Day After Day

Synopsis: Universal themes like growing up and the banality of everyday life for a young boy, which leads to aggression and suppressed rage. An ordinary day in a kid's life in a small town. An ...
Genre: Drama, Short
Director(s): Kornél Mundruczó
  7 wins.
 
IMDB:
6.4
Year:
2001
24 min
139 Views


Keep your mouth closed.|Don't let the air out.

I'm tired.

It's almost over.|Slowly. Slowly.

We're almost done.|Almost done.

Yes, another second.

I feel like a horse.

Yes, we're slowing down...

Don't stop,|keep walking, go to a walk.

Are you trying to kill me?

We're checking,|we're checking...

Your E. K. G. is fine.

Really?|- Yes.

Are you surprised?

Don't leave that here.

It's in the way.

Twenty trays of bagels...

Twenty trays.|- Twelve on each tray.

That makes...|- We'll see in a minute.

Wait a minute, wait, wait.

Four, five, six, seven, eight.|That's for you. - Forget it.

Stop it. Here, take it.|One, two, three...

You coming tomorrow to close|the deal?

I don't interfere with his affairs.

That's between you and him.|- A little uptight, your brother.

Let him pay up. Won't hurt him.

Someday you'll lose too.|- I never lose, buddy.

I was born to win.

Take care.|- You too.

Thanks.

It's not easy, Didi.|It's not easy.

You're going in one direction,|I'm headed in another.

So tell me where you're going,|I'd very much like to know.

Do you want a divorce?|- What?

What did you want to tell me?

It's not easy with you.

You always use|those agressive words

that spoil my appetite.

Go ahead, say it.|- Say what?

You wanted to talk,|so we're talking.

What did you want to tell me?

If it's about you being sterile,|then I know.

I've had my tests, Moshe.

What are you talking about?|What's the matter with you?

What are you getting upset about?

What got into you?|What's all this about sterility?

You're depressing me, Didi.|- I'm sorry.

You're depressing me.|- I didn't mean to.

What's with you?|Why are you talking about kids?

People see us, hear us,

they'll know what|we're talking about!

Moshe, it's important.|If we want to adopt a kid,

you have to decide|if you're with me or not.

Would you calm down?|Who's talking about adoption?

Who? Where did you get that idea?|From my mother?

Can you see us with kids?|Raising kids?

We don't even know|where we're going.

Besides, if it hasn't happened|so far, there must be a reason.

Everything's fine on my end.

So what do you think the reason is?

We're not headed in the|same direction.

We're getting off the subject.

I don't know, whenever we talk,|it's never fun.

All our conversations|have to be depressing.

Besides, once and for all,|I don't want any kids.

That's that. I don't want to raise|children in this crazy world.

I don't want kids|in this nutty, stupid country

where you never know whether|you'll get up tomorrow morning.

Stop spewing out those|worthless political ideas.

Want to go to Eilat?|- Eilat?

We'll get away,|get a change of air.

Not a bad idea, huh?

Your idea?|- Yes, sure.

Just the two of us?

I'm sure my dad|wouldn't want to come.

If we're with people who love us,|what's wrong with that? What?

Didi, what's the matter?

Nothing.

You mind if my mother|comes along?

Is that it?

What?|- Nothing, I tell you.

What? You don't want|my mother to come along?

Don't put words in my mouth.

I want us to separate.

What?|You want us to separate?

Are you back with him again?

With him? With whom?

You know exactly who I mean,|you b*tch.

How dare you bring all this up|with no reason!

You disgust me with your scenes.|I'm leaving!

It's just stuck there.|It's stuck right there.

Me looking for you in the middle|of the war, thinking a scud hit you.

And you, in the shelter,|screwing my best friend.

Why are you dragging that up? That|was 5 years ago. I've been honest.

Did you sleep with him?

Yes.

Aren't you ashamed of yourself?

How could you?

Moshe, let me think about|what we'll do, okay?

I'll think about what we'll do.|I'll think about what I'll do.

You really screwed up my appetite.

So you're thinking|of getting a divorce?

We're not getting a divorce,|we're separating. It's different.

That's terrible.

Why?|It's not the end of the world.

A lot of people do it nowadays.|Divorce isn't what it used to be.

I thought you were just separating.

Hanna...

What's going on with them?

He's lost without me.

Moshe. - What?

Moshe.|- What? What?

Didi is your wife.

I know it, but you don't.

Mom, I have a meeting.|I have to go, okay?

I'll see you tomorrow at ten.

Where can I reach you?

You don't need to reach me.|We see each other every day.

But in the evenings.

All right, remember...|Write down a number. 415-234.

And add an 8 at the beginning,

and don't call before 2 am.

Miss Pasha?|- Grisha,

not Pasha. I'll write it down|for you at the cash register.

Heavy traffic on the Paz bridge...

Mimi?

What?

Anything to report in your area?

It's a- okay.

Mimi.

What?

How's things?

A- okay.

What...?|What are you doing tomorrow?

Say, Grisha, are you really sure|you don't want to see me anymore?

What happened? Why don't|you tell me what happened?

By the way, if you need anything,|I have a lot of new stuff here.

Sweaters... some cool dresses,|shoes.

Come over, honey.

And I'm crazy about you,|you know that.

You really don't want|to see me anymore?

Grisha, will you come?

I'm mad about you.|Mad about you.

You really don't want to...

Hey, how's things?|How's things, Mussa?

Hi. What's up?|- How are you, buddy?

Have a look around,|there's lots of new stuff.

Take your time.

Okay, I'll talk to you later.|Bye, honey.

What's up?|Did you see my brother?

What?|No... no...

Can you manange?

I'm looking for something.|- What?

Maybe you can help me.

Depends what it is.

What are you looking for?|- Something unusual.

A present?

A present for my wife, yes.

Know what I was thinking?

Give her that.

What is it?|What is it for?

To film, stupid.

To film what?

How would I know?|The memories. Your memories.

Do you already see me buried,|or what?

What's the matter with you?|Do you see death everywhere?

Maybe give her a TV set?

I've got all the brands, Mussa.|Triton, Sano, Sonyo,

Sanyo, Silora... Metz.

Color, digital.

So she can spend all day|watching the news?

What's over there?|- It's a complete apartment:

Dining room, kitchen,|living room,

bathroom, even a new toilet.

We emptied the house|of some Germans

who went back|where they came from.

Do you sell single pieces?|- Come on,

take what you want,|just pick something already.

Say, Mussa,|are you still seeing Grisha?

Watch your finger.|Watch you fingers!

I'm watching.|- Move your arm off. Move!

My back's broken.|You and your TV sets.

Wait a minute, let's take a break.|- Come on, two more...

Let's take a break.|- Mussa, it's thirty steps, come on.

I don't feel well. - We're|almost there. One more floor.

Be careful.|- One more floor.

So tell me, what's she like,|the doctor?

I don't know.

What do you mean,|you don't know?

Didn't you see her?

Jules, Jules, I can't go on.

Just a little more.|A little effort, Mussa.

Watch out for that cable.|You're stepping on the cable.

Shitty idea.|Stupid present.

Five years together.|It's worth the hassle, no?

Five years... and|what does she get for them?

This monster from hell!

Rate this script:0.0 / 0 votes

Kornél Mundruczó

Kornél Mundruczó (Hungarian: [ˈkorneːl ˈmundrut͡soː]; born 3 April 1975) is a Hungarian film and theatre director. He has directed 17 short and feature films between 1998 and 2017. His film Johanna was screened in the Un Certain Regard section of the 2005 Cannes Film Festival. The production of White God, another of his full-length films, was supported by the Hungarian Film Fund. It won the Prize Un Certain Regard at the 2014 Cannes Film Festival and was screened in the Spotlight section of Sundance Film Festival in 2015. more…

All Kornél Mundruczó scripts | Kornél Mundruczó Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Day After Day" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/day_after_day_23841>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Day After Day

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What is the typical length of a feature film screenplay?
    A 90-120 pages
    B 30-60 pages
    C 200-250 pages
    D 150-180 pages