Dark Floors Page #2

Synopsis: While in the hospital for a tomography of the brain of his autistic daughter Sarah, Ben becomes upset when there is a power failure. He decides to leave the hospital with Sarah, while the nurse Emily tries to convince him to leave Sarah for further treatment. They get the elevator with three other passengers, and suddenly the elevator stops; when the door opens, people has vanished from the hospital, the environment is creepy and they are chased by devilish monsters. They find that they are trapped in the hospital, and the creatures seem to be hunting Sarah.
Director(s): Pete Riski, Alan Smithee
Production: Ghosthouse Underground
  1 nomination.
 
IMDB:
4.5
R
Year:
2008
85 min
Website
109 Views


Isn't anyone else wondering

where all the people are?

Let's take these,

we might need them.

- You know how to use them?

- Sure.

Where is Sarah?

Sarah!

- Sarah!

- Sarah?

Sarah!

Sarah.

Sarah.

Sarah are you ok?

Sarah? Honey?

- Are you ok?

- Yeah, everything's ok.

Let's just get outta here.

- What's in that room?

- I don't know nothing of this.

Stop, Ben.

There's no time like the present...

There's no time like the present...

- There's no time like the present...

- And it's gonna get colder and colder...

- There's no time like the present...

- And it's gonna get colder and colder...

- There's no time like the present...

- And it's gonna get colder and colder...

Hello?

The number you dialed, is not

in service at this time.

What the...

Come on!

This is not happening, this is

not happening, what was that?

Go! Go!

I need to switch this off.

No don't! Maybe it

scared that thing off.

Yeah...

What in the hell was that?

You've seen that before, Tobias?

I saw you cover your ears before

she even started, so why was that?

The Scream Queen.

The what?

You tell me.

What are they doing?... Ben?

Why are they here, huh?

You know the answer.

The emptiness.

This is a hospital, and

they're doing some repairs.

Maybe they hit a gas pipe

and were...

all high and hallucinating.

Hallucinating the same

thing at the same time?

No, it could be that I'm hallucinating

all of this, all of you.

Yeah, and you're wearing a night gown,

and we're all gonna wake up in any minute.

The X-Ray, If we stay here for too long

we're gonna be exposed to the radiation.

Cancer is not gonna kill any of us.

This is sh*t.

You don't want to go out there.

This is bullshit, this is just a

mass psychosis a body with no eyes...

But we all saw it, god-damn it.

Yes we did, but it's time to

use a little common sense.

Fool.

I think the rest of us

should stay together.

So what do we do now?

Take the X-Ray machine

on our way for help.

When is Sarah suppose

to take her medication?

Soon.

What happens if she doesn't get it?

Help! Help!

- What was that?

- John!

Help, get me out of here!

Open the door!

Help me get out!

To die... is beautiful.

Watch out!

Perfect girl.

Tobias, what're you doing?

It doesn't hurt.

Dying is easy.

Stop.

Stop it...

You don't know what are you doing.

Oh I know what I'm doing.

I know it a hundred times.

Tobias.

I promise you will sleep.

Do you know how it feels,

when it's cold...

when it's really, really cold?

- He looks ok.

- Let's pull him out.

Come on!

Hang in there.

What the hell did this?

It's all falling apart,

everything's falling apart.

Sarah, are you feeling ok?

Have you seen that?

Have you?

I want the red crayon.

I want the red crayon!

Just as soon as we get home, alright?

- How are you feeling?

- Hurts like hell.

That freaking rent-a-cop and

his sidekick hit me.

You know, you should be thankful

your head's still on your shoulders.

- You almost got us killed.

- Who me?

If we didn't have to drag, that

retarded kid around with us...

we might be out of here already.

- Is this real? Huh?

- Hey!

Stop it!

Mass psychosis, huh?

Somebody has to take control

of the situation.

This situation can't be control,

not by you, not by anybody.

Not by you either.

No.

Shhh...

It's the intercom.

- I think I've heard that before.

- You should know what that is.

Hello, is anyone there?

- Hello?

- Hello?

Hello?

What floor are you on?

- We're on the... floor.

- What floor?

What floor?

Hello?

At least we know we're not alone.

Oh yeah, a lot of good it's gonna

do, we're all in the same sh*t.

Let's find them. Come on.

What the hell?

They blocked this exit.

Come on Rambo,

do something useful.

Find us a real way out.

You wanted out.

- Are staircases behind this?

- Yeah, I think so.

So much for that.

We have to go.

Come on.

- What the hell happen here?

- Only God knows what happen here.

Walter! No!

Walter.

The only sensible solution

is to give up the girl...

give up the girl...

give up the girl...

give up the girl...

It's up to you.

It's all up to you.

Let's go.

Nobody survived.

- Tobias, come!

- Let's go! Go!

- Ben!

- Take her!

Let's go!

- Go!

- Come on, get outta there!

Do it!

Why did he have to be a god-damn

hero? Nobody ask him to be...

- Get off of me!

- Come on!

Looks clear.

- They want the girl, you know.

- How do you know that?

Isn't it obvious, the ghost,

the old man's stories, the tape.

You starting to believe this.

You'll get us killed

if you don't...

You think I'll let them kill

my daughter to save you?

And yourself, and the nurse.

What if the old man is right?

What if it all depends on you?

What's happening?

Hello?

Hello?

- What floor are you on?

- We're on the third floor.

- What floor are you on?

- We are on...

- Why'd you hang-up?

- It was me.

What do you mean it was you?

It was the same call,

I made earlier.

There has to be some

explanation for this.

Maybe an echo.

Maybe you accidentally

recorded something.

No.

Maybe it's some kind of parallel

dimension thing, you know.

Like one world on top of another.

My watch is stopped.

All the clocks have stopped.

What does that mean?

I don't know what it means.

But time has stopped.

It's not moving. Look.

- How can time stop?

- I don't know.

- Sarah, what is it?

- She needs to take her medicine.

Where do we get it?

The emergency room bed,

It's behind that blocked wall.

You stay here.

We'll clear that wall.

If you do get outta here? What're

you gonna do with time stopped?

Right now, I just wanna get my

child the hell outta here.

Let's all worry about that later.

Sarah everythings gonna be ok.

Daddy's gonna get you outta here, ok?

Can you watch her.

Don't even lay a finger on her.

You won't live to regret it.

No.

No.

That's the fastest way down.

Have you huh... seen

Sarah's drawings?

- Yeah, I've seen a lot of them.

- What do you make of them?

I think she knows

something we don't.

- Don't start with that.

- Ben...

when you were gone, I heard

Sarah speak with Tobias.

I didn't hear what she said, but she

spoke clearly and didn't repeat herself.

She's just a little girl.

Why is everyone keep saying

she is the reason for this?

And what if she is?

I touched Tobias' hand,

it was cold.

It was like he was dead.

What's this?

Sand?

- Guns never really helped.

- Yeah, but We'll never know.

What're you drawing?

That's ok,

you don't have to show me.

That's ok!

It's ok.

You know Sarah's gonna be ok.

Do you have children?

I have a boy, he's four.

And the father?

I haven't seen him

in a couple of years.

I'm sorry.

Don't be, he wasn't

the kind of man who...

- What was that?

- I don't know.

This... what the hell?

This is Johns',

he dropped' them, remember?

- Hey wait.

- Ed, I need to tell them.

They'll say it was me,

I just shot Rick in the head.

It's what they'd say,

if they saw you.

Come on, why don't you and I,

Rate this script:0.0 / 0 votes

Pekka Lehtosaari

Pekka Lehtosaari is Finnish film director and screenwriter. He is also responsible for the Finnish version of My Neighbor Totoro. more…

All Pekka Lehtosaari scripts | Pekka Lehtosaari Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Dark Floors" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/dark_floors_6335>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Dark Floors

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Which part of a screenplay provides a detailed description of the setting, actions, and characters?
    A Dialogue
    B Action lines
    C Scene headings
    D Character arcs