Damsel Page #4
18.
INT. CASTLE THESSIA - CAVILL’S CHAMBER - THAT NIGHT
Cavill sleeps. A warming fire burns in its place across the
room.
Blue moonlight dances over the pine forest and moves across
the rolling hills of green just outside Cavill’s window.
Rapunzel’s familiar melody grows from the south. Faint.
He’s woken.
Her siren song draws him to the overlook. He peers into the
great distance.
The land is eerie in the twilight hour.
ocean of earth, calling the sailor.
A vast, unexplored
CUT TO:
Beams of light bolt through the breaks in the needled forest
trees.
Stillness.
Her blue eyes glow in the sunlight. Strands of her golden
hair dance across her freckled nose.
ELISE. 20.
Her fingers blush against the harsh bowstring as she draws.
The thunderous rumble of a sprinting stallion’s gallop breaks
the peaceful scene, sending a flock of birds scattering.
Her target, a six point buck, spooks, taking flight.
She exhales. Retracts her bow and sheaths her arrow.
Over her shoulder, she sees a man, dressed in fitted royal
regalia, atop his monstrous horse.
A sudden realization comes over her.
ELISE:
Stop!
His horse gallops onward. Elise gives chase, waving her arms
in the air.
19.
In the path, ahead of the speeding traveler, is a thin line
of twine. The mechanism for a net trap, which he’ll soon
trip.
She races forward, trying to edge out his horse’s route.
ELISE (CONT’D)
Watch out! There’s a trap!
He continues, unaware.
ELISE (CONT’D)
There’s a trap! Stop!
Finally, moments before the horse makes it to the line, Elise
draws an arrow and lets it fly.
A true shot.
The arrow cuts through the twine and the mechanism trips. A
heavy boulder plummets to the forest floor. Leafy camouflage
scatters as the hidden net is yanked into the air.
The man pulls back. His horse dances as it spins to a halt.
She slings her bow over her shoulder, annoyed.
The beast trots toward Elise. On his mount, Prince Cavill.
He dismounts and approaches her, removing his riding gloves.
Cavill is aloof. Separated from reality. A shell of the
life-of-the-party prince from two nights prior.
PRINCE CAVILL:
I am sorry. I did not see you.
ELISE:
Lucky I saw you. These are hunting
woods, you should be careful about
riding like that through here.
PRINCE CAVILL:
I will be sure to. Thank you for
your help.
Elise catches up with herself, cooling off.
She finally takes note of his royal wardrobe.
Cavill begins to come out of his daze. He extends his hand.
20.
PRINCE CAVILL (CONT’D)
I apologize, I should have
introduced myself. I am Prince
Cavill of Thessia.
Elise eyes him curiously. Doesn’t take his hand.
ELISE:
What brings you to South Shire?
He recoils his palm.
PRINCE CAVILL:
Passing through.
Cavill is nearly himself again, realizing that he’s hungry.
PRINCE CAVILL (CONT’D)
But, it has been a two day journey
thus far and I am embarrassed to
say that I have come, somewhat, ill-
prepared.
He notices the rabbit carcasses piled in a cart just behind
Elise.
PRINCE CAVILL (CONT’D)
If you wouldn’t mind cooking some
of that meat, I’d be grateful.
She minds.
ELISE:
The king’s tax already starves all
of South Shire. I cannot imagine
anything I would like less, than to
give you the food off our table as
well.
PRINCE CAVILL:
Miss.
ELISE:
Miss?
PRINCE CAVILL:
I still do not know your name.
ELISE:
Elise. My name is Elise.
She mocks a curtsey.
21.
PRINCE CAVILL:
Pleased to meet you, Elise. Though
I may dress in royal clothes, ride
striking similarities to my father,
I assure you, I am not him. I am,
however, very hungry and I would
like very much, to eat. I hope you
might show a stranger kindness?
He reaches into a pouch, removing 5 gold pieces.
He smiles. All charm.
ELISE:
Alright, but only as a kindness.
She takes the offering.
CUT TO:
EXT. PINE FOREST - AN HOUR LATER
The sun is beginning to set. Dusk rolls across the land.
One of her rabbits has been skinned and strung across a spit.
The flames flitter across its browning skin.
Cavill’s horse drinks from a nearby stream.
Elise and Cavill are seated near a makeshift fire pit, mid-
conversation.
CAVILL:
-and I, being 16 years old, was the
only person he would let on his
mount. So, he chose me more than I
him. The big beast.
Cavill looks over his shoulder at his beast.
PRINCE CAVILL:
Is that not right, Luke?
She smiles.
ELISE:
Luke. It fits him.
PRINCE CAVILL:
I think so.
22.
Elise pulls the rabbit from the fire and tears pieces of its
meat for Cavill, taking some for herself.
ELISE:
It is getting late. Where will you
set camp for the night?
PRINCE CAVILL:
Here, I guess. I had not put much
thought to it.
He eats.
ELISE:
You are not going to tell me where
you are going?
He points south, toward the mountain.
She chuckles and mocks his gesture, pointing in the same
direction.
ELISE (CONT’D)
That way?
PRINCE CAVILL:
You would not believe me if I told
you.
ELISE:
I would like to try.
PRINCE CAVILL:
The mountains in the South. I
dream of an ivory tower. A
fortress of white. She calls me
from it.
His eyes wonder into the distance as he recalls the angelic
sound he follows.
He’s lost there for a moment.
PRINCE CAVILL (CONT’D)
It is haunting. A damsel, she
cries out for me. I am compelled
to rescue her.
She laughs. Examining him curiously.
ELISE:
Rescue her?
He quickly changes the subject.
23.
PRINCE CAVILL:
Would you find it forward if I were
to ask you to camp with me tonight?
I am not one to be without company
and I quite like you.
It’s posed as nothing more than a friendly request.
ELISE:
I have a day’s journey back home
ahead of me anyway, I’d have to set
up somewhere. Besides, I think you
are in need of some protecting-
The two share a smile.
PRINCE CAVILL:
Then it is settled.
ELISE:
For a price.
PRINCE CAVILL:
5 more pieces?
ELISE:
It was a joke!
PRINCE CAVILL:
It is a shame that royal women
don’t come with your demeanor.
He grins.
PRINCE CAVILL (CONT’D)
Your beauty, for that matter.
She blushes. They connect.
PRINCE CAVILL (CONT’D)
You would make a wonderful queen.
Her eyes shift nervously. A smirk as she chomps on a chunk
of the rabbit’s meat.
CUT TO:
Sounds of the forest night’s orchestra play. Crickets and
frogs of the stream, chirp. Owls chime in.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Damsel" Scripts.com. STANDS4 LLC, 2024. Web. 24 Nov. 2024. <https://www.scripts.com/script/damsel_1245>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In