Danny Says Page #12
the songs start?
No bullshitting,
and same way they end.
No, it goes at full throttle
from beginning to end.
- It starts and ends,
- then the next one,
Starts and ends
and just goes sailing on.
- Man:
- That's such a great concept!
- Lou:
That's so intuitive.- Man:
It's genius!Lou:
No kidding.- Now you hit the nail.
- On the head, they're crazy!
Without doubt,
- the most fantastic.
- Thing you've ever played,
Bar none.
- I mean it makes everybody else.
- Look so bullshit and wimpy,
Patti Smith and me included.
Wow!
- Danny:
Everyone else looks like.Lou:
Everybody else looks likethey're really old-fashioned.
That's rock 'n' roll.
They really hit where it hurts.
They are everything
everybody worried about.
freeze in their tracks
if they heard this stuff.
Everything, you know...
- They got them an amp,
- they got them a guitar.
Now look!
- (laughing)
- There they are!
- It doesn't take any talent,
- all they're doing is banging it,
And look at this.
- That is the greatest thing.
- I've ever heard.
Danny, do something I feel like.
Danny:
My friend, Linda Stein,- she said.
- Let's get Seymour to sign them.
So they played for Seymour,
who of course has wonderful
taste and heard the songs.
And Seymour was...
consistently...
irrevocably...
unstintingly supportive.
Mo Ostin, who was an accountant
for Frank Sinatra,
- Of Warner Brothers,
Mo's a wonderful man
would say, "Seymour, this band
is not selling records,
- "Did you ever think.
- Of not renewing their options?"
"Oh no, wherever I go,
this band goes."
Seymour Stein:
A lot of peoplehave great taste,
Not Danny.
Danny was quite explicit
about everything.
He really had so much taste,
so smart.
But some of
his outrageous behavior...
You know, I think...
turned a lot of people off.
Not me.
Never.
Danny:
I loved CBGB,they were packing in crowds
It made it all the more
- depressing,
- discouraging and frustrating.
That we couldn't get them
out of town.
- Tommy Ramone:
We did an audition.- For Blue Sky Records.
That Steve Paul owned.
And our audition was opening
for Johnny Winter.
And it was our first time
out of the city,
in Waterbury, Connecticut.
and here are these guys...
playing music
from another dimension.
we take a break, all of sudden
out of the audience comes...
(growls)
We always played
had ever played before.
A basement,
a loft or a parking lot,
or someone found
an abandoned warehouse.
Danny:
Talking Heads auditionedterrible enough to play there.
He asked me if they could
open for The Ramones.
Johnny was nearby,
And I said, "They want to open
for us, what do you think?"
He said, "They really are
lousy, yeah, sure."
That was his criteria,
are they terrible enough
not to steal any thunder?
Such a pro, so smart, Johnny.
Again,
in London, July 4th, 1976,
outside the Round House,
Paul Simonon introduced himself.
"I'm a big fan of yours, this
must be really exciting for you,
- you sold our the Round House,
- you've never been here before."
- And Johnny said,
- "What do you do?"
"We're called the Clash,
but we never played
'cause we're waiting
to get good enough."
Johnny said, "Wait till you see
us tonight, we stink!"
Just get out there and play.
Wait till you see us,
you're not gonna ever
worry about being good again."
And sure enough,
about two weeks later,
they started booking themselves,
The Clash, on tour.
You were not allowed to be
terrible and great
And that was
the meaning of that revolution.
By traditional standards of
how many notes
can you squeeze into a second
like that Van Halen guy,
as opposed to how much power can
you get out of a performance,
that was the watershed moment.
Everything interesting
since then
has derived from that.
- But they got that.
- From The Stooges as well,
Who were terrible.
Bands in my life...
- They were always.
- Kinda doing something like that.
And it was always
about the songs.
Every one of those bands
had great songs.
If they didn't have great songs,
they couldn't have been great.
(feedback screeches)
Danny:
There's no question thatbecause the Sex Pistols
were so famous
for vomiting and bleeding
and scratching and smelling and
tearing down and destroying,
you know, "no future".
So bleak!
- And when their records.
- Went around to radio stations...
Intuitive,
like what do I know about them?
They're trouble.
They throw up.
- If we play their record, we'll.
- Probably have to have them here,
- And then they'll throw up.
- On the console.
It's easier!
Don't play their record!
They're a critics' band.
- Critics don't pay for records,
- they get them free.
And every once in a while
they annoy us
by rubbing it in that
they all like this band
that we're not able to sell.
The band voted to find
new management,
in the hopes of
on the radio.
And I could not f***ing
in any way blame them.
The Ramones were disaffected
teenagers for whom, in fact,
there was, when they were
in high school, no future.
they gave themselves
a very long future.
They left a legacy
of no future people.
Maybe we have a future.
We thought we had no future!
Look at them!
- They can't play!
- They're terrible!
But look! This is exciting!
They're big! They're famous!
They can get laid.
Let's start a band!
What more can you do?
Your pied pipers out there.
What? You can't pay
the rent with that.
A lot of these bands are going
to go on to be U2 and Pearl Jam,
and outsell you by the zillions.
It was the greatest years
of my life,
traveling, the adventure...
getting laid...
the audience reaction...
the encore...
fans...
getting laid...
- You know,
- I would have been a millionaire,
- f I'd just stayed with them,
- but then again,
I would've had to be
their manager for 20 years.
- Something new.
That no one's ever done before.
("Danny Says"
(by The Ramones plays)
Oh yeah, stick with me,
and 40 years from now,
you'll be a star.
(laughs)
- You'll be in.
- The Rock & Roll Hall of Fame.
That's the worst case,
but you know,
life isn't long enough
to see everything that happens
that we saw beginning
or continuing or
we thought was ending.
- You know, it takes more time.
- Than that when it comes to...
Things that will endure.
I have been really lucky
to know or be around
so many smart people,
and then from that
to have so many smart people
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Danny Says" Scripts.com. STANDS4 LLC, 2024. Web. 23 Nov. 2024. <https://www.scripts.com/script/danny_says_6295>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In