D.O.A. Page #2
- Year:
- 1950
- 150 min
- 1,049 Views
in touch with you immediately.
He said it's most urgent and imperative
that he reach you at once.
What did he want?
-I don't know.
But he sounded deep, dark and mysterious,
and quite agitated about something.
Philips? Philips? Have we...have we
ever done any business with him?
Not unless you've been keeping it a secret
from me. I looked through all the accounts.
Why'd you tell him you could reach me here?
You know I'm supposed to be on vacation.
So you told me.
And so I told him, dear heart.
But, the gentleman didn't seem to respect
your temperamental moods the way I do.
He was very insistent that he speak to
you 'before it's too late', as he put it.
Well, tell him you tried
to get in touch with me
and I changed my plans
and you can't reach me.
He won't talk to me.
I told him that I was your confidential
secretary but I guess I didn't sound
confidential enough. So, I told him that
he could reach you there this evening.
Well, call him back. If it's as important
as he says it is he'll talk to you.
Otherwise, he'll just have
to wait until I get home.
My, aren't we adamant this evening.
All right. Shall do.
And Frank.
-Yeah?
I a...
I don't quite know how to say this.
-Say what?
But what I want to say is
that there's nothing you can do that
you ever have to feel guilty about.
Sure.
Thanks, Paula. I'll uh...
I'll call you tomorrow.
Oh. Just put it there please.
You can keep the change.
-Thanks very much.
Say, how long has this been going on?
-It's been a madhouse all week.
They check out tomorrow.
I thought you were with them.
No. No, I'm just here on a vacation.
Why does everybody come
San Francisco and tear loose?
Excuse me.
Say, I'm awfully sorry to bother you but
would you mind if I used your telephone?
No. No, go right ahead.
-I'm just across the hall here.
One of the boys is using my phone
and he's been on it for a half hour.
I just want to call downstairs.
-Yeah. -Thank you.
Room service please.
the last few days, didn't they?
Write up much business?
-Well, I'm not here on business.
Hello. Room Service?
It's Mr. Haskell in 617.
Yes, that's right. Would you send up three
more bottles of boubon and two scotch?
Oh, and some more ice too.
All right, thank you.
You here all alone?
Yes, I just got in town.
-Well, why don't you join us for a drink?
Well, I don't want to barge in on your
party. -Oh, nonsense. It's not a party.
Just a few of the boys entertaining
some buyers. You know, the usual thing
a few drinks and some laughs.
It's no party, come on. -Well...
-Come on. Come on. -All right.
I know what it's like to be
I'm Sam Haskell.
-I'm Frank...Frank Bigelow.
You'd think some of these guys never
been away from home before. -Yeah!
Hey quiet down a minute.
Hey, will you quiet down a second?
I want you to meet Frank Bigelow.
-Hello. -Hi.
This is Jane Carlyle. -Hello.
-Bill Welch. -How are ya?
Mr. Welch.
-Glad to know you, Bigelow.
San Francisco. -Hey! I resent that.
You don't think I believe him, Elaine?
Well, he spreads that from coast to coast.
But it's good for my morale, anyway.
-I'm George Cadwell.
Glad to know you Mr...
-Bigelow. -Bigelow. Yes...
Write up much business?
-He's not here on business.
Well... -Well, why don't you get the
man a drink before he dies of thirst?
-Well, that's fine. -Bourbon it is!
Of course, Mr. Wallace.
Yes Mr. Wallace.
But Mr. Wallace, I'll need at least a week
in Cleveland to visit all my accounts.
Philadelphia until the 17th.
Eddie, would you get off the phone? I want
you to meet Frank Bigelow. -How are you?
That's his boss! He's been trying for an
hour to get his expense account boosted.
The way this guy holds onto a dollar you'd
think they weren't printing them anymore.
Yes, Mr. Wallace! I'm leaving here the
first thing in the morning. Yes sir.
Oh, keep your hips
loose Harry. Like this.
How's he doing?
There's nothing wrong with Harry's
rumba that two...(inaudible)
That one's doing all right there.
-This is Sue and Harry Brandon.
Hello. -Hello. -Good to meet
you. -How are you.
Where'd you find her, Sam,
on a dance marathon?
I bet you could do the rumba.
Well, a little but I'm kinda rusty.
Anything would be an
improvement after Harry.
Well how do you like that?
-Well, here goes.
Hey...you're good.
Oh um, my wife, she's a good
dancer isn't she Bigelow?
Yeah!
Hey fellas! I thought you were going
to show us a good time tonight?
Is this 'doing the town'?
-That's right!
We practically bankrupt our
stores to buy everything you got.
Then you keep us in this hotel room.
-I agree.
This is my last night to howl before I
go back to being a dutiful housewife.
Well it looks like we're stuck boys!
This is where we blow all
our comissions in one night.
And you're coming with us, Bigelow.
Oh, no thanks. You run along I got
to get unpacked and have dinner.
Oh no. You're not going
to get away from me.
Now that I've found a man who can
dance, I'm going to hang on to him.
Man, I'm a hipped!
-You're going nowhere. Nowhere!
Blowing! Blow up a storm, Fisherman!
Stay with it! Go on! Go on!
Get it! Get it, Fisherman!
Have a little bit of my drink, Frank.
-No, thank you.
Excuse me a moment. -Where are
you going Frank? -Excuse me.
I think you've had enough.
What'll it be?
-Bourbon and water, no ice.
Nice quiet place you got here. -Wait'll
they hit the pitch in about an hour.
That's when they really go out of
their minds. -Who's the blonde?
Oh, she's one of the chicks that
hangs around here. She's jive crazy.
Come again? -Oh, you ain't hip pal. Jive
crazy means that she goes for this stuff.
Just between you and me I don't get
it either, but I gotta listen to it.
They're all connoisseurs, music lovers.
Me, I like Guy Lombardo.
What's the matter with him? -He's flipped.
The music's driving him crazy.
Come down, Jack! -Oh, don't buy
me man, I'm being enlightened.
Is the blonde alone? -As sure as
society. She always comes in alone.
Drives a big convertible,
wears a mink coat.
But knows everybody,
but she always comes in alone.
Thank you.
Give me another blast, Leo!
What's your story, Jeanie?
-Easy!
Hello.
-Easy!
Dig the Fisherman. That's really silk,
isn't it? -Can I buy you a drink?
Sure, thanks. Give me a blast, Leo.
Leo, I left my 'blast' at the
other end of the bar.
My name is Jeanie. What's yours?
Frank.
I've never seen you here before, Frank.
-Well, I've never been here before.
This isn't mine. Mine was bourbon.
-Well, sure it is, You saw me pour it.
Get me a fresh drink.
-Anything you say.
Oh, listen to that piano.
Feel those vibrations.
You don't get your kicks out of this,
do you? -I can live without it.
Why do you stay here?
I don't know.
I bet I know. You're
lonely in a big city.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"D.O.A." Scripts.com. STANDS4 LLC, 2024. Web. 12 Nov. 2024. <https://www.scripts.com/script/d.o.a._6197>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In