Crush Page #4

Synopsis: An American student studying in Australia mistakenly gets involved with a mysterious and unhinged girl while house-sitting for a rich family on vacation.
Production: Sony Pictures Classics
 
IMDB:
4.6
Rotten Tomatoes:
36%
R
Year:
2009
82 min
$1,080,072
Website
415 Views


DO YOU REALLY WAN TO BE WITH HIM?

- NO.

HOW CAN YOU FORGIVE THAT?

- HERE HE IS.

- CLARE?

CAN I TALK TO YOU

FOR TWO MINUTES?

IN PRIVATE?

- JUST LEAVE ME ALONE, JULIAN.

- YEAH, COME ON, JULES.

- CLARE, LOOK AT ME.

- JUST DROP IT.

- PLEASE, CLARE, PLEASE.

CLARE.

JUST FOR TWO MINUTES, CLARE.

COME ON--

GET OFF ME!

YOU HAVE NO IDEA

WHAT I'M GOING THROUGH!

[sighs]

- HI, MATE.

YOU SETTLING IN OKAY?

- HEY.

CAN I ASK YOU SOMETHING?

YOU KNOW MUCH ABOUT HARRY?

- YEAH, HE AND KELLY

HAVE HAD IT TOUGH

THE LAST COUPLE OF MONTHS.

WHAT?

THEY DIDN'T TELL YOU?

A GIRL DIED.

YEAH, SHE BROKE INTO THE HOUSE,

LOOKING FOR MONEY OR SOMETHING.

- NAH, I MEAN, WITH ALL

THE SECURITY AND, UH...

- SHE HAD KEYS.

AND A KNIFE.

SHE THREATENED KELLY WITH IT,

AND HARRY CHASED HER.

SHE FELL DOWN THE STAIRS.

BROKE HER NECK.

[eerie music]

- WHAT THE HELL?

IT'S IMPOSSIBLE.

- HI, YOU'VE CALLED HARRY.

I'M CURRENTLY ON HOLIDAYS.

PLEASE, LEAVE A MESSAGE.

[phone beeps]

- YOU LOOK PRETTY GOOD

FOR A DEAD GIRL.

HOW'S THIS SCAM

SUPPOSED TO WORK?

- SCAM?

- YOU'RE NOT DEAD.

- MY BODY IS DEAD

BUT NOT MY SPIRIT.

- [laughs]

SEE...

JUST DOESN'T MAKE...

ANY SENSE.

I CAN TOUCH YOU.

I CAN...

FEEL YOU.

WE HAD SEX.

- MADE LOVE.

IN DREAMS, ANYTHING CAN HAPPEN.

[suspenseful music]

- I'M YOURS, JULIAN.

FOREVER.

YOU STILL LOVE ME!

- WHAT DO YOU MEAN, FOREVER?

- I NEED YOU TO CROSS OVER.

I NEED YOU TO KILL YOURSELF

TO BE WITH ME.

- THIS IS A DREAM.

HOW CAN I KILL MYSELF?

- DON'T YOU KNOW?

IF YOU DIE IN DREAMS,

YOU DIE FOR REAL.

- I NEED TO THINK ABOUT THIS.

- NEED AN ANSWER NOW, JULIAN.

- AH--I NEED TO--

I NEED TO...THINK ABOUT THIS.

- YOU TOLD ME

THAT YOU LOVED ME!

- I DON'T LOVE YOU!

- THIS IS MY HOUSE!

I SET THE RULES HERE!

TELL ME YOU LOVE ME, JULIAN!

- NEVER!

NEVER!

UGH!

UGH.

[loud thud]

UGH!

[grunting]

- YOUR MINE NOW, JULIAN,

WHETHER YOU LIKE IT OR NOT.

- NO.

- DO YOU REALLY LOVE ME, JULIAN?

- YES.

YES, I DO.

- YOU DON'T SEEM TO MEAN IT.

- OH.

GOD, I--

I DO.

I REALLY DO.

- GIVE ME YOUR HAND.

GOOD.

- [whimpering]

- CUT YOURSELF.

PROVE YOUR LOVE TO ME.

- I ALREADY TOLD YOU.

I LOVE...

- PROVE IT!

- I...

CAN'T!

- IF YOU CAN'T...

THEN I WILL!

- AH!

THIS CAN'T BE HAPPENING.

AH!

- YOU TOLD ME YOU LOVED ME.

- DID I?

[door opens]

UGH!

COME ON!

[loud bang]

[door slams]

[touch-tones beeping]

[line trilling]

- CLARE, CLARE.

- JULES?

JULES, I'M DRIVING.

- CLARE, I--

[dial tone]

[phone beeps]

[touch-tones beeping]

[out-of-service tone]

[rapid beeping]

LET ME OUT OF HERE!

- UGH!

DON'T WORRY.

IT WON'T HURT.

- GUGH!

- [laughing]

- [grunting]

- [laughing]

- UGH!

- JULIAN, JUST WAIT!

YOU CAN'T ESCAPE ME, JULIAN.

- DO YOU REALLY WANT TO DO THIS?

- I STILL LOVE HIM, LOGAN.

- ERGH!

[doorbell dings]

- I HATE THIS HOUSE.

[eerie music]

[knocking]

- COME ON, HE'S NOT HERE.

LET'S JUST GO.

- NO, HE'S HERE.

[knocking]

[loud pounding]

- JESUS.

- JULIAN?

[pounding]

[knocking]

- WES!

JULIAN!

- SHE CAN'T SAVE YOU, JULIAN.

- JULIAN!

- SHE DOESN'T LOVE YOU.

[pounding]

- JULIAN!

- NOT LIKE I LOVE YOU.

[rattling noise]

- JULIAN?

- JULIAN!

[pounding]

[suspenseful music]

- GET ME OUT OF HERE!

- MATE, I CAN'T SEE ANYTHING.

- JULIAN!

JULIAN!

[pounding]

- STAND BACK.

OW!

- WHY ARE YOU HIDING FROM ME,

JULIAN?

- JULIAN!

[pounding]

- JULIAN!

THE TRUCK!

PHIL!

- [whispering] GOTCHA.

[glass shatters]

- WHOA, WHOA, STAY BACK!

STAY BACK!

[loud bang]

[banging]

- JULIAN!

[loud bang]

- COME ON, WES!

[loud bang]

[loud bang]

[loud bang]

[loud bang]

- ERR-YAH!

- COME ON, WES!

[loud bang]

COME ON, MATE!

- [growling]

- JULIAN!

- CLARE!

CLARE, I LOVE YOU!

- WHY DON'T YOU LOVE ME?

- I'LL NEVER LOVE YOU.

- HOLD ON, JULIAN!

- AH!

[loud crash]

- JULIAN.

- [laughing softly]

- JULIAN.

OH, MY GOD.

[whimpering] OH, JULIAN.

CAN YOU HEAR ME?

JULIAN.

[heavy breathing]

[electronic beeping]

- WELCOME BACK, JULIAN.

- HOW LONG

HAVE I BEEN ASLEEP FOR?

- ASLEEP?

YOU'VE BEEN IN A COMA.

- A COMA?

- YES, BUT YOU'RE OKAY NOW.

IS THERE ANYONE:

YOU'D LIKE TO SEE?

- MY GIRLFRIEND.

I WANT TO SEE MY GIRLFRIEND.

- SURE, SURE.

WHAT'S HER NAME?

- CLARE.

- [distorted voice]

WRONG ANSWER, JULIAN.

[electronic beeping]

[steady beep]

[woman crying]

- HE'S GOT NO PULSE.

- HE'S DEAD.

[steady beep]

- YOUR MINE NOW, JULIAN.

FOREVER.

[alt-rock guitar music]

- WELL, LEAVE ME A LIGHT

BUT NOT THE ONE:

IN YOUR HEAD:

TURN ME AROUND:

I CAN SEE YOU:

I'M BURNING TO BE

WHAT'S IN FRONT OF ME

I'M CARRYING

I CARRY ON:

- AND DON'T WORRY ABOUT CLARE.

I'LL TAKE GOOD CARE OF HER TOO.

- LEAVE ME ALONE

BUT NOT WITH MYSELF

I PULL OFF HER WINGS

AND SHE LIES:

STILL I'M TRYING TO HIDE

WHAT I CAN'T SEE

I'M CARRYING

I CARRY ON:

[heavy metal guitar break]

YOU'RE BRINGING ME DOWN

'CAUSE YOU'RE BRINGING ME UP

TO A PLACE I CAN NO LONGER

HANG FROM:

THIS PLACE IS TOO REAL

AND THIS FACE IS A LIE

IT'S A LIE FROM A TRUTH

I CAN'T HIDE FROM

LEAVE ME OUT:

BUT DON'T LET ME GO

I'M FADING AWAY

I'M JADED

HELP TO FEEL,

MAKE IT MY OWN:

I'M CARRYING

I CARRY ON:

LEAVE IT TO CHANCE

I'LL REDEFINE PAIN

I FLOAT IN THE FACE

OF A HURRICANE:

I'M WATCHING THE WEATHER

I'M CARRYING

I CARRY ON:

YOU'RE BRINGING ME DOWN

'CAUSE YOU'RE BRINGING ME UP

TO A PLACE I CAN NO LONGER

HANG FROM:

THIS PLACE IS TOO REAL

AND THIS FACE IS A LIE

IT'S A LIE FROM A TRUTH

I CAN'T HIDE FROM

YOU'RE BRINGING ME DOWN

'CAUSE YOU'RE BRINGING ME UP

TO A PLACE I CAN NO LONGER

HANG FROM:

THIS IS PLACE IS TOO REAL

AND THIS FACE IS A LIE

IT'S A LIE FROM A TRUTH

I CAN'T HIDE FROM

NO LIES:

NO LIES:

YOU'RE BRINGING ME DOWN

'CAUSE YOU'RE BRINGING ME UP

TO A PLACE I CAN NO LONGER

HANG FROM:

THIS PLACE IS TOO REAL

AND THIS FACE IS A LIE

IT'S A LIE FROM A TRUTH

I CAN'T HIDE FROM

NO LIES:

NO LIES:

NO LIES:

NO LIES:

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John V. Soto

John V. Soto is an award winning film director. John won Best Director for his film "The Reckoning" at the 2014 British Independent Film Festival where the film had its UK premiere at Leicester Square on Friday 9 May 2014. He has written and directed the feature films Crush (2009), starring Christopher Egan, Needle (2010), starring Travis Fimmel and Ben Mendelsohn and The Reckoning (2014), starring Jonathan LaPaglia and Luke Hemsworth, which was released in Australia on 5 September 2014 after premiering at CinefestOZ on 29 August. The Reckoning had its Australian TV Premiere on 7 December 2015 on Channel ONE (Network TEN). John V Soto is the co-founder of Filmscope Entertainment, with Deidre Kitcher. John has recently completed his latest feature film, a Sci-Fi Thriller titled The Gateway starring Jacqueline McKenzie (The 4400, Deep Blue Sea). The film has been selected for the 2nd largest film festival in Utah USA, FilmQuest 2017 which is a celebration of Sci-Fi, Fantasy and Horror films. In addition The Gateway has been selected for the Austin Revolution Festival 2017 where it has been nominated for Best Film, Best Director, Best Cinematography and Best Screenplay. Previously John won Best Director at The British Independent Film Festival 2014 for his feature film The Reckoning, a thriller starring Luke Hemsworth. The film was also selected for the official line-up at Cannes Cinephiles Des Antipodes where it screened theatrically in May 2015. John also won the Special Jury Prize for Needle (which stars Travis Fimmel and Ben Mendelsohn) at the Melbourne Underground Film Festival 2011. Needle was also selected for the US horror film festival SCREAMFEST, where it was nominated for Best Cinematography and Best Film. more…

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Submitted on August 05, 2018

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    "Crush" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/crush_6116>.

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