Darrow & Darrow: In The Key of Murder Page #8

Year:
2018
343 Views


ALBUM AWAY FROM YOU."

TERRY REFUSES, OF COURSE.

THINGS ESCALATE,

OLD TENSIONS BOIL OVER...

BOOM, EVAN PULLS

A GUN ON TERRY.

YEAH, AS A D.A.,

I WOULDN'T PROSECUTE HIM.

LET'S GO TALK TO HIM.

MAYBE HE'LL CONFESS.

SHOULD I BE GOOD COP

OR BAD COP?

LET'S BE LAWYERS.

THAT'LL NEVER WORK.

[MILES]:
SO, THE LAST TIME

WE WERE HERE,

WE ESTABLISHED:

THAT TERRY YASBECK

STOLE YOUR WIFE.

THAT'S FAIR TO SAY?

HE COULDN'T STEAL HER.

I DIDN'T OWN LINDA,

I WAS MARRIED TO HER,

AND YEAH, SHE CHOSE

TERRY OVER ME,

AND I LET HER GO,

END OF STORY.

AND YOU DIDN' RESENT THAT AT ALL?

I'VE PUT THAT ALL BEHIND ME.

YOU SEEM AWFULLY FORGIVING

TOWARD TERRY YASBECK,

I MEAN,

COMPARED TO THE OTHER DAY

WHEN WE WERE HERE.

YEAH, YOU KNOW,

I FEEL BAD ABOUT THAT.

I SHOULDN'T HAVE SPOKEN

ABOUT HIM THAT WAY

SO SOON AFTER...

AFTER YOU KILLED HIM?

LOOK, I DIDN'T KILL TERRY, OKAY?

BUT YOU HAD:

A REASON TO, RIGHT?.

RIGHT, LOOK...

I GUESS I SHOULDN'T BE

SURPRISED SHE TOLD YOU,

SEEING AS HOW:

YOU ARE HER BROTHER.

SHE IS MY SISTER,

BUT WE'D LIKE TO HEAR I COMING FROM YOU.

ALL RIGHT.

I'M IN LOVE WITH YOUR SISTER,

AND WHEN I FOUND OU HOW TERRY WAS TREATING HER,

AFTER WHAT HE DID TO ME...

YEAH, I WAS ANGRY,

VERY ANGRY.

SO YOU WEN TO SEE HIM THAT NIGHT.

HOW DID YOU KNOW THAT?

I DIDN'T...

UNTIL JUST NOW.

YEAH, YEAH, OKAY,

I WENT TO SEE HIM,

BUT IT WAS JUST TO GET HER

OUT OF THE CONTRACT.

I WANTED TO GET HER ALBUM BACK,

AND WE GOT INTO AN ARGUMENT.

AND?

AND THAT'S IT.

HE WOULDN'T DO EITHER.

HE JUST LAUGHED AT ME,

SO I WENT HOME AND...

YOU KNOW, I FIGURED I'D LE THE LAWYERS HANDLE IT.

AND THAT'S IT?

THAT'S IT.

I DON'T BELIEVE

YOU, MR. CARLTON.

WHAT DO YOU WANT, HUH?

DO YOU WANT TO LOOK

AT MY COMPUTER,

SEE IF HER ALBUM'S THERE?

WE DON'T HAVE

A WARRANT.

YOU DON'T NEED ONE.

I'LL LOOK FOR YOU.

HER ALBUM IS CALLED

"JOURNEY TO

THE CENTER OF MY SOUL."

BE MY RIDE OR DIE

EVERY SINGLE DAY AND NIGHT

NEVER GONNA LEAVE

YOUR SIDE, LOVE

WELL, WELL.

WHAT'S THAT, MR. CARLTON?

I DON'T UNDERSTAND.

IT'S HER ALBUM.

- HOW DID IT GET THERE?

- I DON'T KNOW!

- TERRY GIVE IT TO YOU?

- NO.

MAYBE YOU TOOK IT...

THE NIGH YOU KILLED HIM.

I DON'T CARE IF THEY SAY

SLOW DOWN, TOO YOUNG

I DON'T CARE WHAT THEY SAY

BE MY RIDE OR DIE

SO EVAN HAS MY ALBUM?

THAT'S AMAZING.

DO YOU KNOW:

EVAN IS IN LOVE WITH YOU?

YES.

YES.

ARE YOU IN LOVE WITH HIM?

YES.

YES?

WHY...

WHY DIDN'T YOU TELL US THAT?

I JUST, I DIDN'T THINK

IT WAS IMPORTANT.

OR WAS IT BECAUSE

YOU WERE PROTECTING HIM?

WAS IT BECAUSE YOU THOUGH THAT GAVE HIM A MOTIVE?

DO YOU THINK:

EVAN CARLTON KILLED TERRY?

I... I THINK

HE COULD HAVE...

FOR ME.

[COACH]:
OKAY, FELLAS,

THAT'S TWO-WAY!

TWO-WAY, FELLAS!

GOOD JOB!

HE'S STILL NO PLAYING HER.

HE'S GOING

TO PUT HER IN.

HE'S JUST WAITING

FOR THE RIGHT TIME.

HE'S ACTUALLY

A VERY REASONABLE GUY.

YOU LIKED HIM?

I DIDN'T SAY THAT.

I JUST SAID THA HE'S A REASONABLE GUY.

YOU WEREN'T TALKING

ABOUT HIM THAT WAY

BEFORE YOU GUYS:

HAD COFFEE.

WAIT A MINUTE...

YOU LIKE-LIKE HIM.

I DON' LIKE-LIKE HIM.

YES!

NO, I JUST THINK

THAT YOU AND I:

MAYBE, UM...

YOU KNOW, WE JUS DIDN'T GIVE HIM

THE BENEFI OF THE DOUBT.

OH, BOY,

YOU REALLY LIKE HIM.

YOU KNOW, I JUST...

BUT I DON'T UNDERSTAND

WHY HE HASN' PUT HER IN YET.

WELL, I DON'T CARE

IF YOU LIKE-LIKE HIM.

IF HE DOESN'T PUT HER IN...

I KNOW, YOU'RE GOING

TO GIVE HIM A PIECE

OF YOUR MIND.

DON'T THINK I WON'T!

I'M SURE YOU WILL.

[CLAIRE]:

IT'S THE BOTTOM OF THE NINTH.

I CAN'T BELIEVE HE

HASN'T PUT HER IN YET.

HE PROMISED ME!

GOOD TRY, BUDDY!

GOOD TRY, HUEY!

WE GOT SOMEONE ON THIRD, BOYS.

WE GOT SOMEONE ON THIRD.

HE'S NOT GOING

TO PLAY HER.

TO THINK THA I LIKED THIS GUY!

ALL RIGHT.

WHAT'S HE DOING?

LOU!

YOU'RE UP.

HE'S ASKING HER

TO PINCH HIT!

IN THE BOTTOM:

OF THE NINTH.

THAT'S KIND OF

A BIG DEAL, RIGHT?

YEAH.

[COACH CLAPPING]

LET'S GO.

COME ON.

COME ON, LOU.

I KNOW, I'M NERVOUS.

[CROWD GASPING]

NOT GOOD?

NO.

COME ON, BABY.

COME ON, COME ON,

COME ON, COME ON.

BOO-YAH!

[CROWD CHEERING]

[CHEERING]

[CLAIRE]:
GO, LOU!

[COACH]:
BOO-YAH!

WHOO!

LOU!

[CHEERING]

GO, LOU!

[CLAIRE]:
GO, LOU!

LOU! LOU-LOU-LOU-LOU-LOU!

THAT'S MY GRANDDAUGHTER.

YEAH!

WHOO!

[WHISTLING]

[CLAIRE]:
SEE, COACH?

WOW, YOU HIT THAT BALL

RIGHT DOWN THE CENTER, BAM!

LOU, THAT WAS AWESOME.

WHERE DID YOU LEARN

HOW TO HIT LIKE THAT?

MY DAD AND I USED

TO PRACTICE TOGETHER.

I THOUGHT YOU GUYS

JUST PRACTICED PITCHING?

WELL, YEAH,

BUT WE WORKED:

ON EVERYTHING.

HE WOULD HAVE BEEN

SO PROUD OF YOU.

UH...

EXCUSE ME, I'LL BE RIGHT BACK.

WHAT DID YOU THINK

YOU WERE DOING OUT THERE?

WHAT?

I LET YOUR GRANDDAUGHTER

BE THE HERO.

YOU WERE SETTING HER UP.

YOU WANTED TO CUT HER

FROM THE TEAM.

YOU COULD CHOOSE

TO BELIEVE THAT...

OR YOU COULD CHOOSE

TO BELIEVE:

THAT I GAVE HER A CHANCE

TO SINK OR SWIM,

AND SHE SWAM.

[JOANNA]:

AND WHAT ABOUT NEXT WEEK?

[COACH]:

I'LL GIVE HER ANOTHER CHANCE.

YOU'RE GOING

TO LET HER PITCH?

WE'LL SEE.

YOU DON'T TREAT ANY

OF THE OTHER KIDS LIKE THIS.

NO, I DON'T.

BECAUSE SHE'S A GIRL.

BECAUSE:

SHE'S SPECIAL...

UNLIKE THE OTHER KIDS.

OH, OH, SO...

BECAUSE SHE'S SPECIAL,

YOU TREAT HER WORSE

THAN EVERYBODY ELSE?

THAT'S RIGHT...

'CAUSE I WANT HER

TO WORK FOR IT.

RESISTANCE BUILDS

STRENGTH, YOU KNOW.

SO DO YOU WANT TO GE ANOTHER COFFEE SOMETIME?

HMM...

AH, WE'LL SEE.

RESISTANCE BUILDS

STRENGTH, YOU KNOW.

SHE'S GOOD.

...EVERY SINGLE DAY

AND NIGHT:

NEVER GONNA LEAVE

YOUR SIDE:

NEVER GONNA:

LEAVE YOUR SIDE, LOVE

SHE'S GREAT.

- ISN'T SHE?

- YEAH.

...NEVER GONNA LEAVE

YOUR SIDE:

[TERRY]:

HEY, PHOEBE?

[PHOEBE]:

YEAH?

[TERRY]:

PHOEBE, WHAT ARE YOU DOING?

ARE YOU ASLEEP?

[PHOEBE]:

UH, UM, I'M SORRY.

[TERRY]:

TRY IT AGAIN!

MR. WYLKES

AND HIS GRANDDAUGHTER

BELIEVE IN OBEYING

THE LETTER OF THE LAW,

AND HERE IS A LICENSE

FOR THE PURVEYING

OF LIQUID REFRESHMENT,

SIGNED AND NOTARIZED.

YOU'LL FIND THAT IT PERTAINS

TO YOUR NEIGHBORHOOD

AND ITS ENVIRONS.

IT'S DATED TODAY.

YES, THAT'S RIGHT.

WHAT ABOUT LAST WEEK

WHEN THEY WERE:

OPERATING ILLEGALLY?

[JOANNA LAUGHING]

WELL, I THINK THAT WE CAN

FORGIVE A FEW DAYS OF...

I DON'T.

I DON'T FORGIVE ANYBODY.

I'M STILL GOING TO SUE THEM

AND PROSECUTE THEM

TO THE FULLEST EXTEN OF THE LAW.

REALLY?

YOU'RE REALLY GOING

TO DO THIS?

I REALLY AM.

ALL RIGHT, MRS. BELLAMY,

UM...

WHAT IF WE WERE TO LOOK

INTO YOUR BUILDING VIOLATIONS?

I DON'T HAVE ANY.

HMM, THAT APARTMEN ABOVE YOUR GARAGE?

IT HAS A BATHROOM,

DOESN'T IT?

IS YOUR NEIGHBORHOOD

ZONED FOR THAT?

AND WHAT ABOU UNLAWFUL GARAGE CONVERSIONS?

HMM?

HOW DID YOU KNOW

ABOUT ALL:

THOSE ZONING VIOLATIONS?

OH, I DIDN'T,

BUT COME ON,

EVERYONE'S GO ZONING VIOLATIONS, RIGHT?

[LAUGHING]

SEE?

TOLD YOU I WAS:

GOING TO DO IT.

NEVER GONNA LEAVE YOUR--

- [TERRY]:
HEY, PHOEBE?

- [PHOEBE]:
YEAH?

[TERRY]:

PHOEBE, WHAT ARE YOU DOING?

ARE YOU ASLEEP?

[PHOEBE]:

UH, UM, I'M SORRY.

[TERRY]:

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Phoef Sutton

Robert Christopher Sutton (born September 11, 1958) is an American writer and producer. His film credits include Mrs. Winterbourne and The Fan, both released in 1996. Phoef — the first name that he uses both personally and professionally — is pronounced "feef", and was a childhood nickname given to him in infancy by his brothers. A 1981 graduate of James Madison University, Sutton began his career writing scripts for Newhart. He later became executive producer of and a writer for Cheers. He collaborated with Bob Newhart again on the 1992 TV series Bob and worked as a creative consultant on 90s TV series Almost Perfect and NewsRadio. With Mark Jordan Legan he wrote and produced the cult comedy series Thanks about the Pilgrims' first years in America and co-wrote a 2017 episode of Kevin Can Wait. He was also the showrunner and producer for the NBC series The Fighting Fitzgeralds and the American version of Coupling. In 1999, he published the novel Always Six O'Clock. In 2012 he published the novel The Dead Man: The Midnight Special and The Dead Man: Reborn. In May 2015, his novel Fifteen Minutes to Live was published by Brash Books. His other novels include Crush, and the two sequels Heart Attack & Vine and Colorado Boulevard, as well as two books co-authored with Janet Evanovich: Wicked Charms and Curious Minds. From 2005 to 2009, Sutton was a consulting producer for Boston Legal. In 2010, Sutton became a staff writer on the FX series Terriers starring Donal Logue. He was also a writer and consulting producer on the Rob Schneider sitcom Rob, the SyFy Channel series Defiance and the showrunner and writer for the TV Land original sitcom The Soul Man, among many other TV and film credits. He is an adviser to the American Shakespeare Center. more…

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Submitted on August 05, 2018

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