David Bowie & the Story of Ziggy Stardust Page #7
- Year:
- 2012
- 60 min
- 172 Views
so...
By February 1973,
Aladdin Sane was completed
into another American tour.
In the space of just 18 months,
he'd released three
of his greatest albums,
played two extensive tours
and was about to embark
on a new live schedule
that involved nearly 100 gigs.
# She'll come, she'll go
# She'll lay belief on you. #
It was exhausting
cos we were doing two shows a night
and he constantly did...David
had to do all the interviews,
had to do all the press,
had to do everything else,
and then go out and perform
and do that. That must've been
really hard for him.
I don't think he was healthy
by the end of that tour, you know.
His entourage were getting very
concerned about his physical health
because he wasn't eating properly,
he wasn't sleeping.
Bowie said of that period,
he couldn't stand the noise
of the band ringing in his ears,
whether he was on stage or not.
I wasn't getting rid of him
at all, in fact,
I was joining forces with him.
The doppelganger and myself
and the same person.
And then you start
on this trial of chaotic
psychological distraction, you know,
and you become what is called
a drug casualty at the end of it all.
#..star. #
When it really hit big
they didn't want to talk
to David Bowie,
they wanted to talk
to Ziggy Stardust,
and you could see the struggle.
Bowie was giving interviews saying,
"I seem to have created this monster
"and it is taking me over and I
don't really know who I am anymore."
It was always Ziggy.
Even when you're in the car,
you kind of had Ziggy with you.
After two months in America,
the tour moved to Japan.
There was already a big buzz
surrounding Ziggy's arrival
because of his use
of Kabuki make-up and clothes.
Bowie also wore outfits created
by the country's leading fashion
designer, Kansai Yamamoto.
When the tour came to Tokyo,
Kansai presented Bowie
with a whole load of specially
designed Ziggy regalia.
In the BBC documentary Cracked
Actor, filmed a year later in 1974,
Bowie explained their significance.
Aladdin Sane was a schizophrenic,
that has accounted for lots of the...
why there are
so many costume changes,
because he had so many personalities
that, as far as I was concerned,
each costume change was a different
facet of his personality.
# Oh, yeah! #
Released in April 1973,
Aladdin Sane went straight
to the top of the UK charts.
It was Bowie's first
number one record
and it wasn't long before
all his previous albums charted too.
The next month, the momentous tour
rolled into Britain
for its final stretch.
I had said all I could say
about Ziggy and I thought, "Well,
"I am very tempted to go further with
this Ziggy thing only because it's
"so popular, but actually it's
not what I really want to do."
I mean,
I've created this bloody thing,
how to do I sort of get out of it?
drew in hordes of teenage Ziggys,
many desperate to see
their idol in the flesh.
# So, come on
So, come on
# You've really got
a good thing going
# Well, come on
Well, come on
# If you think
you're going to make it
# You better hang on to yourself! #
The audiences were screaming,
people jumping off the rafters.
You saw people getting knocked down
coming on stage by the bodyguards.
The level of enthusiasm and the joy
of the audience was
more honest and deeper than the US.
# Watch that man
# Oh, honey, watch that man. #
Being there in the front,
I just remember being lost
in the whole kind of emotion
of the whole thing, you know.
It was incredibly powerful and I'd
never seen a band like that before.
You really wanted to be a part of it
and it was part of belonging
to something, as well as being
part of a culture, part of a gang.
I used to run David up, get him
in the car, get the band in the car.
Within a couple of months, it was
a mob scene. It was the same...
It was like the Beatles!
You know, there we were,
and people were climbing on the car.
It wasn't just the fans that were
struggling to catch a glimpse
of Britain's biggest star.
In fact, the last tour
we ever did with him,
we'd only see him on stage.
We'd walk on stage,
we'd play the show,
he'd get in his limousine
and clear off.
And we'd all go back to the hotel
and we would see him
the next day on the stage again.
We thought it was odd.
We had started out as a band.
Really, that's what he wanted
was a band.
And then the bigger and bigger
it got, the less we saw of him.
The tour was set for a triumphant
end at the Hammersmith Odeon.
documentary maker D.A. Pennebaker,
who had been commissioned
by Bowie's record label to capture
history in the making.
filming for the Nationwide
current affairs programme.
What's it like with all these girls
loving your husband so much?
Absolutely fabulous. Wouldn't you
love to be loved by so many?
started on his quest for fame,
David Bowie was the most famous
pop star in Britain.
Amongst the excited Ziggy clones
queuing outside, celebrities
arrived to catch the conquering
hero at his homecoming gig.
Can I ask you why you've come
to see David Bowie?
He's a fine performer, isn't he?
As usual, he went through his
extravagant pre-show preparations.
Everything was set
for an electric performance.
And Bowie delivered
with cool composure.
# Making love with his ego
# Ziggy sucked up into his mind
# Like a leper messiah
# When the kids had killed the man
# I had to break up the band. #
Ziggy Stardust And The Spiders
From Mars were playing
Both the band and the audience
were high on the energy
buzzing around the venue.
Backstage was buzzing too,
with the rumour
of a special announcement.
Just before we went on stage,
David came round to me
and he said,
"Don't start Rock 'N Roll Suicide
until I give you the note."
It was decided in Japan.
Mick was sworn to secrecy.
"And if you do this for us,
you're going to be the next star,
"you're going to be doing this next
thing, but you can't tell the boys."
Just before the final song, David
Bowie approached the microphone
and with a few words,
broke the hearts of millions.
Of all the shows
on this tour, this...
this particular show
will remain with us for the longest
because not only is it
the last show of the tour,
but it's the last show
that we'll ever do.
Thank you.
We all went, "What the f***
is he talking about?"
Um, quite shocked.
I kept looking at Woody
and Woody was playing away going,
"I don't know what's going on,"
you know.
It didn't quite connect
with what we'd been talking about
three days earlier.
So we didn't know
whether that was true or not.
Everybody knew except
for Woody and Trevor. I knew.
The sound guy knew. I think that was
horrific to have done that to them.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"David Bowie & the Story of Ziggy Stardust" Scripts.com. STANDS4 LLC, 2024. Web. 28 Dec. 2024. <https://www.scripts.com/script/david_bowie_%2526_the_story_of_ziggy_stardust_6412>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In