Darrow & Darrow: In The Key of Murder Page #2

Year:
2018
343 Views


A CLUB?

YEAH, MY SISTER--

MY KID SISTER,

SHE'S A SINGER, RIGHT,

AND SHE'S PLAYING

AT A CLUB DOWNTOWN TONIGHT,

SO WE GO,

WE LISTEN TO MUSIC,

WE TALK, BUT NO SHOP TALK.

YEAH,

IT COULD JUST BE LIFE TALK.

LIFE TALK!

YEAH, YOU IN?

I'M TOTALLY IN.

[JOANNA]:

THAT SOUNDS GREAT...

BUT I'M NOT GOING.

YOU'RE NOT GOING.

YOU'LL BE MISSED...

YOU'RE NOT GOING.

WINNIE, YOUR INSTINCTS

WITH JURY SELECTION

ARE SPOT ON.

HOW DO YOU READ:

PEOPLE SO WELL?

IT'S A BLESSING AND A CURSE.

IT MAKES DATING HER

A CHALLENGE.

I ALWAYS KNOW:

WHAT HE'S THINKING.

ACTUALLY,

IT SAVES TIME.

WATCH.

TONIGHT, DO YOU WANT TO...

GO TO A MOVIE?

SURE, BUT I PICK.

SEE?

WHATEVER WORKS FOR YOU,

CHESTER.

WOULD THIS BE:

A GOOD TIME:

FOR US:

TO HAVE THAT TALK?

UH, SURE, CHESTER.

WHAT TALK?

THAT TALK YOU'VE BEEN AVOIDING

FOR ABOUT A MONTH.

AS YOU ARE:

NO DOUBT AWARE,

THIS FIRM:

IS IN A STATE OF CRISIS.

WE JUST WON A CASE.

EXACTLY.

WE'RE COASTING

ON PAST GLORIES.

WE HAVE TO RECOGNIZE

THAT IT'S A WHOLE

NEW WORLD OUT THERE.

THE STATUS QUO:

IS THE STATUS NO.

[RAYMOND]:
LET ME GUESS...

YOU'VE BEEN DOING SOME OF THOSE

BUSINESS SEMINARS.

I HAVE.

YEAH, THAT'S WHAT I THOUGHT.

AND I LEARNED:

THAT THE ONLY WAY TO SUCCEED...

IS BY FAILING.

[JOANNA]:
I THOUGH THE ONLY WAY TO SUCCEED

WAS BY SUCCEEDING.

THAT'S OLD THOUGHT.

YOU HAVE TO COME

INTO THE NEW MILLENNIUM.

DON'T START WITH THAT.

- PLEASE, CHESTER...

- [SCOTT]:
STOP HIM, PLEASE,

BEFORE HE MAKES US DO

TEAM-BUILDING EXERCISES.

SEE, THAT'S EXACTLY

THE TYPE OF THINKING

THAT'S KEEPING US

IN THE 21ST CENTURY.

BUT THIS IS THE 21ST CENTURY.

AND IT WILL STAY THAT WAY

UNLESS YOU START TO SAY YES.

OKAY, I'M GOING

TO THINK ABOUT THAT, CHESTER.

YOU KNOW WHAT, CLAIRE,

YOU'RE REALLY--

YOU'RE KIND OF ENCOURAGING HIM,

AND I...

I DON'T HAVE THE HEAR TO TELL HIM NO.

WELL...

THAT'S VERY

POST-MILLENNIAL OF YOU.

[SNICKERING]

[STRUMMING GUITAR]

[PHOEBE]:
IN YOUR BEDROOM

I CAN SEE I ALL RIGHT NOW

YOU SAID YOU LOVE ME

NEVER MEANT TO LET ME DOWN

STILL GOT YOUR DYLAN RECORD

PLAYING IN MY MIND

REMEMBER EVERYTHING

ABOUT THAT GOODBYE

SHE'S GOOD, YOUR SISTER.

YEAH.

ISN'T SHE?

SHE'S MY HALF-SISTER, ACTUALLY,

FROM MY DAD'S

SECOND MARRIAGE.

HE REMARRIED:

AFTER MY MOM DIED

TO A REALLY:

SWEET WOMAN.

[PHOEBE]:
YEAH, I THOUGH THAT WE HAD THE KIND OF LOVE

ALONG CAME PHOEBE.

I WAS GROWN BY THEN,

BUT JUST SO HAPPY

SHE WAS IN OUR FAMILY.

I ALWAYS WANTED A SISTER.

[PHOEBE]:

BUT IN THE END:

WHEN THE CURTAINS CLOSED

WE WERE MEANT FOR BREAKING

SINKING LIKE A STONE

[CLAPPING]

MILES!

HOW ARE YOU?

YOU WERE AMAZING!

THAT WAS TREMENDOUS.

THANK YOU,

THANK YOU.

I FEEL LIKE:

I WAS A LITTLE BIT OFF, BUT..

NO, NO, NO, NO,

YOU WERE AMAZING.

THANK YOU.

HEY!

YOU MUST BE THE FAMOUS CLAIRE.

OH, I'M FAMOUS?

I MEAN, ACCORDING

TO MILES, YOU ARE.

HE NEVER STOPS:

TALKING ABOUT YOU.

HE NEVER STOPS TALKING

ABOUT ME?

CUT IT OUT.

SORRY, AM I

BLOWING YOUR COVER?

KIND OF BLOWING MY COVER, YUP.

HO, FLOWER CITY!

YOU HAVE A SECRET ADMIRER.

WHO'S E?

UGH, DOESN'T MATTER.

IS IT THE FAMOUS E? SEE?

TWO CAN PLAY AT THAT GAME.

[PHOEBE]:
UM, HAVE YOU ME MY AMAZING ENGINEER?

THIS IS JONAH:

LAROCHELLE.

HI!

USED TO BE MY ASSISTAN ON THE MIXING BOARDS,

AND NOW LOOK AT YOU.

YOU'LL ALWAYS BE THE MASTER.

WELL...

AND THIS IS:

LINDA YASBECK.

HI.

I'M THE PRODUCER'S WIFE,

BUT DON'T HOLD THAT AGAINST ME.

[LAUGHING]

HEY, WHERE IS TERRY?

I THOUGHT HE WAS GOING

TO BE HERE TONIGHT.

HE'S BUSY WORKING

ON PHOEBE'S ALBUM.

IT'S GOING TO BE GREAT!

[JONAH]:

WELL, COME ON, LINDA,

LET PHOEBE GET SOME REST.

RIGHT.

YOUR HUSBAND'S EXPECTING US

IN THE STUDIO IN THE MORNING,

AND IF WE'RE LATE...

OH, MY HUSBAND

JUST WANTS EVERYONE

TO WORK:

AS HARD AS HE DOES.

HE IS NOT AS BAD

AS PEOPLE SAY.

[JONAH]:

NICE TO MEET YOU.

BYE, GUYS. THANK YOU

SO MUCH FOR COMING.

- OF COURSE.

- SEE YOU.

BYE.

MILES, I NEED YOUR HELP.

I DON'T KNOW WHAT TO DO.

WHAT'S WRONG?

EVERYTHING!

EVERYTHING.

LOOK...

MY CAREER IS JUS STARTING TO TAKE OFF.

AFTER STRUGGLING

AND SCRAPING BY,

I FINALLY MADE SOMETHING

THAT WAS GOOD, THAT WAS ME...

THE ALBUM.

RIGHT, THE ALBUM.

SHE SAID IT WAS GREAT.

YEAH, LINDA SAID IT WAS GOOD--

TERRY'S WIFE, LINDA.

TERRY, THOUGH...

TERRY IS RUINING EVERYTHING!

HOW?

HE'S TRYING TO STEAL MY ALBUM.

HE'S TRYING TO DESTROY IT.

HOW?

I WAS CONTACTED:

BY THIS OTHER PRODUCER,

EVAN CARLTON.

HE'S A REALLY GOOD PRODUCER,

AND A REALLY KIND GUY.

HE'S THE KIND OF PRODUCER I NEED

TO TAKE MY ALBUM FURTHER,

AND SO I TOLD HIM THAT.

TOLD TERRY THAT?

TERRY, YEAH,

BUT HE SAID:

THAT WE HAVE A CONTRACT,

AND THAT HE OWNS THE ALBUM,

AND IF I TRY TO LEAVE HIM,

HE'LL DESTROY IT.

CAN I SEE THIS CONTRACT?

I DON'T HAVE A COPY.

TERRY HAS IT, IN HIS OFFICE.

CAN YOU HELP HER?

I MEAN...

SHE IS THE BES LAWYER IN THE CITY.

WELL, YEAH,

I WOULD LOVE TO HELP,

BUT I NEED:

TO SEE THAT CONTRACT.

OKAY, I MEAN,

I CAN GET IT FOR YOU.

OKAY, BRING IT TO MY OFFICE

TOMORROW AFTERNOON.

THANK YOU, THANK YOU.

- WE'LL SEE YOU THROUGH THIS.

- THANK YOU.

NOT GOING TO LE YOU DOWN AGAIN.

YOU NEVER HAVE.

YOU'RE SWEET.

NICE TO MEET YOU.

- THANK YOU SO MUCH.

- OF COURSE.

NICE TO MEET YOU.

THANK YOU.

YOU WERE GREA TONIGHT.

OH, THERE YOU ARE!

SO... SIX HOURS.

WHAT?

COULDN'T EVEN GO SIX HOURS

WITHOUT TALKING SHOP.

WE JUST CAN' STOP, CAN WE?

WE CAN'T.

[PHONE RINGING]

HELLO?

[TERRY]:

I'M COMING HOME SOON, HON'.

OKAY, I...

HEY, PHOEBE?

PHOEBE, WHAT ARE YOU--

[GUN FIRING]

[CRASHING]

TERRY!

TERRY?

[LINE RINGING]

[VOICE MAIL]:
YOU HAVE REACHED

THE VOICE MAILBOX OF...

[LINE RINGING]

[OPERATOR]:
THIS IS 911.

WHAT'S YOUR EMERGENCY?

IT'S MY HUSBAND!

SOMETHING HAS HAPPENED TO HIM.

[POLICE RADIO CHATTER]

[KNOCKING]

YEAH?

I DON'T WANT YOU

TO THINK:

THAT I WAS IGNORING YOU.

I'VE BEEN THINKING

ABOUT WHAT YOU SAID.

WELL, YOU'VE IGNORED

WHAT I'VE SAID FOR YEARS.

YOU'RE GOING TO HAVE

TO NARROW THAT DOWN.

ABOUT HAVING A CASE

OF YOUR OWN.

OH, SO,

YOU FINALLY CAME AROUND.

WELL, I HAPPEN TO HAVE

A NUMBER OF CASES

THAT SOUND VERY INTERESTING.

MOM, SLOW DOWN.

I'D LIKE TO SEE

IF YOU UNDERSTAND THE PHILOSOPHY

OF DARROW & DARROW.

EXCUSE ME...

WHAT IS MY NAME?

I HELPED CO-FOUND THIS FIRM.

YES, BUT YOU'VE BEEN AWAY

IN NEW YORK,

AT THAT BIG, PROMINENT FIRM.

YES, YES,

WHERE WE ACTUALLY MADE MONEY.

OOH, ISN'T THAT AWFUL?

YOU SHOULD SEE HOW YOU FEEL

ABOUT THE WAY WE DO THINGS.

NOW, THERE'S A WOMAN

IN THE CONFERENCE ROOM.

IT'S A PRO BONO CASE.

PRO BONO?

YES.

FOR NOTHING?

FOR THE PUBLIC GOOD.

SHE WANTS:

TO SUE A CLIENT OF OURS,

AND OUR CLIENT CAN'T PAY,

SO...

WE COULD DO IT FOR FREE.

WHAT DO YOU THINK?

I SEE WHAT YOU'RE DOING.

YOU DON'T THINK I'LL DO IT.

YOU WANT TO BE PROVEN RIGH ABOUT ME.

I DON'T...

WELL, I'LL DO IT.

WHAT DO YOU THINK ABOUT THAT?

I'M PLEASED.

YEAH, YOU SAY YOU'RE PLEASED,

BUT I KNOW THAT INSIDE,

YOU ARE SHOCKED.

YOU CAN BELIEVE THAT,

IF YOU WANT TO.

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Phoef Sutton

Robert Christopher Sutton (born September 11, 1958) is an American writer and producer. His film credits include Mrs. Winterbourne and The Fan, both released in 1996. Phoef — the first name that he uses both personally and professionally — is pronounced "feef", and was a childhood nickname given to him in infancy by his brothers. A 1981 graduate of James Madison University, Sutton began his career writing scripts for Newhart. He later became executive producer of and a writer for Cheers. He collaborated with Bob Newhart again on the 1992 TV series Bob and worked as a creative consultant on 90s TV series Almost Perfect and NewsRadio. With Mark Jordan Legan he wrote and produced the cult comedy series Thanks about the Pilgrims' first years in America and co-wrote a 2017 episode of Kevin Can Wait. He was also the showrunner and producer for the NBC series The Fighting Fitzgeralds and the American version of Coupling. In 1999, he published the novel Always Six O'Clock. In 2012 he published the novel The Dead Man: The Midnight Special and The Dead Man: Reborn. In May 2015, his novel Fifteen Minutes to Live was published by Brash Books. His other novels include Crush, and the two sequels Heart Attack & Vine and Colorado Boulevard, as well as two books co-authored with Janet Evanovich: Wicked Charms and Curious Minds. From 2005 to 2009, Sutton was a consulting producer for Boston Legal. In 2010, Sutton became a staff writer on the FX series Terriers starring Donal Logue. He was also a writer and consulting producer on the Rob Schneider sitcom Rob, the SyFy Channel series Defiance and the showrunner and writer for the TV Land original sitcom The Soul Man, among many other TV and film credits. He is an adviser to the American Shakespeare Center. more…

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Submitted on August 05, 2018

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