Cube 2: Hypercube Page #5

Year:
2002
759 Views


Maybe it's a message or a warning.

Here's the kicker.

Guess who she worked for?

Izon?

Kate.

Kate.

Kate, you have to wake up,

there's--

What is it?

What's wrong?

There's something here.

Do you see anything?

You're probably just dreaming or some--

Whoa.

There is--

there is something.

What the hell is that?

Kate.

Kate, what do you see?

It's a square.

It's just floating.

What is it?

It's beautiful.

You recognize this too,

Mrs. Paley?

Well, not exactly--

- What just happened?

- Now there's two.

It's multiplying.

- Oh my God--

- Maybe it's the way out.

Oh. Wow.

If we're drunk,

I wanna know what this stuff is.

Maybe that's what a

four-dimensional object looks like.

If that's the way out,

how do we use it?

I hate it.

It sounds wrong.

It's stunning.

The math of it.

It's a perfect quadrangular oscillation.

It's moving.

Mrs. Paley, no!

Ahh.

Get the f*** out of the way!

Jerry, you're hurt.

No. I'm okay.

Look out.

Stay low.

Whoa! Go on.

Come on, Mrs. Paley.

It's time to go.

Over here.

It looks safe.

- Don't stare at it. Go.

- It's coming back.

Come on, Max.

Go, Julia. Go.

- I want to get it.

- No. We've got to go.

Oh my God. Go.

Go up the stairs.

Come on, Mrs. Paley.

Keep going--

Kate!

Sasha.

Jerry.

- Oh Jesus!

- No.

- Sasha.

- No. Just don't do it.

- Just get in here.

- What the f*** are you doing?

Kate!

She's gone. You want to end up like Jerry?

- Sasha.

- Kate!

Kate, I'm here.

Kate.

You're a dead woman.

Oh... oh Jesus.

Sasha.

Kate, help.

- Kate, help!

- I'm coming to get you.

Help me!

Drop to the ground, Sasha.

Now.

Help me.

Okay, Sasha.

Now... uh...

I can see you, Sasha.

Flatten yourself

against the wall, on the ground.

- Crawl towards me.

- No. I can't. I'm scared.

You've gotta move,

or I can't come and get you.

Move towards me.

No. Stop, Sasha!

Don't, Sasha.

Get down.

Damn it, Kate,

what do you want me to do?

Just keep moving until you hit that corner,

and then stay put.

Okay?

Sasha?

Okay?

I'm almost there.

Just crawl on. Keep your side

to the ground. You can do it.

You've made it.

I'm right behind you.

There you are.

Keep your knees in.

Kate, thank God.

There you are. You're okay.

You're okay...

What just happened?

I don't know.

I don't know, Sasha.

Sweet Jesus.

It's shrinking so it can get us.

Please let it be quick.

Okay.

We're going to make a run for it.

- I can't.

- Yes you can. Just hold onto me.

We're going to go to our right.

No. We're going to go to the left.

All right?

- Okay?

- Okay.

On the count of three...

just hold on to me.

One, two, three...

I've got you.

Oh my God!

Sasha, no.

It responds to our movements.

Don't move.

Stay still.

Don't--

Oh my God.

Is it gone?

Yeah. It's gone.

Thank you.

We did it together. Let's get out

of here before it comes back.

My glasses.

You're glasses are gone.

Just go up the ladder.

- Kate.

- Yeah? What?

- I can smell it.

- What?

Did someone die in here?

Yeah.

- Yeah. Jerry died.

- Oh no.

He was so nice.

We've got to go.

We've got to go, honey.

Just get up there.

One foot after the other.

- Where are the others?

- I think we're on our own.

You're doing good.

I see a pattern.

Anyone connected to this--

this hypercube...

eventually dies a very violent,

and painful death.

I would hate for that

to happen to you, Mrs. Paley.

I would.

So drop the act

and tell us how we get out of here.

Huh?

Simon.

Simon, that's enough.

- Shut up.

- Hey, Simon...

- Shut up.

- Okay.

Okay, Mrs. Paley.

You ready to talk?

'Cause I'm all ears.

I really don't need this operation, Doctor.

I'm in perfect health.

Just ask my daughter-in-law

over there. She'll explain.

This joke's really getting stale.

I'm going to give you one

more chance, Mrs. Paley.

You tell me what I need to know,

or I'm going to have to kill you.

Do you understand?

I'm going to kill you.

It's your choice.

Get away from her!

You have a choice to make.

Right now.

Do you want to get out of here or not?

- Yes, but--

- There are no buts!

Hey guys, maybe--

All right.

Oh sh*t.

It's here.

It's gonna take my head off.

Let's go.

What about Mrs. Paley?

Goddamn it.

- I'm not gonna die here.

- You can't leave her.

- Why should I help her?

- She'll die.

- Forget about her.

- I'm gonna regret this.

Julia!

- I'm trying to get this off.

- Come on. Hurry.

Sh*t!

Would someone give me a hand?

Would somebody help me pick her up?

Sh*t!

Let go of me.

Sh*t!

I'm not staying here.

I'm out of here.

Let go of me.

- Jesus Christ.

- Oh my God.

Oh God.

Where do you think you're going?

Hurry up.

Get back here.

What the hell?

It could mean anything.

Right.

Maybe it's a coordinate of

some kind but in four dimensions.

Some...

I don't know.

For all we know,

it could be somebody's birthday,

or a zip code,

or just a serial number.

I wish I was just...

smarter.

Why do you think you're in here?

I don't know.

Maybe I was just in the wrong

place at the wrong time.

Damn it. There's got to be

some sort of meaning to this.

Maybe they just like to watch us squirm.

Alex Trusk is the only one with the resources

and brains to create something like this.

Okay, Max.

Say you're right.

Say it is Alex Trusk who's

responsible for all of this.

Does it help us get out?

No, we're still stuck here,

with no clue.

And if this is someone's game,

it isn't a fair one.

Max, do you think--

We've got to keep moving.

Come on.

Max?

Max, what's wrong with you?

Holy sh*t!

Variable time-speed rooms.

- Pretty wild.

- I guess you could say that.

Holy jumping Jesus!

Get your hands off me.

- Hello, Jerry.

- Who the hell are you?

- You don't recognize me?

- Where am I?

- How do you know my name?

- You don't know me?

No.

Where the hell am I?

You don't--?

Wait, wait.

You don't remember me?

- No.

- What about the senile old broad,

- or the little blind kid?

- What?

Or that thing that chopped

you up like little pieces

of deli f***ing meat?

I'm a friend-- I mean you no harm.

Let me go,

and I'll be on my way.

No come on, you--

You mean me no harm?

You're f***ing hilarious, Jerry.

How long have you been in here?

I don't know.

I just woke up.

You just woke up?

Holy sh*t!

Holy sh*t.

Maybe you were right before, huh?

You or the-- whatever--

This place does crossover

parallel alternate realities, huh?

Have you been drinking?

I really don't give a sh*t anymore.

We are talking about alternate realities.

Can I ask you a question?

Do you mind?

Yeah, okay, sure--

just don't hurt me, huh?

Are you hungry?

Are you... hungry?

Yeah, I guess...

my stomach's--

'Cause I am hungry.

I'm f***ing starving.

Oh my God.

Kate, what is it?

Kate?

What do you see?

Kate,

what's going on?

I don't know.

I mean--

I think in some other reality,

things didn't turn out so well.

Again with the Alex Trusk?

Why are you so afraid of this Alex Trusk?

Because he's ruthless.

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Sean Hood

Sean Hood (born August 13, 1966) is an American screenwriter best known for horror films and action thrillers. more…

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Submitted on August 05, 2018

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