Danny Collins Page #15
88.
86 INT. BACKSTAGE - LATER 86
We’re on a black curtain. Above it there’s a BLINKING
RED LIGHT. We hear the CROWD GOING NUTS. We watch as
the blinking light goes off.
DANNY (O.S.)
Thanks for coming everyone. Means
a lot. Thank you, thank you.
Danny ENTERS FRAME, safely out of sight from his adoring
masses. As soon as he’s behind the curtain, he sinks.
He’s a broken man.
And then, to our surprise...
SOPHIE (O.S.)
Danny!?
Sophie and Judd (Busywork) run over.
SOPHIE (CONT’D)
We heard about the gig and we came
to support our Sugar Daddy. I
used your credit card for the
flights, hope that’s okay.
JUDD:
When do you go on!?
Sophie SNIFFLES, rubs her nose. Danny stares at her
blankly, then:
DANNY:
What do you have on you?
SOPHIE:
What do you mean?
DANNY:
You know what I mean.
Sophie smiles.
SOPHIE:
I got it all, Baby.
87 INT. DRESSING ROOM - MOMENTS LATER 87
Danny chugs from a bottle of SCOTCH, numbing himself as
quickly as possible. Judd SMOKES in the corner. Sophie
pours some COKE OUT onto A TRAY, hands it to Danny.
SOPHIE:
Here you go, Danny.
(CONTINUED)
88A.
87 CONTINUED:
87But it’s not a tray... she’s poured a line on the FRAMED
LETTER FROM LENNON.
Sad, horrific, irony.
Danny shakes his head, hesitates, then bends down to do
it. Just then:
HOPE (O.S.)
Grandpa!
Danny looks up and drops the letter to the ground, as
coke goes flying.
AT THE DOOR:
Tom, Samantha, and Hope stand there.
HOPE (CONT’D)
(confused)
Grandpa?
Samantha quickly pulls Hope back. Tom looks on, shocked.
(CONTINUED)
89.
87 CONTINUED:
(2) 87TOM:
Nice.
(pointedly)
Real nice, Grandpa.
DANNY:
I’m sorry, I didn’t-
TOM:
Don’t. Don’t even bother.
He turns away, then turns back, furious. He moves at
Danny quickly. Grabs him. He could hit him, but he
catches himself. He looks at Danny, a beaten man.
TOM (CONT’D)
Jesus.
He turns to go. Danny calls out:
DANNY:
Yes, keep judging me, Tom, you’re
great at that. When you finish -
you know, being so perfect and
honorable - maybe you should talk
to your wife about what you did in
“Delaware.”
As soon as he says it he regrets it. Tom freezes.
Samantha (pushing Hope out the door) stops, confused.
SAMANTHA:
Huh?
Tom glares at Danny. Samantha looks at Tom, it’s too
weird not to comment on.
SAMANTHA (CONT’D)
What’s he talking about?
Tom turns to her. She looks at him, expectant. He knows
it’s over.
TOM:
We’ll talk at home, okay?
He leads his family out the door, but not before turning
back towards Danny.
TOM (CONT’D)
If you ever come near my family
again...
He trails off. The message is clear. Nothing left to
say. And with that...
(CONTINUED)
90.
87 CONTINUED:
(3)87
He EXITS.
ON DANNY:
Completely undone. He bends down, picks up the LENNON
LETTER off of the ground.
ON THE LETTER:
It’s cracked, smattered with cocaine. Symbolic.
BACK TO DANNY:
Who turns towards Sophie and Judd.
DANNY:
Let’s get the f*** out of here.
CUE SONG:
Cold Turkey (TBD) written by John Lennon.88
INT. DANNY’S HOTEL ROOM - NEXT MORNING 88
We hear a KEY go into a door. The door opens.
UNSEEN ENTRANT’S POV:
Walking through the small hotel room:
The room is trashed. Bottles and cans everywhere. The
LENNON LETTER lies on the floor, cracked.
There’s an overturned ROOM SERVICE TABLE in the center of
the room.
And on the bed, Danny is sprawled out, unconscious. His
shirt half unbuttoned. A BOTTLE OF BOOZE on his chest.
Revealing Mary, the source of our POV. Taking in the
train wreck. Just then...
SOPHIE stumbles out of the bathroom.
SOPHIE:
(wasted)
Who are you?
MARY:
I... um... I work for the hotel.
SOPHIE:
Oh, good. We need more towels,
can you do that? And some beer.
(CONTINUED)
91.
88 CONTINUED:
88Yes.
MARY:
More towels. And some beer.
The conversation causes Danny to STIR.
eyes, sees...
He opens his
Mary.
DANNY:
Mary turns, walks out of the room.
89 INT. HOTEL HALLWAY - CONTINUOUS 89
Mary heads for the elevator. Half stumbling, halfdressed, Danny runs after her.
Mary!
DANNY:
Mary, wait!
Mary turns.
DANNY (CONT’D)
She’s not... it’s not what it
looks like.
MARY:
What the hell happened last night,
Danny?
Danny looks down.
DANNY:
It just wasn’t right.
the right time.
It wasn’t
MARY:
What are you talking about!?
You’ve been working so hard.
whole family was there-Your
I couldn’t.
nerve.
DANNY:
I just... lost my
She takes him in. He’s barely making eye contact.
MARY:
Yeah, well, you lost your dinner,
too.
Mary-DANNY
The elevator door opens.
(CONTINUED)
91A.
89 CONTINUED:
89MARY:
You should have played the song,
Danny. You should have at least
played the one f***ing song.
Mary GETS IN THE ELEVATOR, leaving Danny alone in the
hallway.
92.
90 INT. DANNY’S HOTEL ROOM - CONTINUOUS 90
Danny RE-ENTERS his room. He picks up the LENNON LETTER
from the floor, looks at it.
DANNY:
(to letter)
F*** you, John.
91 INT. HOTEL ELEVATOR - MORNING 91
Danny rolls his SUITCASE into the elevator. He’s
leaving.
As the elevator descends, it plays THE MUZAK of Danny’s
most famous song. Danny NODS, knowingly.
One last final body blow before he goes.
92 INT. WOODCLIFF LAKE HILTON LOBBY - CONTINUOUS 92
Danny rolls his SUITCASE through the lobby. Jamie works
behind the front desk. Danny sees her.
DANNY:
You take care of yourself, Jamie.
JAMIE:
You too, Mr. Collins.
DANNY:
And be good to Nicky. He’s a good
boy. Wonderful face.
JAMIE:
Yours isn’t so bad either, Mr.
Collins.
DANNY:
Well look at that: now we’re
getting patter.
Danny looks behind Jamie, toward the OFFICE that hides
beyond the front desk. Jamie shakes her head “no.” Mary
doesn’t want to see him.
Danny nods, steps up to the desk, and yells out:
DANNY (CONT’D)
FOR THE RECORD:
MARY ANN’S REALNAME WAS DAWN WELLS AND SHE WAS
MISS NEVADA BEFORE SHE GOT FAMOUS
AND SHE COULDN’T HOLD A F***ING
CANDLE TO YOU.
(MORE) (CONTINUED)
93.
92 CONTINUED:
92DANNY (CONT’D)
ALSO FOR THE RECORD: YOU RUN THE
BEST GODDAMN HILTON I’VE EVER
STAYED IN AND I STOLE LIKE FIFTY
OF THOSE LITTLE SOAP BAR THINGS
BECAUSE THEY MAKE ME SMELL NICE
BUT NOT GIRLY. GOODBYE!
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"Danny Collins" Scripts.com. STANDS4 LLC, 2025. Web. 6 Jan. 2025. <https://www.scripts.com/script/danny_collins_564>.
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