIRED.

- OKAY.

DID YOU FINISH:

YOUR ASSIGNMENT?

- NOT YET.

- SO TOMORROW NIGHT'S

THE FINALS.

YOU MUST BE PRETTY EXCITED.

HUH?

- SH*T.

I HAVEN'T PUT DINNER ON.

[mid-tempo rock music]

- A BIT LOUD, ISN'T IT?

- I NEED THE MUSIC

WHEN I COOK.

[music quiets]

HEY.

- SO...

WHO'S THIS GIRL?

- SAY WHAT?

- LOGAN TOLD ME YOU ME SOME HOT CHICK.

- [scoffs]

LOGAN.

IT'S NOTHING.

IT'S NO ONE.

OWNER'S NIECE.

DECIDED TO DROP BY FOR A SWIM.

THAT'S ALL.

I LOVE YOU.

- I LOVE YOU TOO.

SORRY.

I GOT TO PEE.

[rock music gets louder]

MILLION-DOLLAR HOUSE.

[clanking and water gurgling]

[toilet running]

JULIAN, IF THIS IS A JOKE,

YOU'RE NOT FUNNY.

JULIAN.

[rapping on door]

JULIAN.

JULIAN, OPEN THE DOOR!

JULIAN!

GOD.

[toilet flushing]

JULIAN.

[water gurgling]

AH, JULIAN, NO!

AH!

UGH.

OH, YUCK.

JULIAN!

- CLARE, WHAT HAVE YOU DONE?

HEY, HEY, HEY.

IT'S OKAY. IT'S OKAY.

- DON'T TOUCH ME!

JUST LEAVE ME ALONE!

- WHAT ARE YOU--

CLARE.

WHERE ARE YOU GOING?

- I'M OUT OF HERE.

- ARE YOU SURE YOU DON'T WAN TO TAKE A SHOWER?

- NO, THANKS.

- BUT...

I'VE COOKED DINNER.

- SCREW DINNER.

- JEEZ, CLARE, DON'T YOU THINK

YOU'RE OVERREACTING JUST A BIT?

- NO, I'M NOT.

THANKS FOR BEING SO CARING.

- I GOT YOU THAT BRACELET.

- I JUST WANT TO GO HOME, OKAY?

- ANNA!

CLARE.

[car alarm beeps]

I'M SORRY.

[engine starts]

- AND I SHED MY SOUL

FEEL IT KNEELING DOWN

I'M CLUTCHING MY FAITH

PULL IT TIGHTLY ROUND

YOU'RE MOVING YOUR MOUTH

BUT YOU DON'T MAKE A SOUND

- JULIAN?

- CLARE.

- SORRY TO DISAPPOINT.

- IT'S OKAY.

- IS THIS A BAD TIME?

- YEAH.

KIND OF.

- HEY.

COME HERE.

COME HERE.

I CAN'T STOP THINKING ABOUT YOU.

I MISSED YOU.

- I NEED TO TELL YOU SOMETHING.

- I ALREADY KNOW.

- YOU KNOW?

- I SAW HER LEAVE.

DOES SHE MAKE YOU FEEL

THE WAY I MAKE YOU FEEL?

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John V. Soto

John V. Soto is an award winning film director. John won Best Director for his film "The Reckoning" at the 2014 British Independent Film Festival where the film had its UK premiere at Leicester Square on Friday 9 May 2014. He has written and directed the feature films Crush (2009), starring Christopher Egan, Needle (2010), starring Travis Fimmel and Ben Mendelsohn and The Reckoning (2014), starring Jonathan LaPaglia and Luke Hemsworth, which was released in Australia on 5 September 2014 after premiering at CinefestOZ on 29 August. The Reckoning had its Australian TV Premiere on 7 December 2015 on Channel ONE (Network TEN). John V Soto is the co-founder of Filmscope Entertainment, with Deidre Kitcher. John has recently completed his latest feature film, a Sci-Fi Thriller titled The Gateway starring Jacqueline McKenzie (The 4400, Deep Blue Sea). The film has been selected for the 2nd largest film festival in Utah USA, FilmQuest 2017 which is a celebration of Sci-Fi, Fantasy and Horror films. In addition The Gateway has been selected for the Austin Revolution Festival 2017 where it has been nominated for Best Film, Best Director, Best Cinematography and Best Screenplay. Previously John won Best Director at The British Independent Film Festival 2014 for his feature film The Reckoning, a thriller starring Luke Hemsworth. The film was also selected for the official line-up at Cannes Cinephiles Des Antipodes where it screened theatrically in May 2015. John also won the Special Jury Prize for Needle (which stars Travis Fimmel and Ben Mendelsohn) at the Melbourne Underground Film Festival 2011. Needle was also selected for the US horror film festival SCREAMFEST, where it was nominated for Best Cinematography and Best Film. more…

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Submitted on August 05, 2018

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