Cyrano de Bergerac
- NOT RATED
- Year:
- 1950
- 113 min
- 1,396 Views
Thrice happy he who hides
from pomp and power
in sylvan shade
or solitary bower
where balmy zephyrs
fan his burning cheeks...
- Clown! The king of clowns!
Leave the stage at once!
Who is it?
It's Cyrano.
I was afraid he'd do this.
Thrice happy he
who hides from pomp and power...
- Wretch! Did I not forbid
you to appear this month?
- Let's be quiet.
- Quiet!
Go on Montfleury.
Thrice happy he who...
He who, indeed.
Donkeys say rather Hee-Haw!
Begone! Or must I come and
help you off the stage myself?
What! Still there?
Where balmy zephyrs
fan his burning cheeks...
Fat swine, if you dare breathe
I'll fan your cheeks
for you!
Monsieur, won't you all
protect me?
- Proceed, proceed.
- Go on.
Sir, I will not allow you
to insult me in this manner.
Really?
Quiet, down there!
- We'll tolerate
no more of this.
Go on with the play,
Montfleury.
Unless these gentlemen
retain your seats
my sword may
bite their ribbons.
Who is this braggart?
My cousin, sir.
Well, Montfleury,
still no exit?
- Very well then,
I enter
with knife, to carve
this fat, stuffed goose.
I pray, do not crowd
my scabbard here.
She may put her
tongue out at you.
Silence.
I say be silent!
And I offer one universal
challenge to you all:
Will all who wish to die,
Approach, young heroes.
I will take your names.
To the first man who falls
I'll build a monument.
Who will head the list?
You, sir?
No.
You?
No, no.
Anyone?
Anyone at all?
Not one...name?
Not one finger?
Very well then,
I go on.
Attend to me, Full Moon.
I clap my hands three times, thus.
At the third, you will...
eclipse yourself.
Ready!
One.
How dare you.
I demand!
I insist.
- I call upon all the nobles...
- Two!
This is an outrage.
You hear, an outrage.
Nothing on earth
will move me from this stage.
Three!
Fair ladies and noble gentlemen...
- Boo!
But, Monsieur de Bergerac,
why have you done this
to our Montfleury, an admirable actor?
I have two reasons,
either one conclusive.
First, he is an
abominable actor,
who mouths his verse
and moans his tragedy.
Second,...
Well, that's my secret.
But...
But you've closed the play!
It is not a very good play.
Huh!
And of their money?
Possibly you would like
that returned to these good people.
Yes?
Yes.
Here,...catch!
Well, Monsieur, you are hereby
authorized to close our play every night.
On these terms.
Ladies and gentlemen,
your money will be returned.
Kindly pass out, quietly.
Goodnight, goodnight.
Your cousin is an
extraordinary man, Madame.
Oh, I agree.
Soldier, poet, philosopher,
musician, playwright.
All those?
Yes, and the best
swordsman in Paris.
Really?
Now, I should have thought
the Vicomte here had that honor.
Tell me, Madame, that
comic mask, that nose,
presently he will take it off?
No, Monsieur, he keeps it.
And heaven help
the man who smiles.
Good night.
Oh, Monsieur!
Monsieur!
Uh, when do you leave Paris?
Sir?
Why, after what you've
just done to Montfleury,
did you not know that
the Compte de Guiche was his patron?
Who's yours?
No one.
No one?
No patron?
I said not.
But the Compte de Guiche
has a long arm.
Mine is longer
by three feet of steel.
Yes, but.
but, what a scare...
You may go now.
- but...
- You may go.
Well, tell me,
why are you staring at my nose?
Oh, I was not staring.
Does it astonish you?
Why n...Why no, I've been careful
not to look.
Oh, and why not, if you please?
It disgusts you, then?
But, no, I just...
Does its color appear
to you unwholesome?
By no means.
Then, possibly you find it
just a trifle large?
No, small, very small, tiny!
Infinitesimal!
What?
You accuse me of absurdity?
Small, my nose?
Why magnificent, my nose!
You pug, you knob,
you button head,
know that I glory
in this nose of mine!
For a great nose
indicates a great man,
congenial, courteous,
intellectual, virile, courageous.
Whilst that face of yours,
that blank, inglorious concavity
which my right hand finds on top of you,
is as devoid of pride, of poetry,
of soul, of picturesqueness,
of contour, of character,
of nose, in short,
As that which is at the bottom of that limp,
spine of yours my left foot.- Oh, help!
Presently, this fellow
will grow tiresome.
Oh, he blows his horn.
- Well, will no one
put him in his place?
If you would all me.
Observe.
Monsieur, your nose,
your nose is rather large.
Rather?
Oh, well.
Is that all?
Well, of course, you...
Ah, no young sir, you're too simple.
Why, you might have
said a great many things.
Why waste your opportunity?
For example, thus...
Aggressive-
I, sir, if that great nose were mine,
I would have it amputated on the spot.
Practical-
How do you drink with such a nose.
You must have had a cup made especially.
Descriptive-
'Tis a rock, a crag, a cape.
A cape, say rather, a peninsula.
Inquisitive-
Uh, what is that receptacle,
a razor case or a portfolio?
Kindly-
Ah, do you love the little birds so much
that when they come and sing to you,
you give them this to perch on?
Cautious-
Take care. A weight like that
might make you top-heavy.
Eloquent-
When it blows the typhoon howls
and the clouds darken.
Dramatic-
When it bleeds...the Red Sea.
Simple-
Eh, when do they
unveil the monument?
Military-
Beware, a secret weapon!
Enterprising-
What a sigh for some perfumer!
Respectful-
Uh sir, I recognize in you
a man of parts,
a man of...prominence.
Or, Literary-
Was this the nose
that launched a thousand ships?
These, my dear sir, are things
you might have said had you
some tinge of letters or of wit
to color your discourse.
Bit wit not so.
You never had an atom.
And of letters, you need
but three to write you down, a..s..s.
Ass.
You, sir!
Dolt! Bumpkin! Fool!
How do you do, and I,
Cyrano Savinien Hercule de Bergerac.
Vicomte, come.
Such arrogance.
This scarecrow who...
Look at him!
No ribbons. No lace.
Not even gloves!
True. I carry my adornments
only on my soul.
Decked with deeds
instead of ribbons.
Mantled in my good name,
and crowned with a
white plume of freedom.
But..
But, I have no gloves.
A pity, too.
I had one, the last one of an old pair,
and lost that.
Very careless of me.
an impertinence.
I left it in his face.
So be it!
You shall die exquisitely
Oh, a poet.
Oh, yes, a poet if you will.
So, uh, while we fight,
I'll improvise a ballad for you,
and as I end the refrain,
...skhrch!...thrust home.
Will you?
I will.
Ballad au Duel
at the Theatre de Burgoyne
between de Bergerac,
and uh...a barbarian.
What do you mean by that?
Oh, that?
The title.
Stop. Let me choose my rhyme.
So. Here we go.
Lightly I toss my hat away.
Languidly o'er my arm let fall
the cloak that covers my bright array.
Then, out swords,
and to work withal.
A Lancelot in his lady's hall,
A Spartacus at the Hippodrome,
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Cyrano de Bergerac" Scripts.com. STANDS4 LLC, 2024. Web. 5 Nov. 2024. <https://www.scripts.com/script/cyrano_de_bergerac_6188>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In