Damsel Page #10
Gilbert fights to remember what he can.
55.
GILBERT (CONT’D)
He was a little older than I am
now, when I lost him. I remember a
desert. Being alone. I remember
walking for days in heavy sand. I
remember the headmistress and her
wagons coming to me. From that day
on, I have travelled with them.
ELISE:
How old were you?
GILBERT:
I cannot know for certain. I was a
child.
Elise turns her lips apologetically.
GILBERT (CONT’D)
I became strong when I lost my
family. Maybe you deciding to be
free is the way that your brother
will learn to be strong on his own.
ELISE:
You are not on your own Gilbert.
There is a difference.
Elise turns her attention back to the night sky.
ELISE (CONT’D)
Braun is not like you. Choosing
your own path. Being whoever you
want to be. Going wherever you
want to go. Home is all that
matters to him.
Gilbert puts his hand on hers.
GILBERT:
But, you are not him.
Elise thinks on her options.
ELISE:
What I love about this freedom is
equally, the freedom to leave.
Coming here to stay would just be
another sort of responsibility that
I do not want right now.
GILBERT:
I thought that, with time, it would
be easier for me to understand.
(MORE)
56.
GILBERT (CONT'D)
When you are not here, I think on
you constantly.
He tries to compose himself, knows that this conversation
never goes they way he’d like.
GILBERT (CONT’D)
I wish that you needed me the same.
I wish that you remembered the look
on my face when we first met.
ELISE:
Who says that I do not? There is a
difference between what I want and
what I can give right now. I do
not even know the difference
between the two.
They gaze at the stars. The majestic purple galaxy above.
ELISE (CONT’D)
I wonder if my visits only make it
harder for you.
A sadness floats between them. Gilbert tries to find a way
to smooth it over. A kinder approach.
GILBERT:
No matter how far apart two people
may be, they see the same moon, the
same stars.
Gilbert turns his eyes to Elise. Connecting.
GILBERT (CONT’D)
I think about that often now.
His gaze floats back to the sky.
She steals another glance at him. He catches her and smiles.
Gilbert decides to leave her on a good note.
GILBERT (CONT’D)
I should turn in.
ELISE:
I am going to stay for a while.
He stands.
GILBERT:
Maybe one day, I will not have to
look to the stars for comfort.
57.
A melancholy smile between them.
Elise’s thoughts float to Prince Cavill.
ELISE:
Maybe one day.
Gilbert disappears back into the circle of wagons.
Elise loses herself in the twilight. The sounds of the
wilderness resonate.
Solitude.
RAPUNZEL (O.S.)
You are beautiful.
She turns to find Rapunzel, dressed her version of a gypsy’s
attire, approaching her from the direction of the circle.
Rapunzel’s hair, thick and long. Angelic.
Their first encounter.
RAPUNZEL (CONT’D)
I am sorry if I startled you. I
saw you out here and wanted to see
if everything was alright.
ELISE:
Thank you.
Silence binds them.
Elise’s eyes wander across the sky. Her worries get the best
of her, tears well.
RAPUNZEL:
Is... everything alright?
Elise turns to Rapunzel, feeling strangely drawn to her.
Rapunzel wraps her fingers around Elise’s wrist and gently
pulls her from her seat, bringing her into an embrace.
ELISE:
My heart and my head constantly
tear at one another. I never know
which to follow.
Rapunzel holds her there, comforting the girl as her tears
finally spill over.
58.
RAPUNZEL:
Dear child.
Rapunzel speaks in an ominous whisper.
RAPUNZEL (CONT’D)
Surely you know of the dangers to
come. The dangers you have not yet
faced. This journey you are on is
nothing to be taken lightly.
Elise immediately collects herself and moves away.
ELISE:
I do not take it lightly.
RAPUNZEL:
What is it that compels you to
continue onward?
She recognizes Elise’s weakness.
RAPUNZEL (CONT’D)
Leaving your father and brother. A
journey to save a man you cannot
possibly love and for the king of a
kingdom that forgets you.
ELISE:
I never said it had anything to do
with the king. Who are you? How
do you know what I am doing?
Rapunzel reaches out for Elise, placing her hand on her
shoulder, calming her.
RAPUNZEL:
You remind me much of myself.
Elise softens.
RAPUNZEL (CONT’D)
We are connected, you and I.
Rapunzel presents a necklace. Silver with a blood-red jewel.
ELISE:
It is beautiful. I couldn’t-
RAPUNZEL:
It is yours.
Rapunzel gently turns Elise’s back toward her, hanging the
jewel from her neck.
59.
RAPUNZEL (CONT’D)
Return home. Your brother and
father miss you.
Elise takes hold of the jewel. Considers.
RAPUNZEL (CONT’D)
You need only grasp this pendant.
Ask to return to South Shire and it
will be so.
The moment weighs on Elise.
RAPUNZEL (CONT’D)
This is not your fight.
Elise has a hundred things that she wants to ask. She waits
one second too long.
Elise’s lips part as she spins to face Rapunzel once more,
but she’s already gone.
Elise hangs in the mysterious moment. Her hand on the
necklace around her neck.
CUT TO:
EXT. SOUTHERN THESSIA WILDERNESS - DAWN
Four men, the queen’s mercenaries, travel on a path through
the forest.
Ruffians, dressed in weathered leather clothes. Belts and
straps harness their weapons.
Their hair, long and unkept. Skin, worn and scarred.
FISHEL, the smallest of the group, leads the way.
A thin twine line runs across the path, it goes unnoticed at
first.
Vel wears a heavy long sword. He spots the trigger.
VEL:
Fishel.
Fishel stops.
Vel inspects the taunt line, which is attached to a steadfast
tree on one end.
60.
On the other, it is attached to a tall, unstable stick,
supporting a heavy rock pendulum.
He signs for the crew to step back and sweeps the rope with
his sword.
The stick falls and pendulum swings across the path, crushing
against a massive boulder on the other side.
BEAR, even larger than Vel, but not as quick, carries a
heavy, one-handed hammer.
BEAR:
Could’ve done some damage.
VEL:
Someone wants to make sure they’re
the first one to the prince, eh?
BEAR:
The things some folks will do for
money.
They grunt with humor.
VEL:
Best we travel off the path from
here on out.
Bear raises his nose.
BEAR:
I smell fire.
FISHEL:
It’s early.
BEAR:
A little breakfast before the day’s
journey?
RUNE, the final of the four, is of medium stature and bears a
bow and quiver.
RUNE:
What fool would set fire in the
daylight at a time like this?
BEAR:
A fool that wants to be found.
A dangerous crew.
CUT TO:
61.
INT. GYPSY CAMP - DAWN
Morning fog hovers over the land.
The center of camp, where a fire once blazed, has become the
common sleeping grounds.
The gypsy folk lie atop blankets which cover the forest
floor. They rest as a tribe.
The colors of the ornate campsite are even more interesting
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Damsel" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/damsel_1245>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In