Dancer In the Dark

Synopsis: 1964 in small town Washington state. Selma Jezková, a Czechoslovakian immigrant, and her preteen son Gene live in a rented trailer owned by and on the property of married Bill and Linda Houston, he the town sheriff. Beyond Bill and Linda, Selma has a small group of friends who look out for her, including her primary confidante, Kathy, with who she works, and Jeff who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace long before the end of her shift to drive her home, despite she always refusing in not wanting to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind, her medical condition being genetic. Selma is barely able to see, just enough to do her job. Her primary reason for moving to the US and for working all the time is to earn enough money for an operation for Gene when he turns thirteen, he who doesn't
Genre: Crime, Drama, Musical
Director(s): Lars von Trier
Production: Fine Line Features
  Nominated for 1 Oscar. Another 33 wins & 46 nominations.
 
IMDB:
8.0
Metacritic:
61
Rotten Tomatoes:
68%
R
Year:
2000
140 min
$2,839,256
Website
1,146 Views


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You're sweating.

I know. I'm excited though.I can see it all happening.

A little turn...

Now side to side.

Other people can sing.

Can we talk out herefor a minute?

She's fantastic.

What are youtalking about?

I think she sings funny.

And her dancing's notall that great either.

That's the first timeshe did it, okay?

Yeah, but I hadall the kits by then.

Because she didn'ttake the kettle,

so I was stuck.

Do you want me totake the kettle, Samuel?

No, I don't.I just want Kathy

to put it over here.This is, you know...

If you say these words,and then, boom,

you just putyour hands out,

and there they are.They're there.

Please don'tdrop the props, Kathy.

Wait, wait.

Why are you putting iton her head, though?

I'm a little confused.

I don't know.It was, uh...

Because she's notgoing to pick it up.

It looks likeyou're trying to...

put a hat on her heador something.

You're fantastic.

You just have to listento your heart, Cvalda.

I don't want youto call me Cvalda.

Okay, Paul, please.

You're Cvaldato me.

Let's do some sound effects.

Wait!

I told youno tapping

in "The Soundof Music."

It really needs rhythm.

Like drums or something.

Everybody'sdoing a great job.

Really.

"L-T-U..."

Oh, hello, Selma.Come here.

- Are you ready?- Yeah, I'm ready.

Okay, you knowwhere to stand.

Yeah.

So let's trythis one.

"F-E-Z-T."

Maybeeven this one.

"T-E-F-P-O..."

I think you can workthat machine safely.

I'll write a noteto the plant

and let them know.

Thank you.

Bye.

Goodbye.

Bye.

Goodbye.

We lost five hours'cause some idiot

broke the machine.

Bill's here.

So?

Well, he's herewith Gene.

Oh, that soundslike bad news.

What are yougoing to do?

Well, I guess I gotto tell her, don't i?

You can't bringthe script to work, Selma.

Keep your eyeson the machine, okay?

Yeah.

Sure.

Bill's here.

Bill?

He's here with Gene.

Not again!

You got to comeright back, okay?

Don't be too worried.

We're gonna work this out.

Here she comes.

Why are younot in school?!

Uhh...

When I say so,you go to school!

Do you think I joke?

You have to study!

Come on, Selma, stop.

We talked about this.Didn't we talk about it?

Hanging out with thoseautomobile thieves.

So what?

He's learning.

Selma,he's learning.

Aw, come on.

Gene, this is the mostimportant thing.

You have to go to school.

Selma, l--I can...

drive him back to schoolif you like.

Since when was thatyour business?

What you doing here?

If you needa ride home--

I don'teven punch out

until afteranother two hours.

Sometimes you punch outaround this time.

I never punch out early!

Don't need a dumb...

Don't need a ride!

In your little head.

All right.

Come on, Mr. G.Let's get you to school.

Thank you, but l...

I'll just...I'll just ride my bike.

Bye, Jeff.

She likes you.

I'm sure of it.

You're sure?

Yeah, I'm sure of it.

This is my punishment,

that you help me with this.

And you've got...

You've got to makeyour bed as well.

And you forgotto wrap up the bread.

Two times.

There's no more of that.

You keep reading.

"So long, farewell,

auf... wiedersehen...

adieu, adieu, adieu,

to yieu and yieu and yieu."

"To yieu...

and yieu..."

What does that mean,

"yieu"?

It's your dumb musical.

"And yieu..."

It's German.

- You think?- Mm.

You wantsome more ketchup?

No.

Are you tired?

Why--why should you...

always ask me so...

so stupid questions?

Shall I show youmy step?

Oh, hi.Hi, Gene.

How's the dancing?

Oh... good.

- Yeah?- Yeah, Yeah.

You want to come overto me and Bill's place

and listento some music?

That--thatwould be lovely.

But... we couldn't.

Come on.Come on.

Yeah... uh...

Let's go.Come on.

You should ask Billabout his money.

Linda likes it whenwe talk about that.

You're doinga very nice job with these.

How about that?

You have to bevery careful

not to bendthe card.

Uh-huh.

Otherwise I don'tget paid for it.

No.

That's fair,because...

the people in the shopswould never want to buy it

if it's bent.

You wouldn't buy itif it was bent.

That's true,I wouldn't.

Wouldn't buy anythingif it was bent.

In Czechoslovakia,

I saw a film,

and they were eating candyfrom a tin

just like this.

No.

I thought to myself...

how wonderful it must be

in the United States.

Yeah?

You think my houselooks like a movie?

Oh, our houselooks like a movie.

And you looklike a movie star.

Bill gives mea lot of money.

You know?

I know.

Of course, it's allthat money you inherited,

isn't it, Bill?

That's right.

Hey, Selma...

Take the restwith you.

Are you sure?

Go on.

Hello.

Good morning.

I've got the rent.

Oh.

You always payright on time.

Don't worry about Gene.I'll get him off to school,

okay?

Thank you.

Thanks very much.

Remember your bag.

Bye-bye.

Bye.

I think you're alwaysso serious, Kathy.

Aw... again we start.

I don't think insideyou're serious at all.

I don't know.

Not always.

Cvalda.

Why do youcall me that?

It's like...someone who's...

I don't know,just big and happy.

I am not that big.

Happy?I don't know.

Just need someoneto pull it out.

Beautiful eyes.

Yeah.

But he's notreal happy, is he?

How is she doing?

It's when shecannot keep up,

and she's going to faint.

Ah, she fainted.

Please be quiet.

Oh, give us a break.

She doesn't seethat well.

I paid good moneyto see this film.

Well, so did she.

I love itwhen they dance.

For Pete's sake,it's a musical.

Of course they're dancing!

We know that!

Oh, you're so smart.

- Yes.- Oh.

I think you madefriends, Kathy.

Stop!

So, what'd she say?

What?

What did she say?

She didn't sayanything.

Are you trying totell me something?

It's about the bike.

The bike?

Mm, the bike.

Oh, um, l--I--

I cannotgive Gene a bike.

Is this his idea?

No, it's not his idea.

Gene?

Yeah?

Did you ask themto come over?

No.

No, he didn't.It doesn't...

He doesn't know anything,Selma. Frankly.

Why, have Idone something?

No.

I haven't gotthe money.

But... I'm almostthe only kid in class

who doesn't havea bike.

I even know a boywho's got a scooter.

You know I haven't gotany money.

The only extra money I got

the times I managedto save up,

I send it...

to Grandpa.

- Come have a look.- I'm not gonna get you

expensive things.

Your motheris only teasing.

Look what she'sbrought for you!

It's a bike!

We cannotaccept that.

Selma, it was second-hand.

I can't give himany expensive things.

- Yeah, but--- I can't even give it

for his birthday.

- Yeah, but, well--- He's just gonna accept that.

I'm not that sort of mom.

I'm--I'm--

I'm just not that kindof mother, Gene. I...

Can't you be

that kindof a mother?

It's not exactly a scooter.

Hmm... We'll see.

We'll see.

Careful!

Don't ridetoo fast.

Hey, gene,bring it over here.

He looks very happy,doesn't he?

He does look happy.

Here he comes again.

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Lars von Trier

Lars von Trier (born Lars Trier; 30 April 1956) is a Danish film director and screenwriter with a prolific and controversial career spanning almost four decades. His work is known for its genre and technical innovation; confrontational examination of existential, social, and political issues; and his treatment of subjects such as mercy, sacrifice, and mental health.Among his more than 100 awards and 200 nominations at film festivals worldwide, von Trier has received: the Palme d'Or (for Dancer in the Dark), the Grand Prix (for Breaking the Waves), the Prix du Jury (for Europa), and the Technical Grand Prize (for The Element of Crime and Europa) at the Cannes Film Festival. In March 2017, he began filming The House That Jack Built, an English-language serial killer thriller.Von Trier is the founder and shareholder of the international film production company Zentropa Films, which has sold more than 350 million tickets and garnered seven Academy Award nominations over the past 25 years. more…

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    "Dancer In the Dark" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/dancer_in_the_dark_6267>.

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