Days of Heaven Page #20
- PG
- Year:
- 1978
- 94 min
- 1,578 Views
264BILL
Bill runs through the night, still carrying his
lantern. Chuck bears down on him. Abby chases along behind
him, screaming for him to stop.
Bill realizes the lantern is giving his position away He
blows it out and vanishes from sight. All we can see is the
thundering horseman, sowing fire.
265CRANE SHOT
With a rough idea where Bill is, Chuck begins to
lay a ring of fire around him, fifty yards in diameter.
266BILL AND ABBY INSIDE RING
Abby spots Bill against the flames. She rushes
up, gasping. They have been caught inside the ring.
BILL:
What're you doing? This is a bad place to talk
He throws his coat over Abby's head, picks her up by the
waist and crashes through the flame. They have to shout to
make themselves understood. The locusts roar like a cyclone.
BILL:
Did you see that? He was trying to burn me.
What's got into him?
ABBY:
He knows. He must.
BILL:
A whole year's work. All wasted! These bugs,
once they make up
their minds...
Bill stalls. The fire races toward them through the wheat.
They appear as silhouettes against it.
BILL:
I need to get out of here. I think you probably
should, too.
(pause)
Hell of a life. Damned if you do and damned if
you don't.
He leaves. Abby wonders if she ought to run after him.
ABBY:
Bill!
But this moment's hesitation has been too long. Already he
is swallowed up in the night, her voice swept away in the
roar of the flame and the locusts, who seem to wail louder
now, and with a great mournfulness--like keening Arab
women--as if they knew the fate shortly to envelop
them.
Abby turns back. She, too, has reason to fear Chuck and must
escape.
267NEW ANGLE
Benson rallies the workers.
BENSON:
There's still a chance they're going to fly.
VOICES:
Get the tractor out! The pump wagon! Blankets!
They rush off to find equipment to fight the fire.
268ISOLATED ON CHUCK - NIGHT
Chuck rides through the dark like a lone
Horseman of the Apocalypse, setting his fields on fire.
269EXT. PLAINS ON FIRE - SERIES OF ANGLES -
NIGHT:
Tractors attempt to plow a firebreak. Mad
silhouettes run back and forth, slapping at the blaze with
wet gunny sacks fixed to the ends of sticks. Two dormitories
burn out of control.
Ursula throws open the barn and lets the horses out. They
have raised thunder kicking at their stalls. The light above
the barn door pulses erratically.
270EXPLOSIONS - NIGHT (MINIATURES)
Oil wells explode along the horizon. Huge balls
of flames roll into the heavens.
271EXT. BURNING PLAINS - NIGHT
Panic spreads among the workers as the holocaust
threatens to engulf them. They throw down their tools and
run for their lives.
272ANIMALS - NIGHT
Animals flee in all directions: birds and deer
and rabbits, pigs, buffalo and the horses from the barn. The
locusts mill around crazily on the wheat stalks, backlit
against the flame.
273BILL - NIGHT
Bill, fleeing on his motorbike with his rabbit,
holds up
for a moment to watch the fire--a Biblical inferno of
spectacular sweep.
274EXT. BEDROOM WINDOW--TRACKING SHOT
(CHUCK'S POV)--NIGHT
A single light burns in the Belvedere.
275INT. BEDROOM - NIGHT
Heaving with sobs, Abby throws her things into a
bindle. She has lost Chuck forever. Their life is destroyed.
She glances out the window. She still has time to get away,
but she must hurry. She bolts for the door. Sud-
denly Chuck steps from the shadows, blocking her exit.
His face, black with soot, looks gruesome in the gas1ight.
The locusts have chewed up his clothes.
Abby is like a frightened deer. Did he see her packing?
CHUCK:
You look as though you'd seen a ghost.
(pause)
Where you going?
(pause)
Off with him?
The wind cuts gaps in the death wail of the locusts. From
time to time we hear the thump of an exploding well.
CHUCK:
He's not your brother, is he?
How much does he know? She edges toward the door.
ABBY:
Why do you say that?
CHUCK:
Come here a minute. Who are you?
(no reply)
Where'd you come from?
ABBY:
I told you.
He shakes her. She quivers like a child in his grasp. She no
longer has the audacity to lie.
ABBY:
How long have you known?
He drops his eyes. Shamefully long -- and his anger is
partly just at this.
CHUCK:
What'd you want? He punches in the shade of a
lamp, extinguishing it.
CHUCK:
Tell me. He shoves over the chest of drawers.
She does not move.
He tears down the drapes, already in shreds.
CHUCK:
This? Show me what you wanted! I would have
given it all to you.
ABBY:
Please, Chuck.
CHUCK:
Please what? You're not going to tell me you're
sorry, I hope..
ABBY:
But I am.
Outside the window fires rage along half the horizon. He
sits down. He wants to sob, but cannot.
CHUCK:
You're so wonderful. How could you do this?
ABBY:
I'm just no good. You picked me from the gutter,
and this is
how -- I never deserved you.
CHUCK:
(interrupting)
The things you told me.
ABBY:
I love you, though. You have to believe me. It
may sound false after...
CHUCK:
(interrupting)
Down at the cave. Don't you remember? I believed
them.
ABBY:
All right. I'm going away. You'll never have to
see me again.
CHUCK:
Away?
He gets up, suddenly alarmed, walks to the mantel and opens
a chest.
ABBY:
What're you doing?
Chuck drapes his neck with the stole he used in slaughtering
the hog. Her face goes empty. He gets his razor strop from
the shaving basin. She shrinks back in the corner. He looks
at her for a moment, then leaves the room.
276INT. STAIRCASE - NIGHT
Abby pursues him down the stairs. He throws her
aside.
ABBY:
Where are you doing? Chuck! What are you doing?
I won't
let you! Come back!
Again he throws her aside, and again she keeps after him,
desperate to prevent any harm coming to Bill. Finally he
picks her up and drags her outside.
277EXT. PORCH - NIGHT
He lashes her with a rope to a column of the
porch. She struggles vainly to free herself. Does he intend
to use the razor on her?
ABBY:
No, Chuck! Please, darling! It wasn't his fault.
It was mine.
Let him go. I love you, Chuck. Do anything, only please...
CHUCK:
I'm sick of hearing lies.
He stuffs a handkerchief in her mouth and leaves.
278TIGHT ON CHUCK - NIGHT
Chuck wanders through the night with a lantern,
calling his mare.
279EXT. BURNT-OUT FIELDS - DAWN
Dawn breaks. Chuck rides over the burnt-out
fields looking for Bill. The feet of his lank white mare are
wrapped to the fetlock in wet burlap, to protect them from
the smouldering grass. It prances warily along, without
making a sound, wreathed in a mist of blue smoke. With him
he carries a stool. The camera pans up to the smoke which is
carrying his fortune off.
280CHUCK'S POVS
Burnt, blind deer stand and look at him in utter
terror, as though they understood his intentions. The
roasted corpses of sharptail grouse, coyotes and badgers lie
scattered here and there. Piles of dung burn on after the
grass is out.
A peacock from the Belvedere wanders around, angry and
perplexed.
281BILL
Bill is repairing his motorbike by a rock in the
middle of the scorched landscape. The tires are soft as
licorice from the heat. Suddenly, he looks up. Chuck has
found him.
He jumps behind the handlebars and fishtails off. Chuck
breaks into a gallop, rides him down, knocks him to the
ground with the stool, dismounts and stamps in the spokes of
the front wheel to make sure he goes no further.
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"Days of Heaven" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/days_of_heaven_843>.
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