Curvature Page #3
(Kraviz) Alex, help
your friend out here.
You called them.
What the f***?
Please. Let them help you.
(Kraviz) Enough!
You've got ten seconds
to open the door.
Put that thing down!
- (Kraviz) Ten, Nine..
- Open it.
Not unless you
put the gun down.
Do it!
Six!
Five!
Four!
Three!
Two!
One!
Drop the gun.
And then what?
Give it to me.
Helen, have you
lost your mind.
No!
What are you doing?
Don't be stupid!
Drop it! Drop it!
Drop it, drop it, drop it!
Okay, okay.
Easy.
Alex.
What, and you're going
along with this?
I'm sorry, I
can't trust you.
You're making an
awful mistake.
You called him.
You wouldn't listen to me!
You wouldn't
let me help you!
I thought he might
know what to do.
I trusted you.
I'm sorry but this, this
is getting out of control.
You can get out of the car
right now if that's what
you want, but I'm going
to find her, I'm going to
figure out what's
happening to me.
Why I sent myself back.
So what's it going to be?
I think I've
already decided.
[sighs]
You happy now?
I didn't mean to
pull the trigger.
You just missed that
guy's head by two inches.
That was an accident.
But a version of me is
out there, buying sniper
rifles and pressure cookers,
which I'm assuming they
think is for a bomb.
It's like there's this
thing out there I can't
control doing
stuff in my name.
You know, ever since I was
a kid, I had this dumb
phobia of being blamed
for something that I didn't do.
And now it's happening.
Except the kicker is is
I probably did do it.
weren't so f***ed up.
[phone notification sound]
It's from you.
What does it say?
"I need you to understand
why I can't let him live.
Not after this.
Watch the footage.
Vis Viva.
Helen."
She left the
camera for you.
For us.
The password must be
something that we both know.
Something private
between us.
Yeah.
Alex.
Do you see that?
Sh*t.
- F*** that.
- Helen...
Slow down, slow
down, slow down!
[cough]
F***.
[tense music]
What happened?
Can we track her again?
[computer beeps]
Yeah, she still has my
gun, but they can't be on
foot anymore.
I'm going wherever
this thing's going.
[wooshing noises]
[computer beeps]
Alex.
One night, please.
50 Bucks.
We only need it
for a couple hours.
Not that kind of hotel.
We'll pay for the night.
So, the message is for us.
It's got to be something
that we share.
Just us.
Read me your
message again.
"I need you to understand
why I can't let him live.
Not after this.
Watch the footage.
Vis viva.
Helen."
"Vis viva..."
The living force
of a system.
The conservation
of energy.
You remember our old
god debates, right?
Yes.
Do you still believe?
This has to be our clue.
We need to think back.
Reconstruct our
conversations.
belief so much after
Caroline died.
But I couldn't suddenly
pretend I trusted in some
afterlife just because it was
going to make me feel better.
Do you remember
what you told me?
I quoted Galileo.
"Mathematics is the
language with which God
wrote the universe."
I sat with that idea.
I wondered, what is the
afterlife in terms of
physics or chemistry?
And it's the
conservation of energy.
It's the conservation
of matter.
It's the idea that
Caroline's essence or soul
or whatever you want to
call it, that it went somewhere.
It didn't just disappear.
Galileo's phrase
became my mantra.
The bridge between
my head and my heart.
I never thanked
you for that.
I was so sure of myself
when I said those things to you.
I-it's different now,
feeling them for myself.
[projector whirring]
(Wells) Black ops
assassinations in Syria.
What does that have to
do with our science?
You are being
willfully naive.
(Wells) 99.9 percent of
know about our project.
Do you think that
story won't make some
journalist's career?
Do you know what I would
call leaking information
like that, Wells?
Treason.
Maybe I'll just have to
sabotage the prototype myself.
Hey, I don't want to work
with these guys either,
but we can't stop now.
What was our pledge?
- Oh come on.
- What was it?
technology to alter the past.
That's right.
This was always about
proving it could be done.
But we are scientists!
We're not philosophers,
we're not politicians, and
the job of a scientist is
to advance science, and
whatever happens to
those advancements,
it's not our responsibility.
They changed
the terms on us!
There is nowhere else we
can go for this funding
and you know it.
We drop out of the
assassination program by the
end of this week, or I
go to the press.
- Wells, please...
- End of story.
No...
(Wells) Look.
You remember why we
started all this?
It wasn't for the money.
It wasn't to win
the God damn Nobel.
It was for the joy of
doing something that
nobody thought
was possible.
[melancholy strings music]
That lying piece
of sh*t. I could kill him.
I should f***ing kill him!
Oh my God.
That's it, that's
what she's doing?
What, trying
to kill Thomas?
The email, she told us!
"I need you to understand
why I can't let him live..."
What if I did it already
and I just don't remember now?
What, and then sent
yourself back? Why?
To stop her!
To stop myself to...
What if I realized
that I was wrong?
That I didn't want
to be a murderer?
And I couldn't go back far
enough to save Wells, but
I could save myself.
And this was the only
way to reverse it.
One night.
[GPS beeping]
[tense synth music]
I need to find her.
If you were her...
You are her, so
where would you go?
[lock clicking]
[door lock opens]
Go!
The window!
[frantic music]
Ah!
Oh, you picked the wrong
dog in this fight, my friend.
F*** you.
Where's she going?
[rock music
playing in bar]
And that's why all of us,
physicists, engineers,
chemists, we need to read
novels, see films, engage
with philosophy.
Science doesn't
happen in a void.
We need nuance.
We need context.
Mm.
Just because you can do
something, doesn't mean
you should.
Not if it's going
to hurt anybody.
sacrificed for progress.
What if sacrificing a few
people now could save
thousands later?
What do you do then?
That assumes we know
the future.
And we can
never know that.
So what, we're supposed
to live like insects,
reacting moment to moment?
If we try to do the best
possible thing in each of
those moments then...
Sure.
Ethical insects.
Hey, something
to live up to.
[serene music]
Helen, you finished?
Florence, hi.
I, I left my
backpack here.
Do you mind if we...
Sure.
You are being
enormously unhelpful.
What else do you
want me to say?
The truth.
You can't expect me to
believe that you believe
there are two versions of
Helen running around right now.
Helen believes it.
Does she have any proof?
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"Curvature" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/curvature_6166>.
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